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Many students coming to grips with Kant's philosophy are understandably daunted not only by the complexity and sheer difficulty of the man's writings, but almost equally by the amount of secondary literature available. A great deal of this seems to be - and not only on first reading - just about as difficult as the work it is meant to make more accessible. Any writer deliberately setting out to provide an authentically introductory text thus faces a double problem: how to provide an exegesis which would capture some of the spirit of the original, without gross and misleading over-simplification; and secondly, how to anchor the argument in the best and most imaginative secondary literature, yet avoid the whole project appearing so fragmented as to make the average book of chess openings seem positively austere. Until fairly recently, matters were made even more difficul t, in that commentaries on Kant were very often of a whole work, say, The Critique of Pure Reason, with the result that students would have to struggle through a very great deal of material indeed in order to feel any confidence at all that they had begun to understand the original writings. Recently, things have changed somewhat. There are now excellent commentaries on "Kant's Analytic", "Kant's Analogies" etc. . We have also seen, (at least as reflected in book titles), a resurgence of interest in what is perhaps the most controversial and far-reaching Kantian claim, viz.
A teacher, scholar, practitioner, and publicist, Richard Ullman has been a unique and influential figure in U.S. foreign and security policy over the past forty years. This volume, created on the initiative of some of Ullman's most accomplished former students, is less a summing up of his work than a sort of intellectual kaleidoscope held up to his ideas. The result is a spirited and highly readable set of essays on themes relating to U.S. foreign and defense policy in a period of nearly unprecedented dynamism in the international system. The volume includes contributions by David Gompert, I.M. Destler, Michael Doyle, Michael O'Hanlon, and eight other distinguished scholars and practitioners of international relations. Major issues addressed in The Real and the Ideal include: · Changing international conceptions of state sovereignty, governmental legitimacy and ethics, and their relationship to national influence and power · New roles played by military power, including an exploration of emerging guidelines for the use of force in the defense of norms and values that go beyond traditional definitions of national interest · The domestic context for the setting of U.S. foreign and defense policy, including an analysis of recent and heretofore unpublished polling data regarding the public's propensity to support international engagement · Assessments of the effects of alliance relationships on interstate relations, including case studies of trans-Atlantic relations in the post-Cold War period, the foreign policy of the unified Germany, and relations among China, Japan, and Taiwan · A highly original, revisionist assessment of U.S. foreign policy of liberal isolationism in the 1920s, along with lessons for U.S. statesmen and policy makers today. A Council on Foreign Relations book.
Begins by explaining and arguing for certain criteria for assessing normative moral theories. Then argues that these criteria lead to a rule-consequentialist moral theory.
By focusing the various difficulties encountered in applying theory to practical concerns, this book explores the reasons for the absence of a radical politics in Habermas's work. In doing so, it shows that certain political implications of the theory remain unexplored. The book articulates a unique application of Habermasian theory, the actual functioning of decision-making groups, the nature of deliberative interaction, and the kinds of judgments participants must make if they are to preserve their democratic process.
This book examines the Accademia degli Arcadi in its heyday, a little known phenomenon in Italian history in the first part of the eighteenth century. The Roman academy aimed for a peninsula-wide cultural renewal induced by literary reform. Operating within a papal-court society, it eschewed extant patronage systems and social hierarchies and introduced enlightened ideas to its members. By about 1730, the Arcadi was on the wane, the reform largely unmet. It was an easy target for critics, both its proponents and opponents, in part because of the visible role it assigned to women. By attending to the institution's policies, this book provides a rich understanding of the Arcadi's goals. It locates the organization's interest in theater, including the physical environment of the theatrical drama, as central to its operations. It is argued that, like a stage set, the Bosco Parrasio, the garden that the Arcadi built for its literary presentations, is a visual manifestation of Arcadian goals.
In his classic book, The Five Dysfunctions of a Team, Patrick Lencioni laid out a groundbreaking approach for tackling the perilous group behaviors that destroy teamwork. Here he turns his focus to the individual, revealing the three indispensable virtues of an ideal team player. In The Ideal Team Player, Lencioni tells the story of Jeff Shanley, a leader desperate to save his uncle’s company by restoring its cultural commitment to teamwork. Jeff must crack the code on the virtues that real team players possess, and then build a culture of hiring and development around those virtues. Beyond the fable, Lencioni presents a practical framework and actionable tools for identifying, hiring, and developing ideal team players. Whether you’re a leader trying to create a culture around teamwork, a staffing professional looking to hire real team players, or a team player wanting to improve yourself, this book will prove to be as useful as it is compelling.
Between the Ideal and the Real describes why Iraq state-building and democratic transformation failed by offering a very new, and unusual, perspective, away from the usual blame assigned to the US that has become part of the “conventional wisdom” about Iraq and the Middle East. Although the book acknowledges US failings in Iraq, the main argument it presents is that the main causes of failure lie in a problematic alliance between Iraqi Shiite Islamist parties and the clerical establishment in Najaf, led by Ayatollah Sistani. To appreciate this new perspective, the book takes you into the history of Iraqi Shiism both as a set of doctrinal and theological beliefs about the world and a lived experience by ordinary Iraqi Shias. The book argues that this understanding hindered Shias from embracing many products of modernity such as nationalism, individualism, humanism, and democratic rule, by consolidating a primordial group identity that ties people to the past, a particular kind of past based on doctrinal supremacy and historical victimhood. Combined, the two have the negative effect of depriving ordinary Iraqi Shias of a personal sense of agency and contributing to a general spirit skeptical of difference. The book also documents people’s push back against this restrictive approach to reality in a variety of contexts. Based on extensive historical and doctrinal research into the distant past of Shiism, the book links the past to the present by examining the unfortunate consequences that grow out of the insistence to allow pre-modern values determine the modern experience of life.
Philippe Daverio is one of Italy’s most important contemporary art historians, whose discerning comments about art are voraciously consumed by the public through his writing as editor of the famed magazine Art e Dossier and his platform on a leading Italian television program Passepartout. Now, in his first full-length work of narrative nonfiction, Daverio uses the conceit of creating his own perfect museum gallery and in the process reexamines major artistic masterpieces of Western art. Daverio turns his critical eye on the place of Western art in contemporary twenty-first-century culture and how we relate to art generally. According to Daverio, we relate to the history of art based on views that crystallized in the nineteenth century, and so we look to the past to understand the present, though the present is what truly matters to everyone. Daverio means to challenge this perspective, and guided by his curiosity and personal taste, he examines key masterworks to rediscover the true meaning and power they had before they became commoditized and clichéd. Some distinctive features of this illustrated eBook are: • 800+ full size and detailed images of paintings and drawings. • 280+ artworks with pop-up ability. • 160 thumbnails with links showing the setting of the work and location in its home museum, with informational text. • 92 links to museum websites that house the real works. The Italian-language edition of The Ideal Museum ebook has been awarded the QED Seal (Quality, Excellence, Design)—the premier award for ebooks and book apps—by the council of the Publishing Innovation Awards. This award recognizes the title’s portability and readability, providing the best reading experience possible.
Levy explores the classic Chinese novelThe Story of the Stone(also known as The Dream of the Red Chamber), illuminating the work by interpreting its four major themes: the inversion of traditional family dynamics, the function of illness and medicine in a Buddhist society, the role of poetry in a dynastic Chinese society, and the use of poetry as a vehicle for spiritual retribution.