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“The red man’s on the warpath! The time has come for him to dig up the hatchet and join his paleface brother in his fight to make the world safe for the sacred cause of freedom and democracy.” -- Winnipeg Free Press, May 1941 During the Second World War, thousands of First Nations people joined in the national crusade to defend freedom and democracy. High rates of Native enlistment and public demonstrations of patriotism encouraged Canadians to re-examine the roles and status of Native people in Canadian society. The Red Man’s on the Warpath explores how wartime symbolism and imagery propelled the “Indian problem” onto the national agenda, and why assimilation remained the goal of post-war Canadian Indian policy – even though the war required that it be rationalized in new ways. The word “Indian” conjured up a complex framework of visual imagery, stereotypes, and assumptions that enabled English Canadians to explain the place of First Nations people in the national story. Sheffield examines how First Nations people were discussed in both the administrative and public realms. Drawing upon an impressive array of archival records, newspapers, and popular magazines, he tracks continuities and changes in the image of the “Indian” before, during, and immediately after the Second World War. Informed by current academic debates and theoretical perspectives, this book will interest scholars in the fields of Native-Newcomer and race relations, war and society, communications studies, and post-Confederation Canadian history. Sheffield’s lively style makes it accessible to a broader readership.
Until age 15, Billy Dietz thought he was the natural son of a prominent white couple in Rice
No other silent film director has been as extensively studied as D. W. Griffith. However, only a small group of his more than five hundred films has been the subject of a systematic analysis, and the vast majority of his other works still await proper examination. For the first time in film studies, the complete creative output of Griffith - from 'Professional Jealousy '(1907) to 'The' 'Struggle '(1931) - will be explored in this multivolume collection of contributions from an international team of leading scholars in the field. Created as a companion to the ongoing retrospective held by the Pordenone Silent Film Festival, the Griffith Project is an indispensable guide to the work of a crucial figure in the arts of the nineteenth century. The latest volume assesses Griffith's work in 1914-15. It includes an extensive, multi-authored evaluation of 'The Birth of' 'a Nation.'
A comprehensive study of the history and cultural traditions of the North American Indians. from pre-history to the present.
Joseph Nicolar's "The Life and Traditions of the Red Man" tells the story of his people from the first moments of creation to the earliest arrivals and eventual settlement of Europeans. Self-published by Nicolar, this is one of the few sustained narratives in English composed by a member of an Eastern Algonquian-speaking people during the nineteenth century. At a time when Native Americans' ability to exist as Natives was imperiled, Nicolar wrote his book in an urgent effort to pass on Penobscot cultural heritage to subsequent generations of the tribe and to reclaim Native Americans' right to self-representation. This extraordinary work weaves together stories of Penobscot history, precontact material culture, feats of shamanism, and ancient prophecies about the coming of the white man. An elder of the Penobscot Nation in Maine and the grandson of the Penobscots' most famous shaman-leader, Old John Neptune, Nicolar brought to his task a wealth of traditional knowledge. providing historical context and explaining unfamiliar words and phrases. "The Life and Traditions of the Red Man" is a remarkable narrative of Native American culture, spirituality, and literature
Red Man's America meets the great need for a comprehensive study of Indian societies from the first Stone Age hunters to the American citizens of today. Beginning with the first migrations of primitive man from Siberia in the Old World to Alaska in the New, probably during the latter part of the Pleistocene glaciations, and his subsequent migration southward and eastward, the author takes up in turn the tribes and cultures of the various regions of North America. The material Professor Underhill has gathered from the fields of archaeology, ethnology, and history, together with that drawn from her own experience in the United States Indian Service, produces a fascinating narrative. Red Man's America is an important contribution to our heritage of Indian life and lore. "A work for which both sociologist and historian will be forever grateful. The author has combined a long period of study with actual field work in the service of the Indian to produce a work that gives a brief, but well written and accurate, sketch of the origins, backgrounds, and customs of the various North American tribes. . . . There is no other modern single volume that contains as much information on the subject."—E.R. Vollmar, The Historical Bulletin "Liveliness in style and illustration, together with perspicacity in content, makes this book a useful introduction to the civilization of the original inhabitants of the land."—Pacific Historical Review
This is the boxed set of books 10, 11 and 12 in The Kate Redman Mysteries series, by USA Today bestselling author Celina Grace. PULSE (A KATE REDMAN MYSTERY: BOOK 10) The body of a young man is found in a graveyard the night after a wild, drug-fuelled party. At first glance, there doesn’t appear to be anything sinister about his death, despite the shock of Detective Inspector Mark Olbeck realising that he once knew him. Detective Sergeant Kate Redman has other things to worry about, not least her ongoing affair with her superior officer Chief Inspector Anderton. But when a second body is found in suspiciously similar circumstances, Kate, Olbeck and the rest of the Abbeyford police team realise they are up against a devious killer who will stop at nothing to indulge a literal thirst for blood… FURY (A KATE REDMAN MYSTERY: BOOK 11) Roland Barry was a respectable, retired academic, beloved of his colleagues and friends. So why did he die so savagely, killed in a frenzied attack? The latest case for the newly qualified Detective Inspector Kate Redman is a puzzle. So is the next murder case the Abbeyford police team deal with, given the victim is a much younger woman. But, as Kate and her colleagues begin to dig deeper into the evidence, a strange link between the two crimes become apparent. What is the real connection between the two murder victims…and will there be any more? SCIMITAR (A KATE REDMAN MYSTERY: BOOK 12) A terrorist atrocity rips through London the day before the body of a young Asian man is found in the grounds of a stately home, near the West Country town of Abbeyford. DI Kate Redman and her team take on the case, but are hampered by a lack of identification on the body, not to mention the odd location of the crime scene. Eventually, they identify the young man as a certain Ibrahim Bashir, but this only leads to more confusion – because it seems that Ibrahim Bashir died fifty years ago…
The first biography in over sixty years of a great American artist whose paintings are more famous than the man who made them. George Catlin has been called the “first artist of the West,” as none before him lived among and painted the Native American tribes of the Northern Plains. After a false start as a painter of miniatures, Catlin found his calling: to fix the image of a “vanishing race” before their “extermination”—his word—by a government greedy for their lands. In the first six years of the 1830s, he created over six hundred portraits—unforgettable likenesses of individual chiefs, warriors, braves, squaws, and children belonging to more than thirty tribes living along the upper Missouri River. Political forces thwarted Catlin’s ambition to sell what he called his “Indian Gallery” as a national collection, and in 1840 the artist began three decades of self-imposed exile abroad. For a time, his exhibitions and writings made him the most celebrated American expatriate in London and Paris. He was toasted by Queen Victoria and breakfasted with King Louis-Philippe, who created a special gallery in the Louvre to show his pictures. But when he started to tour “live” troupes of Ojibbewa and Iowa, Catlin and his fortunes declined: He changed from artist to showman, and from advocate to exploiter of his native performers. Tragedy and loss engulfed both. This brilliant and humane portrait brings to life George Catlin and his Indian subjects for our own time. An American original, he still personifies the artist as a figure of controversy, torn by conflicting demands of art and success.
Includes titles on all subjects, some in foreign languages, later incorporated into Memorial Library.