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In The Red Decade: Stalinism in 1930s America, Eugene Lyons offers a compelling account of the influence of Stalinism on American politics and culture during the 1930s. Lyons, a former communist turned anti-communist, provides a unique perspective on the ways in which the Soviet Union's ideology and propaganda infiltrated various aspects of American society, from the arts and literature to labor unions and political organizations. While the book was originally published in 1941, its insights remain relevant today as a cautionary tale about the dangers of totalitarian ideologies and the importance of defending democratic values.
2019 Reprint of 1941 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. Originally titled The Red Decade: Stalinist Penetration of America, this work describes a period in American history in the 1930s characterized by a widespread infatuation with communism in general and Stalinism in particular. Lyons believed this idolization of Joseph Stalin and of Bolshevik achievements to have reached its high point in 1938, running deepest amongst liberals, intellectuals, and journalists and even some government and federal officials. Of relevance today in light of the current interest in Socialism expressed by young voters and progressives in the U.S. Table of contents: Introduction: In defense of Red-baiting -- The five ages of the Communist International -- A party is born -- Boring from within -- The Moscow solar system -- The American party is purged -- The milquetoast takes command -- The Red decade dawns -- Fascism has the right of way -- The cult of Russia-worship -- The liberals invent a utopia -- Apologists do their stuff -- The Red cultural renaissance -- More planets are launched -- Moscow adopts the Trojan horse -- Communism becomes Americanism -- The incredible Revolution spreads -- American league for Soviet war mongering -- Stalin's children's hour in the U.S.A. -- Stalin muscles in on American labor -- Russian purges and American liberals -- Hooray for murder! -- "Friends of the G.P.U." -- Cocktails for Spanish democracy -- Revolution comes to Hollywood and Broadway -- America's own popular front government -- The typewriter front -- Intellectual Red terror -- The last loony scene -- The melancholy retreat of the liberals -- New fronts for old -- And they called it "peace" -- The menace today.
Originally titled The Red Decade: Stalinist Penetration of America, this work describes a period in American history in the 1930s characterized by a widespread infatuation with communism in general and Stalinism in particular. Lyons believed this idolization of Joseph Stalin and of Bolshevik achievements to have reached its high point in 1938, running deepest amongst liberals, intellectuals, and journalists and even some government and federal officials. Of relevance today in light of the current interest in Socialism expressed by young voters and progressives in the U.S.
The classic work on Communism in America duting the thirties.
Focusing on previously neglected cultural expressions of colonial-period Korean socialism such as Marxist philosophy, Marxist historiography, and travelogues by socialist writers, The Red Decades reveals Marxian socialism as a cultural phenomenon of colonial-age Korea. Providing an account of the social composition of the Communist milieu in 1920s and 1930s Korea and outlining the aims of the colonial-period Communist movement as formulated in programmic documents, this text offers a rich, nuanced description of the microcosm of Korean Communism—a setting of factional alignments, pilgrimages to Moscow, extended stays of the Korean revolutionaries as exiles in China and the Soviet Union, and a polylingual environment with Chinese, Japanese, English, and Russian being equally important as the idioms of socialist propagation and international networking. Placing the endeavors of colonial-age Communists within a global historical context allows for dissections of how Korean socialists' ideals interacted with the realities of the conservative turn taking place in the Soviet Union since the late 1920s, as well as considering the implication of Stalinism for Korean revolutionary culture. Yet this analysis also focuses on the individuals involved, especially on their persistent issue of factionalism in the Korean Communist movement and on the role of underground radicalism in shaping the subaltern subjectivities of the participants. The Red Decades discusses the world-historical place of “alternative modernity” that colonial-age socialists of Korea were pursuing. Based on a wealth of Japanese, Korean, Russian, and Chinese primary sources, including the Korea-related parts of the archives of Comintern, an under-utilized resource in Anglophone scholarship. The research also accommodates the achievements of the last decades, from South Korean, Japanese, Chinese, Anglophone and Russophone academic worlds. The breadth of this study situates the philosophical, historiographical, and political practices of Marxism of colonial Korea in the global historical perspective and simultaneously explores the long-lasting influences of the Communist movement in post-1945 North and South Korea.
WINNER OF THE 2019 NATIONAL BOOK AWARD 1919 was a world-shaking year. America was recovering from World War I and black soldiers returned to racism so violent that that summer would become known as the Red Summer. The suffrage movement had a long-fought win when women gained the right to vote. Laborers took to the streets to protest working conditions; nationalistic fervor led to a communism scare; and temperance gained such traction that prohibition went into effect. Each of these movements reached a tipping point that year. Now, one hundred years later, these same social issues are more relevant than ever. Sandler traces the momentum and setbacks of these movements through this last century, showing that progress isn't always a straight line and offering a unique lens through which we can understand history and the change many still seek.
Rio Ferdinand is widely acknowledged as one of the most talented and skilful defenders in the world. His transfer from West Ham to Leeds was a British record at the time, a feat he achieved again with his subsequent move to Manchester United. Ferdinand's success on the pitch has been meteoric; including high drama in the Champions League, three World Cups and a dramatic Premiership victory. Here, for the very first time, Ferdinand reveals all about his infamous missed drugs test, the controversies surrounding both his transfers, his supposed reluctance to re-sign for United in 2005, the alleged tapping-up meeting with Chelsea's Peter Kenyon and various tabloid headlines involving partying and women.
Explains why Mao launched the Cultural Revolution, and shows his Machiavellian role in masterminding it. This book documents the Hobbesian state that ensued. Power struggles raged among Lin Biao, Zhou Enlai, Deng Xiaoping, and Jiang Qing - Mao's wife and leader of the Gang of Four - while Mao often played one against the other.
In the deeply personal Decade of the Brain, Janine Joseph writes of a newly-naturalized American citizen who suffers from post-concussive memory loss after a major auto accident. The collection is an odyssey of what it means to recover—physically and mentally—in the aftermath of trauma and traumatic brain injury, charting when “before” crosses into “after.” Through connected poems, buckling and expansive syntax, ekphrasis, and conjoined poetic forms, Decade of the Brain remembers and misremembers hospital visits, violence and bodily injury, intimate memories, immigration status, family members, and the self. After the accident I turned out all of the lights in the room while I watched, concussed, from the mirror. I edged like a fever with nothing on the tip of my tongue.
The turbulent years of the 1930s were of profound importance in the life of Spanish film director Luis Buñuel (1900–1983). He joined the Surrealist movement in 1929 but by 1932 had renounced it and embraced Communism. During the Spanish Civil War (1936–39), he played an integral role in disseminating film propaganda in Paris for the Spanish Republican cause. Luis Buñuel: The Red Years, 1929–1939 investigates Buñuel’s commitment to making the politicized documentary Land without Bread (1933) and his key role as an executive producer at Filmófono in Madrid, where he was responsible in 1935–36 for making four commercial features that prefigure his work in Mexico after 1946. As for the republics of France and Spain between which Buñuel shuttled during the 1930s, these became equally embattled as left and right totalitarianisms fought to wrest political power away from a debilitated capitalism. Where it exists, the literature on this crucial decade of the film director’s life is scant and relies on Buñuel’s own self-interested accounts of that complex period. Román Gubern and Paul Hammond have undertaken extensive archival research in Europe and the United States and evaluated Buñuel’s accounts and those of historians and film writers to achieve a portrait of Buñuel’s “Red Years” that abounds in new information.