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This carefully-structured reader presents a survey of the whole body of Williams' existing work, providing existing readers with a new perspective on his writings, and new readers with the opportunity to explore his ideas in depth.
This carefully-structured reader presents a survey of the whole body of Williams' existing work, providing existing readers with a new perspective on his writings, and new readers with the opportunity to explore his ideas in depth.
Raymond Williams, whose other works include Keywords, The Country and the City, Culture and Society, and Modern Tragedy, was one of the world’s foremost cultural critics. Almost uniquely, his work bridged the divides between aesthetic and socio-economic inquiry, between Marxist thought and mainstream liberal thought, and between the modern and post-modern world. When The Long Revolution first appeared in 1961, much of the acclaim it received was based on its prescriptions for Britain in the '60s, which form a relatively brief final section of the whole. The body of the book has since come to be recognized as one of the foundation documents in the cultural analysis of English-speaking culture. The “long revolution” of the title is a cultural revolution, which Williams sees as having unfolded alongside the democratic revolution and the industrial revolution. With this book, Williams led the way in recognizing the importance of the growth of the popular press, the growth of standard English, and the growth the reading public in English-speaking culture and in Western culture as a whole. In addition, Williams’s discussion of how culture is to be defined and analyzed has been of considerable importance in the development of cultural studies as an independent discipline. Originally published by Chatto & Windus, The Long Revolution is now available only in this Broadview Encore Edition.
This classic study examines the place of literature within Marxist cultural theory, and offers an assessment of the contributions of previous thinkers to Marxist literary theory.
Raymond Williams' prolific output is increasingly recognised as the most influential body of work on literary and cultural studies in the past fifty years. This book provides the most comprehensive study to date of the theoretical and historical context of Williams' thinking on literature, politics and culture. John Higgins traces: * Williams' intellectual development * the related growth of a New Left cultural politics * the origins of the theory and practice of cultural materialism. Raymond Williams is an astonishing achievement and will challenge many received ideas about Williams' work.
Foreword 1 Towards a Sociology of Culture 2 Institutions 3 Formations 4 Means of Production 5 Identifications 6 Forms 7 Reproduction 8 Organization Bibliography Index.
Raymond Williams is widely acknowledged to be one of the most original and influential thinkers of the post-war era. He wrote extensively across a wide range of subjects: from drama and the novel to politics, popular culture and mass communications. He was also a major novelist, well-known for books such as Border Country and Second Generation. This volume of new and original essays, edited and introduced by Terry Eagleton, provides a critical appreciation of Raymond Williams' writings by those best acquainted with his work. Among the contributions are essays on Williams's work as a literary critic, as a student of popular culture, as a novelist and as an analyst of contemporary politics and society.
First published in 1976, Raymond Williams' highly acclaimed Keywords: A Vocabulary of Culture and Society is a collection of lively essays on words that are critical to understanding the modern world. In these essays, Williams, a renowned cultural critic, demonstrates how these key words take on new meanings and how these changes reflect the political bent and values of our past and current society. He chose words both essential and intangible--words like nature, underprivileged, industry, liberal, violence, to name a few--and, by tracing their etymology and evolution, grounds them in a wider political and cultural framework. The result is an illuminating account of the central vocabulary of ideological debate in English in the modern period. This edition features a new original foreword by Colin MacCabe, Distinguished Professor of English and Literature, University of Pittsburgh, that reflects on the significance of Williams' life and work. Keywords remains as relevant today as it was over thirty years ago, offering a provocative study of our language and an insightful look at the society in which we live.
"The most important Marxist cultural theorist after Gramsci, Williams' contributions go well beyond the critical tradition, supplying insights of great significance for cultural sociology today... I have never read Williams without finding something worthwhile, something subtle, some idea of great importance" - Jeffrey C. Alexander, Professor of Sociology, Yale University Celebrating the significant intellectual legacy and enduring influence of Raymond Williams, this exciting collection introduces a whole new generation to his work. Jim McGuigan reasserts and rebalances Williams' reputation within the social sciences by collecting and introducing key pieces of his work. Providing context and clarity he powerfully evokes the major contribution Williams has made to sociology, media and communication and cultural studies. Powerfully asserting the on-going relevance of Williams within our contemporary neoliberal and digital age, the book: Includes texts which have never been anthologised before Situates Williams' work both biographically and historically Provides a comprehensive introduction to Williams' social-scientific work Demonstrates the enduring relevance of cultural materialism. Original and persuasive this book will be of interest to anyone involved in theoretical and methodological modules within sociology, media and communication studies and cultural studies.