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The first part of this study explores the extent to which Dante’s Divine Comedy contributed to Christopher Columbus’s perception of the cosmos and the eschatological meaning of his journey to what he called an ‘other world.’ The second considers how Italian writers and artists of the late Renaissance and Counter Reformation received the news of the ‘discovery’ and the extent to which they used the figure of Dante and the pseudo-prophecy of the Commedia to interpret its significance.
Dante and Polish Writers: From Romanticism to the Present explores the phenomenon of Polish Danteism from a hermeneutic perspective. The chapters shed light on a series of “encounters” of eminent Polish writers with Dante and the Divine Comedy, resulting in original interpretations, creative reworkings, and a wealth of intertextual references testifying to a dialogue that has always been – and still is - alive, not excluding antagonism and bitter controversy. The contributors are all scholars of Polish literature with comparative expertise, teaching in Italian and Polish universities, which ensures a consistently focused point of view on the receptive context and the ways in which it is affected by the confrontation with Dante. The hermeneutic horizon ranges from the Inferno-like reading of the inhuman lands with which history abounds, to the metaphysical yearning underlying Dante’s “poetics of transhumanizing,” to recent perspectives related to the posthuman and storytelling.