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"In an era of military conflict and economic hardship, religious and political leaders adamantly speak in the language of crisis. Whether one attributes this public religious fervor to a response to the attacks of September 11, 2001, millennial hopes and fears, a sense of moral decay (generally based on either growing economic inequality or the 'breakdown of the American family'), or a sign of the normal progression of the stages of history, the discourse of religious revival is increasingly prominent. And, as is amply evident in the United States and throughout the world, devout declarations of religious belief in the public sphere can bring intractable passions to politics."—from Chapter 1 What are the relationships among religion, politics, and narratives? What makes prophetic political narratives congenial or hostile to democratic political life? David S. Gutterman explores the prophetic politics of four twentieth- and twenty-first-century American Christian social movements: the Reverend Billy Sunday and his vision of "muscular Christianity"; Dr. Martin Luther King, Jr., and the Civil Rights movement; the conservative Christian male organization Promise Keepers; and the progressive antipoverty organization Call to Renewal. Gutterman develops a theory based on the work of Hannah Arendt and others and employs this framework to analyze expressions of the prophetic impulse in the political narrative of the United States. In the process, he examines timely issues about the tense and intricate relationship between religion and politics. Even prior to George W. Bush's faith-based initiative, debates about abortion, family values, welfare reform, and environmental degradation were informed by religious language and ideas. In an interdisciplinary and accessible manner, Gutterman translates the narratives employed by American Christian social movements to define both the crises in the land and the path to resolving these crises. The book also explores the engagement of these prophetic social movements in contentious political issues concerned with sex, gender, sexuality, race, and class, as well as broader questions of American identity.
A startling exploration of the history of the most controversial book of the Bible, by the bestselling author of Beyond Belief. Through the bestselling books of Elaine Pagels, thousands of readers have come to know and treasure the suppressed biblical texts known as the Gnostic Gospels. As one of the world's foremost religion scholars, she has been a pioneer in interpreting these books and illuminating their place in the early history of Christianity. Her new book, however, tackles a text that is firmly, dramatically within the New Testament canon: The Book of Revelation, the surreal apocalyptic vision of the end of the world . . . or is it? In this startling and timely book, Pagels returns The Book of Revelation to its historical origin, written as its author John of Patmos took aim at the Roman Empire after what is now known as "the Jewish War," in 66 CE. Militant Jews in Jerusalem, fired with religious fervor, waged an all-out war against Rome's occupation of Judea and their defeat resulted in the desecration of Jerusalem and its Great Temple. Pagels persuasively interprets Revelation as a scathing attack on the decadence of Rome. Soon after, however, a new sect known as "Christians" seized on John's text as a weapon against heresy and infidels of all kinds-Jews, even Christians who dissented from their increasingly rigid doctrines and hierarchies. In a time when global religious violence surges, Revelations explores how often those in power throughout history have sought to force "God's enemies" to submit or be killed. It is sure to appeal to Pagels's committed readers and bring her a whole new audience who want to understand the roots of dissent, violence, and division in the world's religions, and to appreciate the lasting appeal of this extraordinary text.
Engages cutting-edge scientific research on love and altruism to offer a definition of love that is scientifically, theologically, and philosophically adequate.
Prophecy is the fundamental idiom of American politics--a biblical rhetoric about redeeming the crimes, suffering, and promise of a special people. Yet American prophecy and its great practitioners--from Frederick Douglass and Henry Thoreau to Martin Luther King, James Baldwin, and Toni Morrison--are rarely addressed, let alone analyzed, by political theorists. This paradox is at the heart of American Prophecy, a work in which George Shulman unpacks and critiques the political meaning of American prophetic rhetoric. In the face of religious fundamentalisms that associate prophecy and redemption with dogmatism and domination, American Prophecy finds connections between prophetic language and democratic politics, particularly racial politics. Exploring how American critics of white supremacy have repeatedly reworked biblical prophecy, Shulman demonstrates how these writers and thinkers have transformed prophecy into a political language and given redemption a political meaning. To examine how antiracism is linked to prophecy as a vernacular idiom is to rethink political theology, recast democratic theory, and reassess the bearing of religion on American political culture. Still, prophetic language is not always liberatory, and American Prophecy maintains a critical dispassion about a rhetoric that is both prevalent and problematic.
Introduction -- Becoming active citizens -- Narratives of active citizenship -- Putting faith in action -- Holding government accountable -- Styles of active citizenship -- Conclusion
In this prophetic collection of seminal essays and reflections, the public intellectual, theologian and social justice scholar Reverend Professor Keith Magee provides a thoughtful, sharp, and critical analysis of how questions of race, religion, and politics impact on society today. It explores the historical context of American democracy and how it has long failed to deliver true justice to all the nation's citizens. It exposes the social construct of race and the myriad ways in which this false idea - along with sometimes wilful misinterpretations of sacred texts - have been used to justify the subjugating of one people by another, simply because of the colour of their skin. Written over the course of the last four years, these essays and articles touch on some painful subjects, but also give us reason to hope. Keith Magee describes how, with courage and faith, we can create brave spaces of engagement in which people can come together to face up to the injustices of the past and to learn how to love 'the other' as they love themselves, thus creating a new world in which every life truly matters
In the period from 1881 to 1917 socialist movements flourished in every major centre of Russian Jewish life, but, despite common foundations, there was often profound and bitter disagreement between them. This book describes the formation and evolution of these movements, which were at once united by a powerful vision and sundered by the contradictions of practical politics.
The Religion of Empire: Political Theology in Blake's Prophetic Symbolism is the first full-length study devoted to interpreting Blake's three long poems, showing the ways in which the Bible, myth, and politics merge in his prophetic symbolism. In this book, G. A. Rosso examines the themes of empire and religion through the lens of one of Blake's most distinctive and puzzling images, Rahab, a figure that anchors an account of the development of Blake's political theology in the latter half of his career. Through the Rahab figure, Rosso argues, Blake interweaves the histories of religion and empire in a wide-ranging attack on the conceptual bases of British globalism in the long eighteenth century. This approach reveals the vast potential that the question of religion offers to a reconsideration of Blake's attitude to empire. The Religion of Empire also reevaluates Blake's relationship with Milton, whose influence Blake both affirms and contests in a unique appropriation of Milton's prophetic legacy. In this context, Rosso challenges recent views of Blake as complicit with the nationalism and sexism of his time, expanding the religion-empire nexus to include Blake's esoteric understanding of gender. Foregrounding the role of female characters in the longer prophecies, Rosso discloses the variegated and progressive nature of Blake's apocalyptic humanism.
At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip hop through an analysis of song lyrics, the words of the prophets of the hood. Recognizing prevailing characterizations of hip hop as a transnational musical form, Perry advances a powerful argument that hip hop is first and foremost black American music. At the same time, she contends that many studies have shortchanged the aesthetic value of rap by attributing its form and content primarily to socioeconomic factors. Her innovative analysis revels in the artistry of hip hop, revealing it as an art of innovation, not deprivation. Perry offers detailed readings of the lyrics of many hip hop artists, including Ice Cube, Public Enemy, De La Soul, krs-One, OutKast, Sean “Puffy” Combs, Tupac Shakur, Lil’ Kim, Biggie Smalls, Nas, Method Man, and Lauryn Hill. She focuses on the cultural foundations of the music and on the form and narrative features of the songs—the call and response, the reliance on the break, the use of metaphor, and the recurring figures of the trickster and the outlaw. Perry also provides complex considerations of hip hop’s association with crime, violence, and misogyny. She shows that while its message may be disconcerting, rap often expresses brilliant insights about existence in a society mired in difficult racial and gender politics. Hip hop, she suggests, airs a much wider, more troubling range of black experience than was projected during the civil rights era. It provides a unique public space where the sacred and the profane impulses within African American culture unite.