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This book is the first history of women to integrate the history of women into general history. In it, Hufton, a distinguished historian and award-winning author, brings together a mass of detailed material on women in early modern Europe.
Already hailed by English critics as "one of the most important works of history to be published since the Second World War, " Olwen Hufton's fascinating and brilliantly learned study begins, in this first of two volumes, with a wide ranging exploration of women's fate in Western Europe from medieval times to the early modern age. of illustrations.
History of women in western Europe during the years 1500 to 1800, discussing what females of various stations could expect at every stage of life from the time of their birth.
This book is the first history of women to integrate the history of women into general history. In it, Hufton, a distinguished historian and award-winning author, brings together a mass of detailed material on women in early modern Europe.
Fills a gap in scholarship on Indian culture and power between 1500 and 1800, arguing that we can't know how colonialism changed South Asia unless we know what there was to be changed.
The first general survey of the history of women in early modern Ireland. Based on an impressive range of source material, it presents the results of original research into women’s lives and experiences in Ireland from 1500 to 1800. This was a time of considerable change in Ireland as English colonisation, religious reform and urbanisation transformed society on the island. Gaelic society based on dynastic lordships and Brehon Law gave way to an anglicised and centralised form of government and an English legal system.
Griffiths narrative moves like a searchlight over each phase of church history, illuminating the visions, options, and choices behind events. He traces the rise of a dominator version of Christianity, in which the primary concern was a chain of command to be followed, with rewards or punishments according to the degree of obedience. And beside this he illuminates another face of Christianity, concerned with healing all divisions between loved and unloved people. The story Griffith presents is often deeply disturbing, as in his unstinting accounts concerning the gospel for women , or the age of holy wars and witch hunts. But ultimately his story offers solid grounds for optimism. He shows that all contention between different religious visions can be a process of building partnership. As Griffith points out, Jesus himself wished to debate his opponents openly, not to silence or eliminate them. He was not afraid of real encounter, or the potential of creative conflict.I want to congratulate Brian Griffith on this masterful, controversial, and highly readable account. His book offers hope in a divided world, where reaction against globalized godless corporate secularism meets with a war on religious fundamentalism . I hope to see other writers do comparable work in highlighting the partnership and dominator visions within their religious traditions around the world. Riane Eisler, author of The Chalice & the Blade, Sacred Pleasure, Tomorrows Children, The Power of Partnership, The Real Wealth of Nations"I find it gives me an incredibly clarifying perspective on Christianity way beyond my previous understanding. It should be read by everyone with an interest in Western Civilization. It is a marvelous companion to The Great Turning." David Korten, author of The Great Turning: From Empire to Earth Community
The first general survey of the history of women in early modern Ireland. Based on an impressive range of source material, it presents the results of original research into women’s lives and experiences in Ireland from 1500 to 1800. This was a time of considerable change in Ireland as English colonisation, religious reform and urbanisation transformed society on the island. Gaelic society based on dynastic lordships and Brehon Law gave way to an anglicised and centralised form of government and an English legal system.
The Pleasures of the Imagination examines the birth and development of English "high culture" in the eighteenth century. It charts the growth of a literary and artistic world fostered by publishers, theatrical and musical impresarios, picture dealers and auctioneers, and presented to th public in coffee-houses, concert halls, libraries, theatres and pleasure gardens. In 1660, there were few professional authors, musicians and painters, no public concert series, galleries, newspaper critics or reviews. By the dawn of the nineteenth century they were all aprt of the cultural life of the nation. John Brewer's enthralling book explains how this happened and recreates the world in which the great works of English eighteenth-century art were made. Its purpose is to show how literature, painting, music and the theatre were communicated to a public increasingly avid for them. It explores the alleys and garrets of Grub Street, rummages the shelves of bookshops and libraries, peers through printsellers' shop windows and into artists' studios, and slips behind the scenes at Drury Lane and Covent Garden. It takes us out of Gay and Boswell's London to visit the debating clubs, poetry circles, ballrooms, concert halls, music festivals, theatres and assemblies that made the culture of English provincial towns, and shows us how the national landscape became one of Britain's greatest cultural treasures. It reveals to us a picture of English artistic and literary life in the eighteenth century less familiar, but more suprising, more various and more convincing than any we have seen before.
When Portuguese explorers first arrived in India, the maritime passage initiated an exchange of goods as well as ideas. European ambassadors, missionaries, soldiers, and scholars who followed produced a body of knowledge that shaped European thought about India. Sanjay Subrahmanyam tracks these changing ideas over the entire early modern period.