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The garden design firm of SMI Landscape Architecture is known for its estate masterplanning, its public gardens and streetscapes, and its thoughtful private gardens for clients across the United States, particularly in Florida, and in the Bahamas. The firm's philosophy incorporates a "botanic garden" approach with exotic planting and elements of classical European design to create beautiful, usable spaces, and it is also known for its preservation and restoration of old landscapes. This book presents 15 new gardens, never before published in any book, that show the range of the firm's work. Each client has different requirements, and so each garden turns out differently - but each shows the firm's hallmarks of lush planting, luxurious garden "rooms," and immaculate hardscaping. As Jorge Sanchez puts it in the Preface, "This book shows how not one individual but many make a firm successful." For each garden, practical information about the design approach and details of the planting are combined with an account of the process, the firm's relationship with the client, and the reasons for the design decisions. Through the narrative--often personal, always descriptive, always detailed--a picture builds up of the approach to each set of circumstances. Many of the projects are in Palm Beach, where a boom in the building of new houses and their attached estates in the early twentieth century left a legacy of stunning--if sometimes neglected--homes and landscapes ripe for restoration. Local architects such as Addison Mizner and Maurice Fatio designed houses that are now being rejuvenated and sympathetically modernized to fit the requirements of twenty-first-century families, and firms such as SMI are at the forefront of the re-creation of their gardens. The Weisfisch Garden in Palm Beach, for example, was carefully restored and given the surroundings its architecture and its owners deserved, and the whole project was recognized with a prestigious award from the Palm Beach Preservation Foundation. The firm of SMI also works in temperate planting zones, and projects in more northerly states provide an opportunity to work with an entirely different palette of plants. For the Plumb Garden in Chadds Ford, Pennsylvania, for example, the firm was commissioned to remodel a small estate attached to an old pleasure house. The landscape here is much wilder and more temperate than in Florida, and the firm's job was to work with the natural flora and contours of the land while quietly intervening to personalize the areas nearest the house. Simple manipulations of form and slope along with water features and some much more intimate spaces have created a garden that fits impeccably into its wider context and yet is capable of being used and enjoyed by the family. Throughout the book there is a strong sense of participation--with the climate, with the local flora, with the clients, and with other designers, whether architects, artisans, or interior designers. To be part of such collaborative efforts is hugely satisfying for Sanchez and the members of his team, as well as producing the best possible result for each set of clients. This beautiful book will appeal to garden lovers everywhere, as well as to design aficionados seeking a deeper understanding of the creative process behind making a garden. It will also appeal to garden designers and horticultural students. Contents Preface Casa Bendita, Palm Beach, FL Fisher Garden, Palm Beach, FL Saratoga Springs, NY Mautner Garden Nason Garden, Coral Gables, FL Patterson Garden, Palm Beach, FL Vila Alberi, Palm Beach, FL Plumb Garden, Chadds Ford, PA Rakolta Garden, Palm Beach, FL La Salona, Palm Beach, FL El Lido, Palm Beach, FL Shiverick Garden, Palm Beach, FL Weisfisch Garden, Palm Beach, FL Winkelried Garden, Jupiter Island, FL Worth Avenue Garden, Palm Beach, FL
The garden design firm of SMI Landscape Architecture is known for its estate masterplanning, its public gardens and streetscapes, and its thoughtful private gardens for clients across the United States and in the Bahamas. The firm's philosophy incorporates a 'botanical garden' approach with exotic planning and elements of classical European design to create beautiful, usable spaces, and it is also known for its preservation and restoration of old landscapes. As Jorge Sánchez puts it in the Prologue, 'Most of us tend to look at garden books for their pictures. In this one I would like to show you why; why the picture pictures came about. It is all part of why we came about. Gardens do not just happen. They are creations.' This book examines three of the firm's recent private gardens in great detail, two in Florida and one in Scarsdale, New York. Practical information about the design approach and details of the planting are combined with Sánchez's account of the process behind each garden, his relationship with the client and the reasons for his decisions. Through the narrative - often personal, always descriptive, always detailed - a picture builds up of his approach to each set of circumstances. The first project is in Miami, a family garden with a surprisingly untropical design for its southern location. Describing each area of the garden in detail, Sánchez explains that the clients wanted it to feel like a northern landscape, and how that requirement influenced his choice of plants. He puts forward his belief in the importance of the relationship between house and garden, saying: 'Our responsibility as landscape gardeners is to complement the architecture... to give the buildings a sense of place and grounding.' The second project, in Scarsdale, New York, came about in an oblique way: Sánchez was called in to propose suggestions for landscaping a large site that was to be subdivided and sold. He suggested to the owners that they instead develop it for themselves, and the idea took hold. He explains that having already worked with these clients, he was familiar with their taste and requirements but had to consider afresh the new site and the building that was already present. His priority was to make the plot look as though it had always been that way, keeping its naturalness while adapting it for the use of the family. The final garden in the book is the most dramatically sited, on a high cliff in Palm Beach, Florida. Sánchez delighted in taking advantage of the spectacular views throughout the plot. Influenced by the work of the renowned twentieth-century landscape designer Beatrix Farrand, he created an upper and a lower garden, separated by fountain staircases that break up the change in level and provide the cooling splash of water. He even describes how the swimming pool was at first destined to be a tennis court, but that the idea of a place for grandchildren to play won out. As Sánchez puts it, 'I have a feeling this is a property they will be using more and more.' Throughout the book Sánchez gives a strong sense of participation - with the climate, with the local flora, with the clients and with other designers, whether sculptors, architects or interior designers. To be part of such collaborative efforts is hugely satisfying for him, as well as producing the best possible result for each set of clients. This stunning book will appeal to garden lovers everywhere, as well as to design aficionados seeking a deeper understanding of the creative process behind making a garden. It will also appeal to garden designers and horticultural students.
Hollow Land is a groundbreaking exploration of the political space created by Israel’s colonial occupation. In this journey from the deep subterranean spaces of the West Bank and Gaza to their militarized airspace, Eyal Weizman unravels Israel’s mechanisms of control and its transformation of the Occupied Territories into a theoretically constructed artifice, in which all natural and built features function as the weapons and ammunition with which the conflict is waged. Weizman traces the development of these ideas, from the influence of archaeology on urban planning, Ariel Sharon’s reconceptualization of military defense during the 1973 war, through the planning and architecture of the settlements, to contemporary Israeli discourse and practice of urban warfare and airborne targeted assassinations. In exploring Israel’s methods to transform the landscape and the built environment themselves into tools of domination and control, Hollow Land lays bare the political system at the heart of this complex and terrifying project of late-modern colonial occupation.
On October 14-19, 1990, the 6th International Conference on the Conservation of Earthen Architecture was held in Las Cruces, New Mexico. Sponsored by the GCI, the Museum of New Mexico State Monuments, ICCROM, CRATerre-EAG, and the National Park Service, under the aegis of US/ICOMOS, the event was organized to promote the exchange of ideas, techniques, and research findings on the conservation of earthen architecture. Presentations at the conference covered a diversity of subjects, including the historic traditions of earthen architecture, conservation and restoration, site preservation, studies in consolidation and seismic mitigation, and examinations of moisture problems, clay chemistry, and microstructures. In discussions that focused on the future, the application of modern technologies and materials to site conservation was urged, as was using scientific knowledge of existing structures in the creation of new, low-cost, earthen architecture housing.
This book is intended as both an introduction to the discipline for students of landscape architecture, architecture, and planning, and a source of continuing interest for more experienced environmental designers. The book offers various materials for landscape architects and other planning professionals. The book is divided into 4 parts and 17 chapters. Part I "Introduction to the Landscape Architecture Theme" is general reading on landscape architecture. Part II "Art's Replica and Landscape Architecture Model" includes three chapters. This part represents a theoretical and sensitive visual interpretation of landscape architecture. Part III "Sustainable Prototypes of a Contemporary Landscape Architecture" includes four chapters, with sustainability as a concept and guiding thought. Part IV "Landscape Architecture Around the World (Study Cases)" includes 9 chapters with many examples from different geographical practical cases.
A Triple Helix of university-industry-government interactions is the key to innovation in increasingly knowledge-based societies. As the creation, dissemination, and utilization of knowledge moves from the periphery to the center of industrial production and governance, the concept of innovation, in product and process, is itself being transformed. In its place is a new sense of 'innovation in innovation' - the restructuring and enhancement of the organizational arrangements and incentives that foster innovation. This triple helix intersection of relatively independent institutional spheres generates hybrid organizations such as technology transfer offices in universities, firms, and government research labs and business and financial support institutions such as angel networks and venture capital for new technology-based firms that are increasingly developing around the world. The Triple Helix describes this new innovation model and assists students, researchers, and policymakers in addressing such questions as: How do we enhance the role of universities in regional economic and social development? How can governments, at all levels, encourage citizens to take an active role in promoting innovation in innovation and, conversely, how can citizens so encourage their governments? How can firms collaborate with each other and with universities and government to become more innovative? What are the key elements and challenges to reaching these goals?
The Graphic Garden is the first monograph from Keith Williams, a partner, along with Mario Nievera, of Nievera Williams Design-one of the country's leading landscape architectural firms. Based in South Florida, Williams has been designing sumptuous outdoor spaces for over 20 years. In The Graphic Garden, Williams highlights his most impressive projects to date which includes the revitalization of several historically landmarked homes and properties. He often integrates both native and exotic plants, builds opulent swimming pools, and brings in mature trees and stone work, all of which result in stunning gardens that are brimming with lush, tropical foliage. More than just plantings, other design elements featured include whimsical pool cabanas, a vertical garden wall, a loggia inspired by the architecture of Bermuda, Moorish-tiled fountains, and stone-paved motor courts. In showing the transformations and process of these monumental design projects, the book highlights Williams penchant for sustainability, and his efforts to honor the natural, existing landscape while never compromising the design to create spectacularly distinctive gardens. As Williams recounts, "I design gardens-gardens that give back, that are forward-thinking, that can calm, that have emotion, each with its own scale and texture, and that change and provide experiences and human interaction."
How to use woody herbs to grow mature bonsai in one year or less. This practical guide provides tips on training, caring, and decorating.
This book focuses on the city of St Petersburg, the capital of the Russian empire from the early eighteenth century until the fall of the Romanov dynasty in 1917. It uses the Russian court as a prism through which to view the various cultural changes that were introduced in the city during the eighteenth century.