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ADAPTED BACKWARDS VIA THE FUTURE FROM THE RADIO 4 SERIES BEFORE IT WAS MADE A richer, deeper, more comprehensive exploration of the Quanderhorn phenomenon. With added secrets. England, 1952. A time of peace, regeneration and hope. A Golden Age. Unfortunately, it's been 1952 for the past 65 years. Meet Professor Quanderhorn: a brilliant, maverick scientific genius with absolutely no moral compass. Assisted by a rag-tag crew - his part-insect "son" (reputedly 'a major breakthrough in Artificial Stupidity'), a recovering amnesiac, a brilliant scientist with a half-clockwork brain, and a captured Martian hostage - he'll save the world. Even if he has to destroy it in the process. With his Dangerous Giant Space Laser, Utterly Untested Matter Transfuser Booth and Fleets of Monkey-driven Lorries, he's not afraid to push the boundaries of science to their very limit. And far, far beyond ...
Lister lives in a replica of Bedford Falls from It's a Wonderful Life, Rimmer is married to a supermodel, and the Cat lives in Denmark in a palace surrounded by a moat of milk. Life's good on Earth. Or is it? The crew of the Red Dwarf are trapped within an addictive virtual reality called Better Than Life, a game that transports you to a perfect world of your imagination. But it is killing them, and to escape, you have to want to. Rejoin this trepid band of space zeroes - Lister, Rimmer, Kryten, Holly and the Cat - as they continue their epic journey through frontal-lobe knotting realities where none dare venture but the bravest of the brave, the boldest of the bold, the feeblest of the feeble-minded.
ADAPTED BACKWARDS VIA THE FUTURE FROM THE RADIO 4 SERIES BEFORE IT WAS MADE A richer, deeper, more comprehensive exploration of the Quanderhorn phenomenon. With added secrets. England, 1952. A time of peace, regeneration and hope. A Golden Age. Unfortunately, it's been 1952 for the past 65 years. Meet Professor Quanderhorn: a brilliant, maverick scientific genius with absolutely no moral compass. Assisted by a rag-tag crew - his part-insect "son" (reputedly 'a major breakthrough in Artificial Stupidity'), a recovering amnesiac, a brilliant scientist with a half-clockwork brain, and a captured Martian hostage - he'll save the world. Even if he has to destroy it in the process. With his Dangerous Giant Space Laser, Utterly Untested Matter Transfuser Booth and Fleets of Monkey-driven Lorries, he's not afraid to push the boundaries of science to their very limit. And far, far beyond ...
Lister gazed out of the porthole and catalogue the series of disasters that had led him to this point in space and time- the bad decisions, the poor career choices, the unreliable friendships that had led him here - on a prison ship bound for the most inhospitable penal colony in the outer cosmos . . . and all he'd ever wanted was to be a soft metal guitar icon.
We join them just as Dave Lister has finally found his way back to planet Earth - which is good. What's bad, however, is that time isn't running in quite the right direction. And if he doesn't get off the planet soon, he's going to have to go through puberty again - backwards. If his crewmates can't help him, Lister will carry on growing younger until he becomes a baby, then an embryo, meeting a very sticky end indeed.
The human race began as slime and ended as slime. His name was Lister. After celebrating his birthday on a Monopoly board pub-crawl round London, he wakes up three million years from Earth, marooned in the wrong plane of the wrong dimension of the wrong reality with a crippling hangover and down to his last two cigarettes . . . Together with a dead man, a senile computer, a deranged sanitation mechanoid with an overactive guilt chip and the best-dressed entity in all six known universes, the last remaining member of the human race begins his epic journey home. Join the Red Dwarf's trepid band of space zeroes - Lister, Rimmer, Kryten, Holly and the Cat - as they travel through frontal-lobe knotting realities where none dare venture but the bravest of the brave, the boldest of the bold, the feeblest of the feeble-minded.
Bad is the new good. In the not too distant future the European Union enacts its most far reaching human rights legislation ever. The incompetent have been persecuted for too long. After all it's not their fault they can't do it right, is it? So it is made illegal to sack or otherwise discriminate against anyone for being incompetent. And now a murder has been committed and our possibly incompetent detective must find out who the murderer is. As long as he can find directions to get him through the mean streets.
Rob Grant's new novel is a revelation. After INCOMPETENCE we would all have expected a killingly funny satire. And in its satire of our obsession with body image, of how the media makes us what we are FAT is certainly that. But in its depiction of Grenville, a fat man at his wits end with the need to be thin; of Hayleigh, a teenage girl obsessed with her terror of being fat and of Jeremy, the self-absorbed, self-adoring 'conceptualist' employed to promote the government's new 'Fat Farms' Rob Grant has given us, yes a very, very funny book, but also an immensely moving and personal novel about how we all feel about our bodies. As Grenville deals with the humilation and daily indignity of being fat, as Hayleigh struggles to deal with her anorexia and as Jeremy comes to terms with the dangerous lies at the centre of the government's new health regime FAT takes us on a hilarious and thought-provoking journey through our all-consuming obession with fat. This is a hilariously moving, movingly hilarious novel and marks a massive step-change in Rob Grant's growth as a writer. Here is a hugely commerical new voice in mainstream, high concept, high in poly-saturates, commercial fiction. It's also safe to say that with this new novel, he's writing about what he knows ...
Set on a colony ship from Earth in the 21st century, the creator of Red Dwarf has created a new set of comedy characters, including a doctor who exists as a pickled mind in a pickle jar as the result of an accident.