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The Mancini Sisters, Marie and Hortense, were born in Rome, brought to the court of Louis XIV of France, and strategically married off by their uncle, Cardinal Mazarin, to secure his political power base. Such was the life of many young women of the age: they had no independent status under the law and were entirely a part of their husband's property once married. Marie and Hortense, however, had other ambitions in mind altogether. Miserable in their marriages and determined to live independently, they abandoned their husbands in secret and began lives of extraordinary daring on the run and in the public eye. The beguiling sisters quickly won the affections of noblemen and kings alike. Their flight became popular fodder for salon conversation and tabloids, and was closely followed by seventeenth-century European society. The Countess of Grignan remarked that they were traveling "like two heroines out of a novel." Others gossiped that they "were roaming the countryside in pursuit of wandering lovers. "Their scandalous behavior -- disguising themselves as men, gambling, and publicly disputing with their husbands -- served as more than just entertainment. It sparked discussions across Europe concerning the legal rights of husbands over their wives. Elizabeth Goldsmith's vibrant biography of the Mancini sisters -- drawn from personal papers of the players involved and the tabloids of the time -- illuminates the lives of two pioneering free spirits who were feminists long before the word existed.
The King and Cardinal both work for papal decree of divorce while the King becomes involved with another woman.
The riveting story of two women whose divergent personalities and positions impacted the court of Edward III, one of medieval England's greatest kings. There were two women in Edward III's life: Philippa of Hainault, his wife of forty years and bearer of twelve children, and his mistress, Alice Perrers, the twenty-year-old who took the king's fancy as his ageing wife grew sick. After Philippa's death Alice began to dominate court, amassing a fortune and persuading the elderly Edward to promote her friends and punish her enemies. In The Queen and the Mistress, Gemma Hollman brings the story of these two women to life and contrasts the "perfect" medieval queen—the pious, unpolitical, steady Philippa—with the impertinent youth—the wily, charismatic, manipulative Alice. One died a royal, adored, while the full force of the English court united against Alice, wresting both money and power from her and leaving her with nothing but a mission to try to reclaim all that was lost. Both women had wealth and power but used vitally different methods to dispense it. In The Queen and the Mistress, Hollman brings to the fore their differences and similarities in a unique look at women and power in the Middle Ages.
Tells the history of the French Renaissance through the lives of its most prominent queens and mistresses.
Henrietta Howard, later Countess of Suffolk, was the long-term mistress and confidante of King George II. Described by Swift as a consummate courtier who packed away her private virtues& like cloaths in a chest , by Pope as so very reasonable, so unmov
The author of The Mythology of the “Princes in the Tower” separates fact from fiction in this biography of an influential former queen of England. Wife to Edward IV and mother to the Princes in the Tower and later Queen Elizabeth of York, Elizabeth Widville was a central figure during the War of the Roses. Much of her life is shrouded in speculation and myth—even her name, commonly spelled “Woodville,” is a hotly contested issue. In this fascinating and insightful biography, Dr. John Ashdown-Hill sheds light on the truth of her life. Born in the turbulent fifteenth century, she was famed for her beauty and controversial second marriage to Edward IV, who she married just three years after he had displaced the Lancastrian Henry VI and claimed the English throne. As Queen Consort, Elizabeth’s rise from commoner to royalty continues to capture modern imagination. Undoubtedly, it enriched the position of her family. Her elevated position and influence invoked hostility from Richard Neville, the “Kingmaker,” which later led to open discord and rebellion. Throughout her life and even after the death of her husband, Elizabeth remained politically influential: briefly proclaiming her son King Edward V of England before he was deposed by her brother-in-law, the infamous Richard III, she would later play an important role in securing the succession of Henry Tudor in 1485 and his marriage to her daughter Elizabeth of York, thus and ending the War of the Roses. An endlessly enigmatic, historical figure, Elizabeth Widville has been obscured by dramatizations and misconceptions. In Elizabeth Widville, Lady Grey, Ashdown-Hill attempts to set the record straight.
The resplendent sex symbol of the splendid century'... The reign of Athenais de Montespan as principal mistress of Louis XIV corresponds with the most glorious period of the Grand Siecle. Athenais was 'the true Queen of France', symbol of a dazzling French culture in the seventeenth century. As a lover, she risked the disgrace of double adultery to conduct an affair which scandalized Europe; as a patron she supported many of the leaders of the cultural renaissance including Moliere and Racine; as a mother she is the ancestor of most of the royal houses of Europe. The greatest beauty of her day, Athenais lived her life publicly and sensationally until accusations of witchcraft forced her from power in the 'Affair of the Poisons', a mystery which remains unsolved. She fascinates not only because she achieved power at a time when it was denied to most women, but because she achieved that power through her manipulation of a prescribed role.
A captivating novel based on the story of the extraordinary real-life American woman who secretly worked for the French Resistance during World War II—while playing hostess to the invading Germans at the iconic Hôtel Ritz in Paris—from the New York Times bestselling author of The Aviator's Wife and The Swans of Fifth Avenue. “A compelling portrait of a marriage and a nation at war from within.”—Kate Quinn, author of The Alice Network Nothing bad can happen at the Ritz; inside its gilded walls every woman looks beautiful, every man appears witty. Favored guests like Ernest Hemingway, F. Scott Fitzgerald, Coco Chanel, and the Duke and Duchess of Windsor walk through its famous doors to be welcomed and pampered by Blanche Auzello and her husband, Claude, the hotel’s director. The Auzellos are the mistress and master of the Ritz, allowing the glamour and glitz to take their minds off their troubled marriage, and off the secrets that they keep from their guests—and each other. Until June 1940, when the German army sweeps into Paris, setting up headquarters at the Ritz. Suddenly, with the likes of Hermann Goëring moving into suites once occupied by royalty, Blanche and Claude must navigate a terrifying new reality. One that entails even more secrets and lies. One that may destroy the tempestuous marriage between this beautiful, reckless American and her very proper Frenchman. For in order to survive—and strike a blow against their Nazi “guests”—Blanche and Claude must spin a web of deceit that ensnares everything and everyone they cherish. But one secret is shared between Blanche and Claude alone—the secret that, in the end, threatens to imperil both of their lives, and to bring down the legendary Ritz itself. Based on true events, Mistress of the Ritz is a taut tale of suspense wrapped up in a love story for the ages, the inspiring story of a woman and a man who discover the best in each other amid the turbulence of war. Praise for Mistress of the Ritz “No one writes of the complexities of women’s lives and loves like Melanie Benjamin. In Mistress of the Ritz, Benjamin brings wartime Paris brilliantly to life. . . . Intense, illuminating, and ultimately inspiring!”—Elizabeth Letts, New York Times bestselling author of Finding Dorothy
From the author of A Rose for the Crown and Daughter of York comes another engrossing historical novel of the York family in the Wars of the Roses, telling the fascinating story of the rise and fall of the final and favorite mistress of Edward IV. Jane Lambert, the quick-witted and alluring daughter of a silk merchant, is twenty-two and still unmarried. When Jane’s father finally finds her a match, she’s married off to the dull, older silk merchant William Shore. Marriage doesn’t stop Jane from flirtation, however, and when the king’s chamberlain, Will Hastings, comes to her husband’s shop, Will knows King Edward will find her irresistible. Edward IV has everything: power, majestic bearing, superior military leadership, a sensual nature, and charisma. And with Jane as his mistress, he also finds true happiness. But when his hedonistic tendencies get in the way of being the strong leader England needs, his life, as well as those of Jane and Will Hastings, hangs in the balance. Jane must rely on her talents to survive as the new monarch, Richard III, bent on reforming his brother’s licentious court, ascends the throne. This dramatic tale has been an inspiration to poets and playwrights for five hundred years, and, as told through the unique perspective of a woman plucked from obscurity and thrust into a life of notoriety, Royal Mistress is sure to enthrall today’s historical fiction lovers as well.
Kings throughout medieval and early modern Europe had extraconjugal sexual partners. Only in France, however, did the royal mistress become a quasi-institutionalized political position. This study explores the emergence and development of the position of French royal mistress through detailed portraits of nine of its most significant incumbents: Agnès Sorel, Anne de Pisseleu d’Heilly, Diane de Poitiers, Gabrielle d’Estrées, Françoise Louise de La Baume Le Blanc, Françoise Athénaïs de Rochechouart de Mortemart, Françoise d’Aubigné, Jeanne-Antoinette Poisson, and Jeanne Bécu. Beginning in the fifteenth century, key structures converged to create a space at court for the royal mistress. The first was an idea of gender already in place: that while women were legally inferior to men, they were men’s equals in competence. Because of their legal subordinacy, queens were considered to be the safest regents for their husbands, and, subsequently, the royal mistress was the surest counterpoint to the royal favorite. Second, the Renaissance was a period during which people began to experience space as theatrical. This shift to a theatrical world opened up new ways of imagining political guile, which came to be positively associated with the royal mistress. Still, the role had to be activated by an intelligent, charismatic woman associated with a king who sought women as advisors. The fascinating particulars of each case are covered in the chapters of this book. Thoroughly researched and compellingly narrated, this important study explains why the tradition of a politically powerful royal mistress materialized at the French court, but nowhere else in Europe. It will appeal to anyone interested in the history of the French monarchy, women and royalty, and gender studies.