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Eliza Jacobs, a former midwife, high school counselor, and child advocate, is now a death row inmate. She was falsely accused and wrongly convicted of murdering Lydia Garth, a fifteen-year-old student. Today is Eliza's execution day. Brian Stafford, The Executioner and son of The Warden, is scheduled to execute Eliza. The Executioner knows The Prisoner is innocent and he will not be complicit in killing her. Lydia Garth, now Emma Maxwell, is a nineteen-year-old sexual abuse survivor living in Santa Fe. When Emma becomes aware of Eliza's imprisonment she 'rises from the dead' and contacts the FBI. In The Prisoner and The Executioner by Catee Ryan, the reader is drawn into the horrors of injustice, the dark side of human nature, and the transformative power of love.
A Season of Change
James Berry's book, 'My Experiences as an Executioner,' delves into the dark and morbid world of capital punishment through the eyes of a seasoned executioner. Berry's writing is straightforward and devoid of unnecessary embellishment, reflecting the harsh realities of his profession. The book provides a glimpse into the psychological toll of taking human lives in the name of justice, offering a unique perspective on a controversial practice. Set against the backdrop of a time when public executions were common, Berry's narrative serves as a chilling reminder of the consequences of violence and the cost of administering justice. His stark prose and attention to detail create a haunting account of life and death in the executioner's domain. James Berry's personal experiences as an executioner shape the narrative of his book, shedding light on the moral and ethical dilemmas faced by those who carry out society's most unforgiving duties. His insights into the inner workings of the executioner's mind reveal the complexities of a role often shrouded in secrecy and taboo. With 'My Experiences as an Executioner,' Berry challenges readers to confront uncomfortable truths about the justice system and the individuals tasked with enforcing it. This book is a must-read for anyone interested in the historical and psychological aspects of capital punishment, offering a rare glimpse into a world few dare to explore.
In what is arguably his greatest book--written in 1979 and reissued here in trade paperback--America's most heroically ambitious writer follows the short, blighted career of Gary Gilmore, an intractably violent product of America's prisons who---after robbing two men and killing them in cold blood--insisted on dying for his crime.
All her life, Moss has lived in the Tower of London with her father, who serves as the executioner for King Henry VIII. Prisoners condemned to death must face Pa and his axe—and Moss catches their severed heads. Her father insists he has no choice: if he leaves the Tower, he will be killed. But Moss can't bear to be the executioner's daughter any longer. When she finally finds a way out of the Tower, she discovers the river holds more dangers than she imagined—including the Riverwitch's curse. The Riverwitch once helped Moss's family in exchange for a terrible bargain; now she expects Moss to pay the debt.
This is the gritty account of one mans journey from executioner to pastor. While working in the Texas penitentiary system, Timothy Carter executed more death-row inmates than anyone else in United States history. This powerful story follows Carters transformation from cold-hearted prison guard to new believer wrestling with church and state authority. A story that readers will not soon forget, it injects a much-needed voice into the discussion of the sword of the state versus the Sword of the Spirit, and how that manifests in the modern Christians understanding of capital punishment.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A murder tale "from inside the house where murder is born." Haunting, harrowing, and profoundly affecting, Shot in the Heart exposes and explores a dark vein of American life that most of us would rather ignore. It is a book that will leave no reader unchanged. Gary Gilmore, the infamous murderer immortalized by Norman Mailer in The Executioner's Song, campaigned for his own death and was executed by firing squad in 1977. Writer Mikal Gilmore is his younger brother. In Shot in the Heart, he tells the stunning story of their wildly dysfunctional family: their mother, a black sheep daughter of unforgiving Mormon farmers; their father, a drunk, thief, and con man. It was a family destroyed by a multigenerational history of child abuse, alcoholism, crime, adultery, and murder. Mikal, burdened with the guilt of being his father's favorite and the shame of being Gary's brother, gracefully and painfully relates his story "from inside the house where murder is born... a house that, in some ways, [he has] never been able to leave." Shot in the Heart is the history of an American family inextricably tied up with violence, and the story of how the children of this family committed murder and murdered themselves in payment for a long lineage of ruin.
A "fascinating and provocative" story (The Washington Post) of high stakes competition between two titans that shows how the electric chair developed through an effort by one nineteenth-century electric company to discredit the other. In 1882, Thomas Edison ushered in the “age of electricity” when he illuminated Manhattan’s Pearl Street with his direct current (DC) system. Six years later, George Westinghouse lit up Buffalo with his less expensive alternating current (AC). The two men quickly became locked in a fierce rivalry, made all the more complicated by a novel new application for their product: the electric chair. When Edison set out to persuade the state of New York to use Westinghouse’s current to execute condemned criminals, Westinghouse fought back in court, attempting to stop the first electrocution and keep AC from becoming the “executioner’s current.” In this meticulously researched account of the ensuing legal battle and the horribly botched first execution, Moran raises disturbing questions not only about electrocution, but about about our society’s tendency to rely on new technologies to answer moral questions.
In Cambodia, between 1975 and 1979, some two million people died at the hands of the Khmer Rouge. Twenty years later, not one member had been held accountable for the genocide. Haunted by an image of one of them, Comrade Duch, photographer Nic Dunlop set out to bring him to life, and thereby to account. "I needed to understand how a movement that laid claim to a vision of a better world could instead produce a revolution of unparalleled ferocity; how a seemingly ordinary man from one of the poorer parts of Cambodia could turn into one of the worst mass murderers of the twentieth century:" Weaving seamlessly between past and present, Dunlop unfolds the history of Cambodia as a lens through which to understand its tragic last forty years. He makes clear how much responsibility the United States must share, through failed political alliances and the illegal bombing of Cambodia, for the bloodshed that followed. Guided by witnesses, Dunlop teases out the details of Duch's transformation from sensitive schoolchild and dedicated teacher to the revolutionary killer who later slipped quietly back into village life. From the temples of Angkor to the prisons of Pol Pot's regime, to his unexpected meeting with Duch himself, Dunlop's special vision as a photographer enlarges our own. The Lost Executioner is a blend of history and testimony-and a reminder that, whether in the killing fields of Cambodia or the deserts of Darfur, if we turn our backs on genocide, we must bear a collective guilt.
"Relying largely on Stroop's own words ... Moczarski recreates the chain of events which caused a nondescript German youth, the son of a provincial policeman, to rise to the top of the Nazi hierarchy; become part of the inner circle of Hitler, Himmler, and Göring; wield ... power in Czechoslovakia, Soviet Russia, and Greece; and mastermind Warsaw's "Final solution"--Jacket.