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“You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen...transporting. Long live Camilleri, and long live Montalbano.” —A.J. Finn, #1 New York Times bestselling author of The Woman in the Window Inspector Montalbano uncovers corruption and mafia ties in the world of construction and contracts On a gloomy morning in Vigàta, a call from Fazio rouses Inspector Montalbano from a nightmare. A man called Giugiù Nicotra has been found dead in the skeletal workings of a construction site, a place now entombed by a sea of mud from recent days of rain and floods. Shot in the back, he had fled into a water supply system tunnel. The investigation gets off to a slow start, but all the evidence points to the world of construction and public contracts, a world just as slimy and impenetrable as mud. As he wades through a world in which construction firms and public officials thrive, Montalbano is obsessed by one thought: that by going to die in the tunnel, Nicotra had been trying to communicate something.
The long-awaited last novel in the transporting and beloved New York Times bestselling Inspector Montalbano series "At eighty, I foresaw Montalbano's departure from the scene, I got the idea and I didn't let it slip away. So I found myself writing this novel which is the final chapter; the last book in the series. And I sent it to my publisher saying to keep it in a drawer and to publish it only when I am gone." –Andrea Camilleri Montalbano receives an early-morning phone call, but this time it's not Catarella announcing a murder, but a man called Riccardino who's dialed a wrong number and asks him when he'll be arriving at the meeting. Montalbano, in irritation, says: "In ten minutes." Shortly after, he gets another call, this one announcing the customary murder. A man has been shot and killed outside a bar in front of his three friends. It turns out to be the same man who called him. Thus begins an intricate investigation further complicated by phone calls from "the Author" in tour de force of metafiction and Montalbano’s last case.
A Nest of Vipers is the twenty-first novel in Andrea Camilleri’s irresistible Inspector Montalbano series. On what should be a quiet Sunday morning, Inspector Montalbano is called to a murder scene on the Sicilian coast. A man has discovered his father dead in his Vigàtan beach house, his body slumped on the dining room floor, his morning coffee spilled across the table, and a single gunshot wound at the base of his skull. First appearances point to the son having the most to gain from his father’s untimely death, a notion his sister can’t help but reinforce. But when Montalbano delves deeper into the case, and learns of the dishonourable life the victim led, it soon becomes clear half of Vigàta has a motive for his murder and this won’t be as simple as the inspector had once hoped . . . A Nest of Vipers is followed by the twenty-second gripping mystery, The Pyramid of Mud.
Adapted for BBC4's Inspector Montalbano From the title story, Death at Sea, in which the alleged manslaughter of an engineer upon a fishing trawler leads Inspector Montalbano to uncover an even more sinister crime, Andrea Camilleri takes his readers through eight cunning cases from the Vigàtan police files. Starting with an arson attack on a hotel which leaves the distraught owner as the chief suspect; to the mysterious case of a woman who goes missing in an underpass with a million lira in her handbag; to a threat on Montalbano’s own life, as an anonymous motorcyclist takes a shot at the detective. Featuring stories adapted for BBC4’s Inspector Montalbano, this is the perfect place to start reading Sicily’s favourite crime author.
The new novel in the transporting New York Times bestselling Inspector Montalbano mystery series Giovanni Trincanato has brought ruin to the shipyard he inherited from his father and when a worker he fires hangs himself on the construction site, Inspector Montalbano is called to the scene. In short order, the inspector loses his temper with the crass Giovanni, delivers a slap to his face, and unfortunately, it won’t be the last he sees of Trincanato. Meanwhile, a mysterious schooner called Halcyon shows up in the harbor, seemingly deserted except for just one man. With its presence comes even more mysteries, another death, and the arrival of the FBI. Alongside Sicilian-American Agent Pennisi, Montalbano and his team must attempt a suspenseful infiltration operation in this new, page-turning Inspector Montalbano mystery.
“You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen...transporting. Long live Camilleri, and long live Montalbano.” —A.J. Finn, #1 New York Times bestselling author of The Woman in the Window Inspector Montalbano uncovers corruption and mafia ties in the world of construction and contracts On a gloomy morning in Vigàta, a call from Fazio rouses Inspector Montalbano from a nightmare. A man called Giugiù Nicotra has been found dead in the skeletal workings of a construction site, a place now entombed by a sea of mud from recent days of rain and floods. Shot in the back, he had fled into a water supply system tunnel. The investigation gets off to a slow start, but all the evidence points to the world of construction and public contracts, a world just as slimy and impenetrable as mud. As he wades through a world in which construction firms and public officials thrive, Montalbano is obsessed by one thought: that by going to die in the tunnel, Nicotra had been trying to communicate something.
The Other End of the Line is the twenty-fourth darkly humorous Inspector Montalbano mystery from the international bestselling author Andrea Camilleri. In Inspector Montalbano’s coastal town of Vigàta, a surge of migrants have been coming in by boat, and all the town’s hands are on deck to help the arrivals. At the heart of the scene are the police – on the lookout for the people smugglers responsible – and long night-shifts are rendering Inspector Montalbano and his officers exhausted. Then one night, while Montalbano is enduring yet another gruelling stint at the port, a separate crime is committed – unexplained, unexpected, and unpleasant. Elena, the dressmaker at the town’s famous tailors, has been found dead – slaughtered by her own scissors . . . As a swell of desperate people arrive in search of a better life, Inspector Montalbano finds himself trying to unravel the mystery of who murdered the dressmaker. But as he makes his enquiries, the Inspector can’t help but wonder: what will happen if he keeps tugging on this thread? And what will he find at the end of the line?
This book presents an in-depth analysis of the architecture of tomb security in Egypt from the Predynastic Period until the early Fourth Dynasty by extrapolating data on the security features of published tombs from the whole of Egypt and gathering it together for the first time in one accessible database.
The latest installment of the popular mystery series finds the moody Inspector Montalbano with no time to wax philosophical before the gruesome murder of a man shot at pointblank range in the face with his pants down commands his attention.
The new novel in the transporting New York Times bestselling Inspector Montalbano mystery series Vigàta is bustling as the new filming location for a Swedish television series set in 1950. In the production frenzy, the director asks the locals to track down movies and vintage photos to faithfully recreate the air of Vigata in that time. Engineer Ernesto Sabatello, while rummaging in the attic of his house, finds some films shot by his father from 1958 to 1963, always on the same day, March 27 and always the same shot; the outside wall of a country house. Montalbano hears the story, and intrigued by the mystery of it, begins to investigate its meaning. Meanwhile, a middle school is threatened by a group of armed men, and a closer look at the situation finds Montalbano looking into the students themselves and finally delving into the world of social media.