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Twice Aurora Award-nominated author Hugh A. D. Spencer collects more of his previously published short fiction in this fun collection. Featuring a series of interconnected stories about the Progressive Apparatus, a sometimes anti-muse, sometimes amoral high-tech firm, and a Galactic Super-culture that meddles in human life through heavy drugs and museum exhibits, this collection asks the big questions in science fiction. Like what happens to those breakthrough scientific projects when the funders pull the plug? What if that crazy scifi religious cult is actually on to something? How can a heartless multi-galactic corporation be affected by a small act of rebellion, like driving a truck through their headquarters? Stories in this collection Five Stories About Alan The Progressive Apparatus ...And the Retrograde Mentor ...Experience Denial Then Acceptance The Heritage Drug Project Sticky Wonder Stories The Meaning of Steel Ammonite City Cult Stories John, Paul, Xavier, Ironside and George (But Not Vincent)
Three times Aurora Award-nominated author Hugh A. D. Spencer collects more of his previously published short fiction in this fun collection. Featuring a series of interconnected stories about the Progressive Apparatus, a sometimes anti-muse, sometimes amoral high-tech firm, and a Galactic Super-culture that meddles in human life through heavy drugs and museum exhibits, this collection asks the big questions in science fiction. Like what happens to those breakthrough scientific projects when the funders pull the plug? What if that crazy scifi religious cult is actually on to something? How can a heartless multi-galactic corporation be affected by a small act of rebellion, like driving a truck through their headquarters? Stories in this collection Five Stories About Alan The Progressive Apparatus ...And the Retrograde Mentor ...Experience Denial Then Acceptance The Heritage Drug Project Sticky Wonder Stories The Meaning of Steel Ammonite City Cult Stories John, Paul, Xavier, Ironside and George (But Not Vincent)
For the first time in print, Spencer's radio plays "Amazing Struggles, Astonishing Failures, and Disappointing Success", together with the follow-up four-part audio drama "Cult Stories", tell the tales of disillusioned science fiction writers over the course of the mid-20th century. AMAZING STRUGGLES! In the Golden Age of science fiction, a group of aspiring young authors, the Fabulists, is ready to wow the world with tales of interplanetary heroism and technological supremacy. ASTONISHING FAILURES! Unfortunately, their dreams of fame and fortune are consistently dashed by the dastardly rejections of the compulsively conservative and out-of-touch editor of Tremendous Stories of Super Science. DISAPPOINTING SUCCESS (PARTS I & II)! While some of the Fabulists see middling success as teachers and television writers, another becomes a science fiction mega-star whose writing (and the author's own pathology) spawns a cult religion with wild ideas that may be a bit less bogus than his short stories. CULT STORIES! And like an artistic pandemic, some forms of science fiction can get very ugly. Only extreme measures will save us. "Virtually every line is written to amuse and amaze, yet it’s bang on accurate in its overall account of the actuality of the decade. A lot of thought went into noting the humour inherent in the activities and pretensions of First Fandom." - Amazing Stories "A delightfully cracked and deeply savvy romp through the history of science fiction, and perforce our world, all told through two quartets of scripts for radio plays! You’ll meet real people, thinly veiled characters, and even fully dressed folk you never heard of in this mind’s ear theater that could have appeared in Mad Magazine. What, me worry? No, but I’d love to hear these scripts enacted in a podcast." - Paul Levinson, author of It’s Real Life, award-winning alternate history radio play
In southern Alberta in the late 1970s, Matthew Bishop has a pretty decent life. Sure, he doesn't have a girlfriend, but he has all the science fiction books a monthly mail order subscription can bring him, a collection of Canadian synth rock on vinyl, and a gig with the university radio station with which to share them. But things take a turn for the majorly uncool when his commie best friend is assaulted by The Man, a high school hobby becomes a city-wide political statement, and his mom is set to marry the World's Biggest Tool and leave him homeless. What's a slacker majoring in f***-all to do? Well, it could be worse. At least he isn't imprisoned in an extraterrestrial slave labour camp... right?
Culture of Boredom is a collection of essays by well-known specialists reflecting from philosophical, literary, and artistic perspectives. The goal is to clarify the background of boredom, and to explore its representation through forgotten cross-cutting narratives.
This environmental history of the Brazos traces the techniques that engineers and politicians have repeatedly used to try to manage its flow.
More than eighty years have passed since Edgard Varèse’s catalytic work for percussion ensemble, Ionisation, was heard in its New York premiere. A flurry of pieces for this new medium dawned soon after, challenging the established truths and preferences of the European musical tradition while setting the stage for percussion to become one of the most significant musical advances of the twentieth century. This 'revolution', as John Cage termed it, was a quintessentially modernist movement - an exploration of previously undiscovered sounds, forms, textures, and styles. However, as percussion music has progressed and become woven into the fabric of Western musical culture, several divergent paths, comprised of various traditions and a multiplicity of aesthetic sensibilities, have since emerged for the percussionist to pursue. This edited collection highlights the progressive developments that continue to investigate uncharted musical grounds. Using historical studies, philosophical insights, analyses of performance practice, and anecdotal reflections authored by some of today's most engaged performers, composers, and scholars, this book aims to illuminate the unique destinations found in the artistic journey of the modern percussionist.
John Truck was to outward appearances just another lowlife spaceship captain. But he was also the last of the Centaurans, or at least half of him was, which meant that he was the only person who could operate the Centauri Device, a sentient bomb which might hold the key to settling a vicious space war. M. John Harrison's classic novel turns the conventions of space opera on their head, and is written with the precision and brilliance for which is famed.
"This volume is grounded in the thesis that information technology may offer the only viable avenue to the implementation of constructivist and progressive educational principles in higher education, and that the numerous efforts now under way to realize these principles deserve examination and evaluation"--Provided by publisher.