Download Free The Rational Utopianism Of Fenelons Political Philosophy Book in PDF and EPUB Free Download. You can read online The Rational Utopianism Of Fenelons Political Philosophy and write the review.

A pioneering history of incarceration in Western political thought. The prison as we know it is a relatively new institution, established on a large scale in Europe and the United States only during the Enlightenment. Ideas and arguments about penal incarceration, however, long predate its widespread acceptance as a practice. The Prison before the Panopticon argues that debates over imprisonment are as old as Western political philosophy itself. This groundbreaking study examines the role of the prison in the history of political thought, detailing the philosophy of incarceration as it developed from Demosthenes, Plato, and Philo to Thomas More, Thomas Hobbes, and Jeremy Bentham. Jacob Abolafia emphasizes two major themes that reappear in philosophical writing about the prison. The first is the paradox of popular authorization. This is the problem of how to justify imprisonment in light of political and theoretical commitments to freedom and equality. The second theme is the promise of rehabilitation. Plato and his followers insist that imprisonment should reform the prisoner and have tried to explain in detail how incarceration could have that effect. While drawing on current historical scholarship to carefully situate each thinker in the culture and penal practices of his own time and place, Abolafia also reveals the surprisingly deep and persistent influence of classical antiquity on modern theories of crime and punishment. The Prison before the Panopticon is a valuable resource not only about the legitimacy of the prison in an age of mass incarceration but also about the philosophical justifications for penal alternatives like restorative justice.
A collection of twenty-one essays written over Shklar's forty-year career as a professor at Harvard University.
In the decades after the French Revolution, philosophers, artists, and social scientists set out to chart and build a way to a new world and their speculative blueprints circulated like banknotes in a parallel economy of ideas. Examining representations of ideal societies in nineteenth-century French culture, Daniel Sipe argues that the dream-image of the literary or art-historical utopia does not disappear but rather is profoundly altered by its proximity to the social utopianism of the day. Sipe focuses on this persistent afterlife in utopias ranging from François-René de Chateaubriand’s Amerindian utopia in Atala (1801) to the utopian spoof of J.J. Grandville’s illustrated novel Un autre monde (1844). He proposes a new reading of Etienne Cabet’s seminal utopian novel, Voyage en Icarie (1840) and offers an original perspective on the gendered utopias of technological inspiration that authors such as Charles Barbara and Auguste Villiers de l’Isle-Adam penned in the second half of the century. In addition, Sipe considers utopias or important readings of the century’s rampant utopianism in, among others, Victor Hugo, Alfred de Vigny, Théophile Gautier, Charles Baudelaire, and Gustave Courbet. His book provides the historical context for comprehending the significance and implications of this enigmatic afterlife in nineteenth-century utopian art and literature.
In Joseph de Maistre's Life, Thought, and Influence leading Maistre scholars offer interpretations of his thought and make available in English recent French scholarship on his life and work. They provide a portrait of Maistre as a significant thinker in numerous fields, upsetting the image of him as a backward-looking "reactionary," a reinterpretation furthered by contemporary interest in Counter-Enlightenment thought in general.
Eighteenth century Britain thought of itself as a polite, sentimental, enlightened place, but often its literature belied this self-image. This was an age of satire, and the century's novels, poems, plays, and prints resound with mockery and laughter, with cruelty and wit. The street-level invective of Grub Street pamphleteers is full of satire, and the same accents of raillery echo through the high scepticism of the period's philosophers and poets, many of whom were part-time pamphleteers themselves. The novel, a genre that emerged during the eighteenth century, was from the beginning shot through with satirical colours borrowed from popular romances and scandal sheets. This Handbook is a guide to the different kinds of satire written in English during the 'long' eighteenth century. It focuses on texts that appeared between the restoration of the Stuart monarchy in 1660 and the outbreak of the French Revolution in 1789. Outlier chapters extend the story back to first decade of the seventeenth century, and forward to the second decade of the nineteenth. The scope of the volume is not confined by genre, however. So prevalent was the satirical mode in writing of the age that this book serves as a broad and characteristic survey of its literature. The Oxford Handbook of Eighteenth-Century Satire reflects developments in historical criticism of eighteenth-century writing over the last two decades, and provides a forum in which the widening diversity of literary, intellectual, and socio-historical approaches to the period's texts can come together.
These essays trace the myth of the wild man from the Middle Ages to its disintegration into symbol in the periods following the discovery of America and encounter with real “wild men.” This is the first book to discuss the concept of wildness in the writings of the Enlightenment period in Western Europe and the first to attempt a broad, interdisciplinary approach to the subject of primitivism, not only from a strict “history of ideas” approach, but through discussions of individual works, both literary and political, and encompassing various subject matter from racism to the origins of language.Contributors: Richard Ashcraft; Ehrhard Bahr; John G. Burke; Earl Miner; Gary B. Nash; Stanley Robe; Geoffrey Symcox; Peter Thoralev; Hayden V. White, and the editors.
Each number includes a classified "Monthly catalogue."