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The hand-puppet play starring the characters Punch and Judy was introduced from England and became extremely popular in the United States in the 1800s. This book details information on nearly 350 American Punch players. It explores the significance of the 19th-century American show as a reflection of the attitudes and conditions of its time and place. The century was a time of changing feelings about what it means to be human. There was an intensified awareness of the racial, cultural, social and economical diversity of the human species, and a corresponding concern for the experience of human oneness. The American Punch and Judy show was one of the manifestations of these conditions.
The classic graphic novel - a dark fable of childhood and growing up.
Prime Minister's Questions is the bear pit of British politics. Watched and admired around the world, it is often hated at home for bringing out the worst in our politicians. Yet despite successive leaders trying to get away from Punch and Judy politics, it's here to stay. Ayesha Hazarika and Tom Hamilton spent five years preparing Ed Miliband for the weekly joust, living through the highs and lows, tension and black humour of the political front line. In this insightful and often hilarious book, including an updated afterword discussing the key events of 2018, they lift the lid on PMQs and what it's really like to ready the leader for combat. Drawing on personal recollections from key players including Tony Blair, David Cameron, Harriet Harman, William Hague and Vince Cable alongside their unique knowledge, Hazarika and Hamilton take you behind the scenes of some of the biggest PMQs moments.
‘Walker is my name and I am the same. Riddley Walker. Walking my riddels where ever theyve took me and walking them now on this paper the same. There aint that many sir prizes in life if you take noatis of every thing. Every time will have its happenings out and every place the same. Thats why I finely come to writing all this down. Thinking on what the idear of us myt be. Thinking on that thing whats in us lorn and loan and oansome.’ Composed in an English which has never been spoken and laced with a storytelling tradition that predates the written word, RIDDLEY WALKER is the world waiting for us at the bitter end of the nuclear road. It is desolate, dangerous and harrowing, and a modern masterpiece.
Something sinister is afoot in the streets of Dundee, when a puppeteer is found murdered behind his striped Punch and Judy stand, as children sit cross-legged drinking ginger beer. At once, Dandy Gilver's seemingly-innocuous investigation into plagiarism takes a darker turn. The gruesome death seems to be inextricably bound to the gloomy offices of Doig's Publishers, its secrets hidden in the real stories behind their girls' magazines The Rosie Cheek and The Freckle. On meeting a mysterious professor from St Andrews, Dandy and her faithful colleague Alex Osbourne are flung into the worlds of academia, the theatre and publishing. Nothing is quite as it seems, and behind the cheerful facades of puppets and comic books, is a troubled history has begun to repeat itself.