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Hot nickels is a book/ mood prepared as food for thought dishes. Everyone is welcome to a plate of intrigue, passion, love and shoe fly pie to dine from along with being a challenge for all to become better friends, citizens and never forget the essence of the Harlem Renaissance . Hot nickel.. is needed as much as the HR was in 1920. Many of the respectable cultures and attributes across the world are celebrated, however African American culture at times is overlooked and not fêted and embraced. Hot nickel... is not only an attempt, but a haunting desire to commemorate the thoughts, lifestyles and food dishes of African Americans poetically. Every poem, abstract, story and haiku was carved, shaped and written to stick to the ribs of the mind and soul. Every piece was prepared for all to nibble, gnaw, sample, eat and digest in hopes of your mind becoming fat and filling. Hot nickels & kool pennies: khocolate happi vibin' broken into three to five counterpart/ meanings. The subtitle/restaurant KHV (chocolate was ebonixed and spelled with a K instead of a C for Kenny (who is the leading chef of the vibe) and chocolate is the color of the African Americans people. Chocolate is deep, sweet and rich like the sonnets and writing of the vibe and designed to make you smile (mentally) as chocolate does for many. Happy is ebonixed like chocolate and spelled happi for I needed to emphasize. Happy defines celebration, triumph, and ending of sorrows and tough situation much like our lives. Vibe symbolizes the feeling of place and mood when creating a masterpiece through penmanship -A deep, sweet and rich celebration of triumph, pain and overcoming feelings of everyday life in the worlds of all of us.
This collection of the best articles the hip-hop generation has produced captures the indelible moments in hip-hop's history since 1979 and will be the centerpiece of the 25th-anniversary celebration.
What if we gave birth to future and past generations at the same time? Gershon Polokov feels a deep attachment to his great granddaughter, Sophie. He believes her to be the reincarnation of his deceased wife, Sophie’s great grandmother. Before he dies, Gershon tells newborn Sophie the story of their past life together and the new life that is to come. Then, in his final hours, Gershon has stronger visions of the future than of the past, while Sophie’s memories intensify as she matures. Are the two destined to reunite as husband and wife, as they have been joined in every incarnation? Is there a mutual drive to find each other in every life and, together, discover the keeper of their souls? In this novel of recognition and continuity, the lives of two families, spanning several decades, are connected through generations of reincarnated souls, some with memories of their former lives and others without. MINDY LITTMAN HOLLAND, a nonfiction and fiction writer, is also an artist and photographer. Her previous book, WAIT UNTIL YOU’RE FIFTY: A WOMAN’S JOURNEY INTO MIDLIFE, was also published by Sunstone press. Mindy lives in Santa Fe, New Mexico. Visit the author: www.mindylittmanholland.com.
With informative biographies, essays, and "music maps, " this book is the ultimate guide to the best recordings in rhythm and blues. 20 charts.
Recent years have seen not just a revival, but a rebirth of the analogue record. More than merely a nostalgic craze, vinyl has become a cultural icon. As music consumption migrated to digital and online, this seemingly obsolete medium became the fastest-growing format in music sales. Whilst vinyl never ceased to be the favorite amongst many music lovers and DJs, from the late 1980s the recording industry regarded it as an outdated relic, consigned to dusty domestic corners and obscure record shops. So why is vinyl now experiencing a ‘rebirth of its cool’?Dominik Bartmanski and Ian Woodward explore this question by combining a cultural sociological approach with insights from material culture studies. Presenting vinyl as a multifaceted cultural object, they investigate the reasons behind its persistence within our technologically accelerated culture. Informed by media analysis, urban ethnography and the authors’ interviews with musicians, DJs, sound engineers, record store owners, collectors and cutting-edge label chiefs from a range of metropolitan centres renowned for thriving music scenes including London, New York, Tokyo, Melbourne, and especially Berlin, what emerges is a story of a modern icon.
Rule Three of Cyberpunk: ‘Live on the Edge’ Marl—your ‘Road-Boy’—is looking for a way through. The discovery of a 'Bucky' sequestered in his room, presenting him an opportunity to—perhaps, exact is Will upon an unsuspecting World.
During the 1990s, Asian pop artists began entering the mainstream of the British music industry for the first time. Bands such as Black Star Liner, Cornershop, Fun Da Mental and Voodoo Queens, led those within and without the industry to start asking questions such as what did it mean to be Asian? How did the bands' Asian background affect their music? What did their music say about Asians in Britain? In this book, Rehan Hyder draws on in-depth interviews with musicians from these bands and with critics and record producers, to examine the pressures associated with making music as a young Asian in today's multi-ethnic Britain. As the book reveals, these musicians wish to convey an authentic sense of creativity in their music, while at the same time wanting to assert a positive ethnic identity. Hyder explores these two impulses against the backdrop of a music industry and a society at large that hold a range of confining stereotypes about what it means to be Asian. The experiences of these bands add considerably to the wider debate about the nature of identity in the contemporary world.
Continues the objectives of the original volume: to act as a pathfinder in the study of rock music for both the serious student and the interested enthusiast, and to serve as a guide to the vast quantities of material on the subject for librarians and educators.