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An ebook-exclusive short story from the bestselling Vespasian series. Marcus Salvius Magnus is a fanatical supporter of the Green Racing Faction and expects a wager to be honoured. Although he does not presume honesty from anyone, he does believe that a bookmaker at the Circus Maximus should record each bet scrupulously and pay the full amount due. But Ignatius, the bookmaker, is foolish enough to attempt to cheat Magnus out of his winnings, incurring not only his wrath but that also of the South Quirinal Crossroads Brotherhood of which Magnus is the leader. In the shady realm of Rome's underworld Magnus will use the full resources of his criminal fraternity to exact appropriate vengeance. But Magnus also has a problem: his patron, Gaius Vespasius Pollo, is attempting to get his nephew, Sabinus, elected as a quaestor. To do this he feels that the support of the senior consul, Gnaeus Domitius Ahenobarbus, would be more than useful. He asks Magnus to ease the consul - a man known for his extreme violence - in the right direction. Ahenobarbus has a passion: the Red Faction at the circus. Could it be that Magnus might wash two tunics in the same tub, bringing Ignatius down and securing Ahenobarbus' support by attempting to fix a chariot race in a manner that has never been done before?
"Conceived as a companion volume to Porphyrius the Charioteer, this study traces the history and significance of what are generally known as 'circus factions' from the principate of Augustus to the eve of the Crusades, dealing mainly with the late Roman to early Byzantine periods. Other historians have analysed the activities of the factions, particularly the urban riots, in social, political, and religious terms, ignoring their sporting allegiances. Cameron offers a thorough-going criticism of the 'traditional' presupposition 'that racing was a thin façade for social and religious conflict'. In its place he presents what is essentially the history of chariot racing, its organization, participants, and spectator supporters. He shows how circus entertainments developed from privately mounted games to publicly funded entertainments; he examines the role of the hippodrome and theatre within political life; and he studies the changing nature of factions--from sporting rivalry, through 'partisan' gangs and hooliganism, to their incorporation in the games' imperial ceremonial and consequent decline." -- Provided by publisher
From the length of the track and the need to ride small horses, to the risks, techniques, and training methods involved in racing, Meijer recreates ancient Rome’s favorite pastime in impressive detail.
September AD 80. Flavia and her friends go to Rome to celebrate the Festival of Jupiter at Senator Cornix's town house. When a famous racehorse goes missing, Nubia sets out to recover it. The four friends find themselves caught up in a plot against one of the rival factions, the Greens. Who is trying to sabotage the charioteers? Could it be an inside job, or someone with a grudge from long ago? And how many men and horses will die before the killer is caught?
With startling revelations, Tsuyoshi Hasegawa rewrites the standard history of the end of World War II in the Pacific. By fully integrating the three key actors in the story—the United States, the Soviet Union, and Japan—Hasegawa for the first time puts the last months of the war into international perspective. From April 1945, when Stalin broke the Soviet-Japanese Neutrality Pact and Harry Truman assumed the presidency, to the final Soviet military actions against Japan, Hasegawa brings to light the real reasons Japan surrendered. From Washington to Moscow to Tokyo and back again, he shows us a high-stakes diplomatic game as Truman and Stalin sought to outmaneuver each other in forcing Japan’s surrender; as Stalin dangled mediation offers to Japan while secretly preparing to fight in the Pacific; as Tokyo peace advocates desperately tried to stave off a war party determined to mount a last-ditch defense; and as the Americans struggled to balance their competing interests of ending the war with Japan and preventing the Soviets from expanding into the Pacific. Authoritative and engrossing, Racing the Enemy puts the final days of World War II into a whole new light.
The Oxford Handbook of Animals in Classical Thought and Life is the first comprehensive guide to animals in the ancient world, encompassing all aspects of the topic by featuring authoritative chapters on 33 topics by leading scholars in their fields. As well as an introduction to, and a survey of, each topic, it provides guidance on further reading for those who wish to study a particular area in greater depth. Both the realities and the more theoretical aspects of the treatment of animals in ancient times are covered in chapters which explore the domestication of animals, animal husbandry, animals as pets, Aesop's Fables, and animals in classical art and comedy, all of which closely examine the nature of human-animal interaction. More abstract and philosophical topics are also addressed, including animal communication, early ideas on the origin of species, and philosophical vegetarianism and the notion of animal rights.
A Companion to Sport and Spectacle in Greek and Roman Antiquity presents a series of essays that apply a socio-historical perspective to myriad aspects of ancient sport and spectacle. Covers the Bronze Age to the Byzantine Empire Includes contributions from a range of international scholars with various Classical antiquity specialties Goes beyond the usual concentrations on Olympia and Rome to examine sport in cities and territories throughout the Mediterranean basin Features a variety of illustrations, maps, end-of-chapter references, internal cross-referencing, and a detailed index to increase accessibility and assist researchers
This book offers perhaps the most comprehensive history of pantomime ever written. No other book so thoroughly examines the varieties of pantomimic performance from the early Roman Empire, when the term “pantomime” came into use, until the present. After thoroughly examining the complexities and startlingly imaginative performance strategies of Roman pantomime, the author identifies the peculiar political circumstances that revived and shaped pantomime in France and Austria in the eighteenth century, leading to the Pierrot obsession in the nineteenth century. Modernist aesthetics awakened a huge, highly diverse fascination with pantomime. The book explores an extraordinary variety of modernist and postmodern approaches to pantomime in Germany, Austria, France, numerous countries of Eastern Europe, Russia, Scandinavia, Spain, Belgium, The Netherlands, Chile, England, and The United States. Making use of many performance and historical documents never before included in pantomime histories, the book also discusses pantomime’s messy relation to dance, its peculiar uses of music, its “modernization” through silent film aesthetics, and the extent to which writers, performers, or directors are “authors” of pantomimes. Just as importantly, the book explains why, more than any other performance medium, pantomime allows the spectator to see the body as the agent of narrative action.
Circus Maximus, the greatest sporting stage of the ancient Roman world, where the best horses and charioteers compete in a race to the death, and one girl dreams of glory. Ben Hur meets National Velvet in the ultimate 9-12 adventure story by debut children's author, Annelise Gray. Twelve-year-old Dido dreams of becoming the first female charioteer at the great Circus Maximus. She's lost her heart to Porcellus, a wild, tempestuous horse she longs to train and race. But such ambitions are forbidden to girls and she must be content with helping her father Antonius – the trainer of Rome's most popular racing team, The Greens – and teaching the rules of racing to Justus, the handsome young nephew of the Greens' wealthy owner. When her father is brutally murdered, she is forced to seek refuge with an unlikely ally. But what of her dream of Circus triumphs and being reunited with the beloved horse she left behind in Rome? And the threat to her life isn't over as she faces a powerful and terrifying new enemy... the emperor Caligula. 'I loved this adventure – full of brilliant horses, and a determined heroine following her dreams against all the odds. Looking forward to discovering what's in store for them next' Pippa Funnell, MBE