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This edition contains new translations by Rosemary Lloyd of an early novella by Baudelaire and all his prose poetry. The novella, La Fanfarlo is a mocking study of love and passion and an evocation of the art of dance. There are 50 prose poems.
Paris Spleen, a diverse collection of fifty prose poems, is provided here in a clear, engaging, and accurate translation that conveys the lyricism and nuance of the original French text. Also included is a translation of Baudelaire's early novella, La Fanfarlo, which, alongside Paris Spleen, sheds light on the development of Baudelaire's work over time. Raymond N. MacKenzie's introductory essay discusses Baudelaire's life and the literary climate in which he lived and worked. Focusing on the theory of the prose poem, MacKenzie suggests that Baudelaire turned to this form for both aesthetic and ethical reasons, and because the form allowed him to explore more fully the complexities of the modern, urban, human condition. By turns comic, somber, satiric, and self-questioning, Paris Spleen is one of the nineteenth century's richest masterpieces.
A stunning new translation of a neglected masterpiece by one of history’s most celebrated writers. Ten years before Baudelaire published his masterpiece, The Flowers of Evil, the great poet penned the only prose fiction of his career: La Fanfarlo. The novella describes the torrid real-life affair the poet had with Jean Duval, a dancer whose beauty and sexuality Baudelaire came to obsess over. The outcome is a work of raw emotional power and a clear distillation of the Parisian’s poetic genius. As Baudelaire himself said, “Always be a poet, even in prose.” *** This is a Hybrid Book. Melville House HybridBooks combine print and digital media into an enhanced reading experience by including with each title additional curated material called Illuminations — maps, photographs, illustrations, and further writing about the author and the book. The Melville House Illuminations are free with the purchase of any title in the HybridBook series, no matter the format. Purchasers of the print version can obtain the Illuminations for a given title simply by scanning the QR code found in the back of each book, or by following the url also given in the back of the print book, then downloading the Illumination in whatever format works best for you. Purchasers of the digital version receive the appropriate Illuminations automatically as part of the ebook edition.
“Then, O Belovèd, Whisper To The Worm” is a fantastic collection of selected poetry by the French poet, art critic, and essayist Charles Pierre Baudelaire (1821–1867). Baudelaire's wonderful poems are known for their masterful use of rhyme and rhythm which, together with their Romantic exoticism, inspired a whole generation of poets including Arthur Rimbaud, Paul Verlaine and Stéphane Mallarmé. The perfect collection for poetry lovers and fans of Baudelaire's seminal work. Contents include: “Poems in Prose, Translated by Arthur Symons”, “Additional Poems in Prose, Translated by James Huneker”, “Little Poems in Prose, Translated by F. P. Sturm”, “Additional Translations of the Flowers of Evil, Translated by James Huneker”, “Two Poems from Baudelaire, Translated by Richard Herne Shepherd”, and “Selected Poems of Charles Baudelaire, Translated by Guy Thorne”. Other notable works by this author include: “La Fanfarlo” (1847), “Les Fleurs du Mal” (1857), “Les Paradis Artificiels” (1860), and “Le Spleen de Paris” (1869). Ragged Hand is proudly publishing this brand new collection of classic poetry complete with a specially commissioned new biography of the author.
One of the founding texts of literary modernism. Set in a modern, urban Paris, the prose pieces in this volume constitute a further exploration of the terrain Baudelaire had covered in his verse masterpiece, The Flowers of Evil: the city and its squalor and inequalities, the pressures of time and mortality, and the liberation provided by the sensual delights of intoxication, art, and women. Published posthumously in 1869, Paris Spleen was a landmark publication in the development of the genre of prose poetry—a format which Baudelaire saw as particularly suited for expressing the feelings of uncertainty, flux, and freedom of his age—and one of the founding texts of literary modernism.
This authoritative edition of Baudelaire's Complete Verse contains Les Fleurs du mal (1861), the first great modern work of poetry and one of the few books of poems to become an international bestseller, with Nouvelles Fleurs du mal (1868), Les Epaves (1866) and all of Baudelaire's other poetry in verse. The French text is given at the head of the page, while Francis Scarfe's scrupulous and inventive prose translations appear at the foot, making this an ideal edition both for the advanced student and the general reader wishing to tackle the French original with a reliable prose prompt to hand. The companion volume, The Poems in Prose, contains Baudelaire's prose poems (Petits Poemes en prose, 1869) and the short novel La Fanfarlo (1847), an extravaganza' written in his early twenties. Francis Scarfe (1911-86) was a lecturer in French poetry at Glasgow University before and again after World War II. From 1959 to 1978, he was director of the British Institute. In recognition of his contribution to Anglo-French cultural relations he was made a Chevalier des Arts et des Lettres (1962), and for his work on Baudelaire he was awarded the Prix de L'Ile Saint-Louis (1966); on his retirement in 1978 he was made a Chevalier de la Legion d'Honneur. He was the author of four collections of poetry and of the critical works Auden and After and Andre Chenier, His Life and Work.
Rhythm, Illusion and the Poetic Idea explores the concept of rhythm and its central yet problematic role in defining modern French poetry. Forging innovative lines of inquiry linking the detailed analysis of poetic form to the evolution of fundamental aesthetic principles, David Evans offers extensive new readings of the literary and critical writings of the three major poets at the centre of France’s most important poetic revolution. The volume is of interest to all students and readers of Baudelaire, Rimbaud and Mallarmé, since here is presented for the first time a thorough comparative study of developments in each writer’s poetic form and theory, focusing on the themes of illusion, deception and the musical metaphor. The book is also intended to stimulate wider critical debate on the interpretation of metrical verse, prose poetry and vers libre, and offers original analytical methods which facilitate the study of poetic form. The author proposes a radical shift in our understanding of the role and mechanisms of poetic rhythm, suggesting that its very resistance to definition and fixity provides a conveniently opaque veil over the difficulties of defining poetry in the nineteenth and twentieth centuries.