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When precious heirloom quilts hand-stitched by her mother turn up missing from the attic of Elm Creek Manor, Sylvia Bergstrom Compson resolves to find them. From scant resources-journal entries, receipts, and her own fading memories-she pieces together clues, then queries quilting friends from around the world. When dozens of leads arrive via the Internet, Sylvia and her fiance, Andrew, embark on a nationwide investigation of antique shops and quilt museums. Sylvia's quest leads her to unexpected places, where offers of assistance are not always what they seem. As the search continues, revelations surface about her mother, who died when Sylvia was only a child. Burdened with poor health and distant parents, Eleanor Lockwood defies her family by marrying for love. Far from her Manhattan home, she embraces her new life among the Bergstroms-but although warmth and affection surround Eleanor at last, the Bergstroms cannot escape the tragedies of their times. As Sylvia recovers some of the missing quilts and accepts others as lost forever, she reflects on the woman her mother was, and mourns the woman she never knew. For every woman who has yearned to know the untold story of her mother's life, and for every mother who has longed to be heard, THE QUILTER'S LEGACY will resonate with heartfelt honesty as it reveals what tenuous connections bind the generations, and celebrates the love that sustains them.
Third Edition. Antique quilts are both precious and fragile. Thoughtful care can help preserve them for generations to come. This comprehensive book by professional quilt restorer Ann Wasserman offers a wealth of practical information to aid both? collectors hoping? to find professionals to care for their collections, and? quilters and quilt? owners who want instructions they can follow in the home.The discussion begins with guidelines for assessing each quilt's condition. A chart delineates how factors such as appraisal, heirloom, and historical values, and age or vintage, can affect the choices of treatment. Repair of damaged areas can take one of two approaches - "restoration" or "conservation." Step-by-step instructions and illustrations are given for both approaches, including information on appropriate needles, threads, fabrics, and sewing stitches. The techniques presented are applicable to patchwork, appliqué, crazy, whole cloth, and other styles of quilts. Worn fabrics, holes and tears, re-backing, and re-binding are some of the types of damage covered.A chapter on the cleaning of old quilts discusses wet washing, drying, dry cleaning and vacuuming, and compares the relative safety of these methods. Instructions for safe ways to approach cleaning quilts are given.The discussion of quilt storage includes instructions for rolling or folding, and the merits of acid-free supplies. Storage environment is also important, including temperature and humidity levels and insect control.Displaying antique quilts includes instructions for hanging quilts, plus guidelines for lighting, location, and periodic vacuuming.A bibliography, lists of suppliers, conservation labs, appraisers, and restorers are included.
The ninth book in Jennifer Chiaverini's bestselling series—when two of Elm Creek Quilts’ founding members decide to leave the fold, who can possibly take their place in the circle of quilters? When Elm Creek Quilts announces openings for two new teachers, quilters everywhere are vying to land the prestigious post. The impending departure of two founding members means untold changes for the Elm Creek Quilters. As they begin the interview process, a single question emerges: Who can possibly take the place of beloved colleagues and friends? "We must evaluate all of the applicants' qualities," advises Master Quilter Sylvia Compson. "Our choice will say as much about us as it says about who we decide to hire." Who merits a place among the circle of quilters? Will it be Maggie, whose love of history shines through in all her projects; Anna, whose food-themed quilts are wonderfully innovative; Russ, the male quilter with a completely original style; Karen, a novice teacher whose gifts for language complement her deep understanding of the quilters' mission; or Gretchen, the soulful veteran whose craft is inspired by quilting tradition?
The fourth book in the popular Elm Creek Quilts series explores a question that has long captured the imagination of quilters and historians alike: Did stationmasters of the Underground Railroad use quilts to signal to fugitive slaves? In her first novel, The Quilter's Apprentice, Jennifer Chiaverini wove quilting lore with tales from the World War II home front. Now, following Round Robin and The Cross-Country Quilters, Chiaverini revisits the legends of Elm Creek Manor, as Sylvia Compson discovers evidence of her ancestors' courageous involvement in the Underground Railroad. Alerted to the possibility that her family had ties to the slaveholding South, Sylvia scours her attic and finds three quilts and a memoir written by Gerda, the spinster sister of clan patriarch Hans Bergstrom. The memoir describes the founding of Elm Creek Manor and how, using quilts as markers, Hans, his wife, Anneke, and Gerda came to beckon fugitive slaves to safety within its walls. When a runaway named Joanna arrives from a South Carolina plantation pregnant with her master's child, the Bergstroms shelter her through a long, dangerous winter -- imagining neither the impact of her presence nor the betrayal that awaits them. The memoir raises new questions for every one it answers, leading Sylvia ever deeper into the tangle of the Bergstrom legacy. Aided by the Elm Creek Quilters, as well as by descendants of others named in Gerda's tale, Sylvia dares to face the demons of her family's past and at the same time reaffirm her own moral center. A spellbinding fugue on the mysteries of heritage, The Runaway Quilt unfolds with all the drama and suspense of a classic in the making.
Master Quilter Sylvia Bergstrom Compson treasures an antique quilt called by three names -- Birds in the Air, after its pattern; the Runaway Quilt, after the woman who sewed it; and the Elm Creek Quilt, after the place to which its maker longed to return. That quilter was Joanna, a fugitive slave who traveled by the Underground Railroad to reach safe haven in 1859 at Elm Creek Farm. Though Joanna's freedom proved short-lived -- she was forcibly returned by slave catchers to Josiah Chester's plantation in Virginia -- she left the Bergstrom family a most precious gift, her son. Hans and Anneke Bergstrom, along with maiden aunt Gerda, raised the boy as their own, and the secret of his identity died with their generation. Now it falls to Sylvia -- drawing upon Gerda's diary and Joanna's quilt -- to connect Joanna's past to present-day Elm Creek Manor. Just as Joanna could not have foreseen that, generations later, her quilt would become the subject of so much speculation and wonder, Sylvia and her friends never could have imagined the events Joanna witnessed in her lifetime. Punished for her escape by being sold off to her master's brother in Edisto Island, South Carolina, Joanna grieves over the loss of her son and resolves to run again, to reunite with him someday in the free North. Farther south than she has ever been, she nevertheless finds allies, friends, and even love in the slave quarter of Oak Grove, a cotton plantation where her skill with needle and thread soon becomes highly prized. Through hardship and deprivation, Joanna dreams of freedom and returning to Elm Creek Farm. Determined to remember each landmark on the route north, Joanna pieces a quilt of scraps left over from the household sewing, concealing clues within the meticulous stitches. Later, in service as a seamstress to the new bride of a Confederate officer, Joanna moves on to Charleston, where secrets she keeps will affect the fate of a nation, and her abilities and courage enable her to aid the country and the people she loves most. The knowledge that scraps can be pieced and sewn into simple lines -- beautiful both in and of themselves and also for what they represent and what they can accomplish -- carries Joanna through dark days. Sustaining herself and her family through ingenuity and art during the Civil War and into Reconstruction, Joanna leaves behind a remarkable artistic legacy that, at last, allows Sylvia to discover the fate of the long-lost quilter.
The Master Quilter opens with the sound of wedding bells ringing in the ears of the Elm Creek Quilters. The close-knit group can hardly believe that their own Sylvia Compson planned her holiday wedding to sweetheart Andrew in complete secrecy, without the help of even one of her friends. Eager to honour the newlyweds, the Elm Creek Quilters hasten to stitch a bridal quilt for their favourite Master Quilter. As the quilt blocks accumulate, the Elm Creek Quilters celebrate the joy of new beginnings and the ongoing success of their business - until forces conspire to threaten their happiness and prosperity. Two among them falter in their personal relationships, yet they are too proud to share their pain. The financial problems of another leave the quilt project vulnerable to a malicious act that may prevent its completion. And as two others weigh the comfort of the present against dreams of a future far from Elm Creek Manor, closely guarded secrets strain the bonds of friendship with those who may be left behind.
Jennifer Chiaverini’s bestselling Elm Creek Quilts series starts with The Quilter’s Apprentice, a timeless tale of family, friendship, and forgiveness as two women weave the disparate pieces of their lives into a bountiful and harmonious whole, and begin the legacy of the Elm Street Quilters. When Sarah McClure and her husband, Matt, move to Waterford, Pennsylvania, she hopes to make a fresh start in the small college town. Unable to find a job both practical and fulfilling, she takes a temporary position at Elm Creek Manor helping its reclusive owner Sylvia Compson prepare her family estate for sale and after the death of her estranged sister. Sylvia is also a master quilter and, as part of Sarah’s compensation, offers to share the secrets of her creative gifts with the younger woman. During their lessons, the intricate, varied threads of Sylvia’s life begin to emerge. It is the story of a young wife living through the hardships and agonies of the World War II home front; of a family torn apart by jealousy and betrayal; of misunderstanding, loss, and a tragedy that can never be undone. As the bond between them deepens, Sarah resolves to help Sylvia free herself from remembered sorrows and restore her life—and her home—to its former glory. In the process, she confronts painful truths about her own family, even as she creates new dreams for the future. Just as the darker sections of a quilt can enhance the brighter ones, the mistakes of the past can strengthen understanding and lead the way to new beginnings. A powerful debut by a gifted storyteller, The Quilter’s Apprentice tells a timeless tale of family, friendship, and forgiveness as two women weave the disparate pieces of their lives into a bountiful and harmonious whole.
A granddaughter of master quilter Talula Gilbert Bottoms traces her grandmother's life, discusses the artistry of her quilts, and provides a look at life in the South in the late nineteenth century and early twentieth century.
Five friends work on a "challenge quilt" that is symbolic of the problems they face in their personal lives.
Rachel May’s rich new book explores the far reach of slavery, from New England to the Caribbean, the role it played in the growth of mercantile America, and the bonds between the agrarian south and the industrial north in the antebellum era—all through the discovery of a remarkable quilt. While studying objects in a textile collection, May opened a veritable treasure-trove: a carefully folded, unfinished quilt made of 1830sera fabrics, its backing containing fragile, aged papers with the dates 1798, 1808, and 1813, the words “shuger,” “rum,” “casks,” and “West Indies,” repeated over and over, along with “friendship,” “kindness,” “government,” and “incident.” The quilt top sent her on a journey to piece together the story of Minerva, Eliza, Jane, and Juba—the enslaved women behind the quilt—and their owner, Susan Crouch. May brilliantly stitches together the often-silenced legacy of slavery by revealing the lives of these urban enslaved women and their world. Beautifully written and richly imagined, An American Quilt is a luminous historical examination and an appreciation of a craft that provides such a tactile connection to the past.