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The Real and the Reflected: Heroes and Villains in Existent and Imagined Worlds, unpacks many of the issues that surround heroes and villains. It explores the shadows that fall between the traditional black and white definitions of good and evil.
Among all the arguments for the existence of God there may be none more personal and intimate than C. S. Lewis's Argument from Desire. This book attempts to explain what the Argument from Desire is and why we believe that the argument is an inductively strong one. In the spirit of C. S. Lewis, Augustine, and Pascal, this book invites both the head and the heart of the reader to consider the case for God's existence. While many arguments look out to the external world for evidence of God's existence, this book calls the reader to look inward to the human heart. While learning from classical thinkers (particularly C. S. Lewis) the Argument from Desire will bring both intuition and experience together to demonstrate the truth of divine presence in the world. The reader will walk away with either a newfound faith or a reinforced conviction that has a strong intellectual and experiential dimension.
Edited by Morag Styles and written by an international team of acknowledged experts, this series provides jargon-free, critical discussion and a comprehensive guide to literary and popular texts for children. Each book introduces the reader to a major genre of children's literature, covering the key authors, major works and contexts in which those texts are published, read and studied. This book provides an illuminating guide to literature that creates alternative worlds for young readers. Focusing on the work of Ursula Le Guin, Terry Pratchett and Philip Pullman, the book considers both the genre of ?alternative worlds? and the distinctiveness of these authors? texts, including Philip Pullman's The Amber Spyglass.
Boccaccio, Chaucer, and Stories for an Uncertain World understands the Decameron and the Canterbury Tales to communicate a radical uncertainty haunting most human endeavors, one that challenges effective knowledge of the future, the past, or the distant present; accurate perception of both complex, equivocal signifying systems, including language, and the intentions hidden rather than revealed by the words and deeds of others; and successful strategy in dealing with the chronic excesses and arbitrariness of power. This comparative study of Decameron novelle and Canterbury pilgrim tales yields the insight that the key to coping with these challenges is pragmatic prudence: rational calculation issuing in an opportunistic, often amoral choice of ingenious deeds and/or eloquent words appropriate (though without guarantee) to mastering a specific crisis, and achieving the goal of agency in the here and now, not salvation in the Hereafter. An initial chapter explores the Aristotelian antecedents, contemporaneous cultural influences, and narrative techniques that intersect to shape the radically uncertain world of the Decameron and the Canterbury Tales, while succeeding chapters pair, and compare, stories from both collections that illustrate the quest for agency-its successes and its failures—through plots often brilliantly adapted from simpler antecedents, as well as eloquence by turns satiric and insightful. This is storytelling that exposes a culture's fears, as well as its aspirations for mastery over the circumstances that challenge its existence; reading these tales should be a labor of love and the goal of this study is to help assure that the reader's labor shall not be lost.
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Essays on British writers of fantasy and science fiction discuss the changing attitudes towards this genre, including serious consideration by critics. Covers the publication of science fiction in comic books, limited productions of publications by fan presses, the difference between British and American science fiction, the birth of the New Wave, and the revival of horror fiction as a distinct genre.
THE doctors didn't believe me; they only believe in their pharmacopoeia -- a lot of addicts do -- but I made them believe in the end. I had to. The others left me no choice. Too many sleepless nights had ripped a gash in perception. Out there, on the far side, through the fog of delirium, I sensed their presence. I wasn't alone. I saw them hinted and outlined by the weak light that leaked from the waking world: sculptures of silhouette utter dark against the shadows of endless time. I knew; they'd been waiting, they'd been calling. Now they had me -- and they forced me to sit and write. This is what they told me to say.
Aestheticization of evil is a frequently used formula in cinema and television. However, the representation of evil as an aesthetic object pushes it out of morality. Moral judgments can be pushed aside when evil is aestheticized in movies or TV series because there is no real victim. Thus, situations such as murder or war can become a source of aesthetic pleasure. Narratives in cinema and television can sometimes be based on a simple good-evil dichotomy and sometimes they can be based on individual or social experiences of evil and follow a more complicated method. Despite the various ways evil is depicted, it is a moral framework in film and television that must be researched to study the implications of aestheticized evil on human nature and society. International Perspectives on Rethinking Evil in Film and Television examines the changing representations of evil on screen in the context of the commonness, normalization, aestheticization, marginalization, legitimization, or popularity of evil. The chapters provide an international perspective of the representations of evil through an exploration of the evil tales or villains in cinema and television. Through looking at these programs, this book highlights topics such as the philosophy of good and evil, the portrayal of heroes and villains, the appeal of evil, and evil’s correspondence with gender and violence. This book is ideal for sociologists, professionals, researchers and students working or studying in the field of cinema and television and practitioners, academicians, and anyone interested in the portrayal and aestheticization of evil in international film and television.
The 21st century has witnessed a considerable and increasing number of political revolutions around the world. This contradicts the popular belief of many experts in the 1970s that revolutions occurred mainly in monarchies and empires. Instead, the revolutions of this century have several new characteristics, which call for a renewed analysis of the subject. This handbook offers a comparative perspective on the new wave of revolutions of the last decade. Presenting case studies on the color revolutions, the Arab revolutions of 2010–2011, and the global wave of revolutions in 2013–2018 that spanned regions ranging from Africa to the Caucasus, it offers a better understanding of the varied forms, features, and historical backgrounds of revolutions, as well as their causes. Accordingly, it highlights recent revolutions in their historical and world-systems contexts. The handbook is divided into seven parts, the first of which examines the history of views on revolution and important aspects of the theory of revolution. The second part analyzes revolutions within long-term historical trends and in their world-system contexts. In turn, the third part explores specific major revolutionary waves in history. The fourth part analyzes the first revolutionary wave of the 21st century (2000–2009), the so-called color revolutions, while the fifth discusses the second wave – the Arab Spring (2010–2013) – as an important turning point. The sixth part is dedicated to analyzing revolutions and revolutionary movements beyond the Arab Spring and some revolutionary events from the third wave that began in 2018. The seventh and final part offers forecasts on the future of revolutions. Given its scope, the book will appeal to scholars and students from various disciplines interested in historical trends, sociopolitical change, contentious politics, social movements, and revolutionary processes involving both nonviolent campaigns and political violence. ​"Once again, this volume demonstrates the kind of open-minded, systematic analysis that the field of revolutionary studies requires." (Prof. George Lawson, Department of International Relations, Australian National University Canberra)
Follows the exploits of Mechani-Cal, a down on his luck armored villain.