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Acclaimed Israeli cartoonist Asaf Hanuka's weekly strips unfold an emotional autobiography full of humor and melancholy, wild imagination, and quiet desperation. Collected for the first time in English and including never-before-collected strips, The Realist delivers both honesty and whimsy from a master of his craft. With echoes of R. Crumb and Daniel Clowes, Hanuka moves readers with his depictions of everyday life, commenting on everything from marriage to technology to social activism through intimate moments of triumph and failure.
In The Atlantic Realists, intellectual historian Matthew Specter offers a boldly revisionist interpretation of "realism," a prevalent stance in post-WWII US foreign policy and public discourse and the dominant international relations theory during the Cold War. Challenging the common view of realism as a set of universally binding truths about international affairs, Specter argues that its major features emerged from a century-long dialogue between American and German intellectuals beginning in the late nineteenth century. Specter uncovers an "Atlantic realist" tradition of reflection on the prerogatives of empire and the nature of power politics conditioned by fin de siècle imperial competition, two world wars, the Holocaust, and the Cold War. Focusing on key figures in the evolution of realist thought, including Carl Schmitt, Hans Morgenthau, and Wilhelm Grewe, this book traces the development of the realist worldview over a century, dismantling myths about the national interest, Realpolitik, and the "art" of statesmanship.
The Realist was a legendary satirical periodical that ran from 1958 to 2001 and published some of the most incendiary cartoons that ever appeared in an American magazine. The Realist Cartoons collects, for the first time, the best, the wittiest, and the most provocative drawings that appeared in its pages, including work by R. Crumb, Art Spiegelman, S. Clay Wilson, Jay Lynch, Trina Robbins, Mort Gerberg, Jay Kinney, Richard Guindon, Nicole Hollander, Skip Williamson, and many others.
The long-awaited third collection of the Eisner Award-winning series of New York Times bestselling cartoonist Asaf Hanuka’s one-page autobiographical weekly comics returns to captivate, inspire, and challenge readers. Through scenes both real and imagined, the acclaimed Israeli cartoonist examines the joys (and pitfalls) of parenting in a politically divisive world and the ongoing struggle to manifest art even as real life humor and pathos keeps getting in the way. The internationally acclaimed and Hugo Award-nominated cartoonist’s beautifully drawn stories about self, family, society, and everything in between conjure a deeply rich and unforgettable reading experience.
A examination of time-tested methods used by artists since the Renaissance to make realistic pictures of imagined things.
The Realist: Plug and Play continues the journey of Eisner-Award winning, husband, father, and ordinary Israeli citizen Asaf Hanuka (The Divine) as he plumbs the depths of human existence with humor and melancholy, imagination, and quiet desperation. This new volume of the series brings the mix of pathos and politics that makes Hanuka a modern master of cartooning.
Douglas B. Rasmussen and Douglas J. Den Uyl maintain that a realist turn—namely, one in which the natural order is the basis for individual rights—is needed to bring about a proper understanding and defense of liberty. They argue that the critical character of individual rights results from their being tethered to metaphysical realism. After reprising their explanation and defense of natural rights, Rasmussen and Den Uyl explain metaphysical realism and defend it against neo-pragmatist objections. They show it to be a formidable and preferable alternative to epistemic constructivism and crucial for a suitable understanding of ideal theory.
A spirited defence of realism in the dialogue between science and religion.