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`Sheds considerable new light on the nature, development and functions of the orders in a key phase of their history, and goes a long way to explaining how such archaic institutions could flourish in a culture that is commonly thought anti-traditional and especially hostile to the "middle ages"'. Professor JONATHAN BOULTON, University of Notre Dame. This is the first comprehensive study to set the British orders of knighthood properly into the context of the honours system - by analysing their political, social and cultural functions from the Restoration of the monarchy to the end of George II's reign. It examines the revival of the Order of the Garter and the proposals to establish the Orders of the Royal Oak and the Esquires of the Martyred King at the Restoration, the foundation (1687) and the revival (1703-4) of the Order of the Thistle as well as the foundation of the Order of the Bath (1725). It establishes just how central a part the orders played in the British high political life and its comprehensive and multidimensional approach carefully contrasts the idealistic discourse of virtue and honour to the real workings of the honours system; it also makes the case for the 'Chivalric Enlightenment'. The 'orders over the water', the Garter and the Thistle conferred by the Jacobite claimants, are discussed for the first time in the context of the established British honours system. Overall, the comparison between the socially very restricted British and the increasingly meritocratic Continental orders highlights the isolation of the British honours system from the European tendencies.
As the premier livery company, the Mercers Company in medieval England enjoyed a prominent role in London's governance and exercised much influence over England's overseas trade and political interests. This substantial two-volume set provides a comprehensive edition of the surviving Mercers' accounts from 1347 to 1464, and opens a unique window into the day-to-day workings of one of England's most powerful institutions at the height of its influence. The accounts list income, derived from fees for apprentices and entry fees, from fines (whose cause is usually given, sometimes with many details), from gifts and bequests, from property rents, and from other sources, and then list expenditures: on salaries to priests and chaplains, to the beadle, the rent-collector, and to scribes and scriveners; on alms payments; on quit-rents due on their properties; on repairs to properties; and on a whole host of other costs, differing from year to year, and including court cases, special furnishings for the chapel or Hall, negotiations over trade with Burgundy, transport costs, funeral costs or those for attendance at state occasions, etc. Included also in some years are ordinances, deeds and other material of which they wanted to ensure a record was kept. Beginning with an early account for 1347-48, and the company's ordinances of that year, the accounts preserved form an entire block from 1390 until 1464. The material is arranged in facing-page format, with an accurate edition of the original text mirrored by a translation into modern English. A substantial introduction describes the manuscripts in full detail and explains the accounting system used by the Mercers and the financial vocabulary associated with it. Exhaustive name and subject indexes ensure that the material is easily accessible and this edition will become an essential tool for all studying the social, cultural or economic developments of late-medieval England.
This title was first published in 2002: Until relatively recently, musicologists' account of church music in post-Restoration and early Georgian England has been substantially incomplete due to an almost exclusive preoccupation with the music and musicians of the Chapel Royal. The balance is now being redressed and this book begins the task of filling one of the remaining gaps in our understanding of the field. The volume represents a detailed examination of the practical workings of a choral foundation during the later 17th and early 18th centuries, placing the musicians within their wider historical and social contexts, and based on a comprehensive survey of extant archival material.
The core of this book is the life story of a manuscript codex, British Library Royal MS 13 E IV: the Latin Chronicle (from the Creation to 1300) of Guillaume de Nangis, copied in the abbey library of St-Denis-en-France. The authors shed new light on the production process, identifying the illuminator of the Royal MS and naming the scribe. Detailed evidence links the codex to important events in history, such as the Council of Constance, and famous actors like Jean de France, duc de Berry, Sigismund of Luxembourg, Thomas Howard, duke of Norfolk, and Henry VIII, to name a few. The authors show how it traveled from one capital to the other, narrating the entire life and interesting times of this codex. Another dimension of this study accounts for all twenty-two copies of the Chronicle, now scattered in nine cities from London to Vienna, placing each one in a scrupulously drawn stemma codicum and sketching its history.
The tragic story of Anne Boleyn has been retold over the centuries, yet two key figures in Anne's life-her father Thomas and brother George- are often relegated to the margins of Henry VIII's turbulent reign. Well before Anne's coronation in 1533, Thomas was regarded as one of Henry's most skilled and experienced ambassadors, and George was a talented young courtier on the rise. But Anne's downfall was to have a devastating effect on her family – ultimately costing her and her brother their lives. A family whose success and prestige had been shaped over generations was destroyed in a violent and brutal episode as the king sought a new wife and a male heir. In this first biography devoted to the Boleyn men, Lauren Mackay takes us beyond the stereotypes of Thomas and George to present a story that has almost been lost to history. This book follows the Boleyn men as they negotiated their way through the ruthless game of politics among the wolves of the court, and establishes their place in Tudor history.