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Mal and Boss Moon’s hunt for the mysterious serial killer continues, but first they have to take a quick detour to capture the most wanted thieves in the sector— members of his former crew; the Chang-Benitez Gang! But will Mal be able to bring in Chang, Kaylee and Jayne? It’s Sherriff Mal versus the ‘Verse’s Bonnie and Clyde and, er, Jayne!
Daisy has taken the mysterious Leland Black up on his job offer, giving her a new outlet to excise her demons — but quickly realizes that the dangerous conspiracy goes much deeper than she ever imagined. All roads lead straight to the Red Mother. And the Red Mother is heading straight for Daisy. Writer Jeremy Haun (The Beauty, The Realm) and artist Danny Luckert (Regression) present the next chapter of the haunting series that digs below the surface of reality to unveil the horrors just beyond our sight. Collects The Red Mother #5-8.
Orb had a rare gift--the magic which manifested whenever she sang or played her harp. No one could resist her music. But she knew that greater magic lay in the Llano, the mystic music that controlled all things. The quest for the Llano occupied Orb's life. Until she met Natasha, handsome and charming, and an even finer musician. But her mother Niobe came as an Aspect of Fire, with the news that Orb had been chosen for the role of Incarnation of Nature--The Green Mother. But she also warned of a prophecy that Orb was to marry Evil. Could she be sure that Natasha was not really Satan, the Master of Illusion, laying a trap for her...?
Can a mother be both loving and selfish? Caring and thoughtless? Deceitful and devoted? These are the questions that fuel psychologist Dr. Judy Rabinor’s quest to understand her ambivalence toward her mother. While leading a seminar exploring the importance of the mother-daughter relationship, Dr. Judy Rabinor, an eating disorder expert, is blindsided by a memory of a childhood trauma. Realizing how this buried trauma has resonated through her life, she sets off to heal herself. The Girl in the Red Boots weaves together tales from Rabinor’s psychotherapy practice and her life, helping readers understand how painful childhood experiences can linger and leave emotional scars. In the process, Rabinor traces her own journey becoming a wounded healer and ultimately making peace with her mother, and herself. Not a traditional self-help book outlining “steps” to reconcile or forgive one’s mother, The Girl in the Red Boots is a poignant memoir filled with hard-won life lessons, including the fact that it’s never too late to let go of hurts and disappointments and develop compassion for yourself—and even for your mother.
With the breadth and cumulative force of a novel, Mother of Sorrows presents ten interwoven stories of an American family starting out in the post—World War II suburbs of Washington, D.C., a world of identical brick houses and sunstruck, treeless lawns, a world of initial hopefulness from which shame and loss have seemingly been banished. This is the story of two adolescent brothers whose father has suddenly died, and of their beautiful and complicated mother, a mother whom the younger son worshipfully imagines as “Our Mother of the Sighs and Heartaches . . . Our Mother of the Gorgeous Gypsy Earrings . . . Our Mother of the Late Movies and the Cigarettes . . . Our Mother of Sudden Attentiveness . . . Our Mother of Sudden Anger.” This is the brother who narrates these tales as he looks back thirty years later, the only remaining survivor of a world he seeks both to leave behind and to preserve in words forever, a world of sorrow that has held him spellbound even as he has attempted to create a life of his own. Suffused with the beauty of Richard McCann’s extraordinary language, Mother of Sorrows introduces us to a voice that is urgent, contemplative, elegant, angry, revelatory, and like no other in contemporary fiction.
Late in 2004, Maggie Nelson was looking forward to the publication of her book Jane: A Murder, a narrative in verse about the life and death of her aunt, who had been murdered thirty-five years before. The case remained unsolved, but Jane was assumed to have been the victim of an infamous serial killer in Michigan in 1969. Then, one November afternoon, Nelson received a call from her mother, who announced that the case had been reopened; a new suspect would be arrested and tried on the basis of a DNA match. Over the months that followed, Nelson found herself attending the trial with her mother and reflecting anew on the aura of dread and fear that hung over her family and childhood--an aura that derived not only from the terrible facts of her aunt's murder but also from her own complicated journey through sisterhood, daughterhood, and girlhood. The Red Parts is a memoir, an account of a trial, and a provocative essay that interrogates the American obsession with violence and missing white women, and that scrupulously explores the nature of grief, justice, and empathy.
Designed to be used by children in their first six months of school PM Starters One and Two
In Red Mother Laurel Radzieski weaves a love story told from the perspective of a parasite. This series of short poems explores the intimacy we all experience by following the sometimes tender, often distressing relationship that emerges between a parasite and its host. Radzieski's poetry is playful, though often with sinister undertones.
Daisy has taken the mysterious Leland Black up on his job offer, giving her a new outlet to excise her demons — but quickly realizes that the dangerous conspiracy goes much deeper than she ever imagined. All roads lead straight to the Red Mother. And the Red Mother is heading straight for Daisy. Writer Jeremy Haun (The Beauty, The Realm) and artist Danny Luckert (Regression) present the next chapter of the haunting series that digs below the surface of reality to unveil the horrors just beyond our sight. Collects The Red Mother #5-8.
When an injured hawk can no longer raise chicks of her own, she raises chickens instead. HAWK MOTHER: THE STORY OF A RED-TAILED HAWK WHO HATCHED CHICKENS is a true story of nurture over nature.