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It's raw, profane, offensive, bizarre. It's not politically correct or warm and fuzzy. It's real. How did police officers do their jobs four decades ago during some of the nation's most turbulent and violent times? These aren't one-dimensional Hollywood characters. They're society's soldiers, real people cut from whole cloth. They try to help when they can, bristle when they're insulted, retaliate when they're attacked, bleed when they're injured, laugh when they're amused (sometimes inappropriately) and get ready for the next shift. Without bulletproof vests, portable radios and other equipment considered essential today, often riding alone, they developed a "One riot-one ranger" mentality by necessity. This book will put you beside some of them, sometimes inside their heads-om radio calls, both mundane and life-threatening, in interrogations, in hostage situations, undercover arrests, investigating burglaries, robberies, rapes and murders. These are the type of stories cops share with each other-stories of comedy, tragedy, chaos and the endless uniqueness of human behavior. These are some of the experiences that make them what they are, for better and worse. The experiences that forever change them, that set them apart from the rest of us, that make them a brotherhood closer than most brothers.
In this brutally honest portrait, Sergeant Michael Middleton--a now-retired veteran of the LAPD--tells the gripping tale of his two decades on some of the America's meanest streets.
**NOW A MAJOR FILM STARRING HARRY STYLES** This love is all-consuming It is in 1950s' Brighton that Marion first catches sight of the handsome and enigmatic Tom. He teaches her to swim in the shadow of the pier and Marion is smitten - determined her love will be enough for them both. A few years later in Brighton Museum Patrick meets Tom. Patrick is besotted with Tom and opens his eyes to a glamorous, sophisticated new world. Tom is their policeman, and in this age it is safer for him to marry Marion. The two lovers must share him, until one of them breaks and three lives are destroyed. 'A sensitive, sweeping novel' VOGUE 'Tense, romantic, smart...I loved it. Devoured it!' RUSSELL T. DAVIES 'A powerful story of forbidden love, regret, and living as your true self' VANITY FAIR 'A moving story of longing and frustration' OBSERVER
This book leads you down the not-so-hallowed halls of law enforcement of four decades ago. It gives you an extra set of eyes and ears in the roll call lineups, in the patrol cars and detective cruisers, on the radio calls, in the streets and in the interview rooms, in the chases, arrests, gunfights, fist fights, hostage situations, and investigationsnot on a movie set but the real thing. You experience the sights, the sounds, the smells of a cops days and nights. You hear their words and those of the victims, witnesses and suspects when theyre not reading from a screenwriters script or posturing for the cameras of a reality show. It is populated not with fictional creations but real characters, by every definition of those words. The events, emotions and language are all served rawno dressing, no garnish. The rookies enthusiasm and optimism, the experienced veterans cynicism, the boredom of routine, the thrill of the pursuit, the satisfaction of a job well done, the frustration when events go bad, the anger, the hilarity, the dark and irreverent sense of humor, all pathways to the Ph. D. in Human Nature every street cop receives in a big city.
When Oscar Amalfitano begins an affair with one of his students, he has no idea where it will lead. More than his turbulent revolutionary past, or the death of his beautiful wife, the scandalous exposure of this relationship will change him for ever. Forced to flee Barcelona with his seventeen-year-old daughter, Amalfitano finds himself in Santa Teresa, a sprawling, mythical town on the Mexico-US border, populated by mysterious characters and haunted by dark tales of murdered women. Returning to the the world and characters of 2666, Bolaño's masterpiece, Woes of the True Policeman explores the the power of art, memory and desire - and marks a kaleidoscopic, lyrical and darkly humorous last act in one of the great oeuvres of world literature. TRANSLATED BY NATASHA WIMMER ‘Hallucinatory, manic, fearful, comic... Bolaño must be read by anyone who loves the novel’ Herald ‘We savour all he has written as every offering is a portal into the elaborate terrain of his genius’ Patti Smith
"[The] weird, beautiful, unapologetically apocalyptic Last Policeman trilogy is one of my favorite mystery series."—John Green, author of The Fault in Our Stars and Paper Towns Winner of the 2013 Edgar® Award Winner for Best Paperback Original! What’s the point in solving murders if we’re all going to die soon, anyway? Detective Hank Palace has faced this question ever since asteroid 2011GV1 hovered into view. There’s no chance left. No hope. Just six precious months until impact. The Last Policeman presents a fascinating portrait of a pre-apocalyptic United States. The economy spirals downward while crops rot in the fields. Churches and synagogues are packed. People all over the world are walking off the job—but not Hank Palace. He’s investigating a death by hanging in a city that sees a dozen suicides every week—except this one feels suspicious, and Palace is the only cop who cares. The first in a trilogy, The Last Policeman offers a mystery set on the brink of an apocalypse. As Palace’s investigation plays out under the shadow of 2011GV1, we’re confronted by hard questions way beyond “whodunit.” What basis does civilization rest upon? What is life worth? What would any of us do, what would we really do, if our days were numbered? Ebook contains an excerpt from the anticipated second book in the trilogy, Countdown City.
The sneering cops on the beat, the robotic federal agents, the condescending judges who dole out years of jail time for petty offenses, the narrow-minded teachers who do their best to snuff out creativity and resourcefulness - these are the liars and deceivers of American society who have fastened themselves to our necks like obscene vampires in search of an ongoing supply of free sustenance. They deserve to be exposed, ridculed, and replaced - and Ned Beaumont has begun this process by providing this book.
'Undercover lays bare the deceit, betrayal and cold-blooded violation practised again and again by undercover police officers - troubling, timely and brilliantly executed.' Henry Porter The gripping stories of a group of police spies - written by the award-winning investigative journalists who exposed the Mark Kennedy scandal - and the uncovering of forty years of state espionage. This was an undercover operation so secret that some of our most senior police officers had no idea it existed. The job of the clandestine unit was to monitor British 'subversives' - environmental activists, anti-racist groups, animal rights campaigners. Police stole the identities of dead people to create fake passports, driving licences and bank accounts. They then went deep undercover for years, inventing whole new lives so that they could live incognito among the people they were spying on. They used sex, intimate relationships and drugs to build their credibility. They betrayed friends, deceived lovers, even fathered children. And their operations continue today. Undercover reveals the truth about secret police operations - the emotional turmoil, the psychological challenges and the human cost of a lifetime of deception - and asks whether such tactics can ever be justified.
With the publication of The Third Policeman, Dalkey Archive Press now has all of O'Brien's fiction back in print.
A NATIONAL BOOK CRITICS CIRCLE AWARD WINNER THE POSTHUMOUS MASTERWORK FROM "ONE OF THE GREATEST AND MOST INFLUENTIAL MODERN WRITERS" (JAMES WOOD, THE NEW YORK TIMES BOOK REVIEW) Composed in the last years of Roberto Bolaño's life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of SantaTeresa—a fictional Juárez—on the U.S.-Mexico border, where hundreds of young factory workers, in the novel as in life, have disappeared.