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This book, the most comprehensive study of the series yet published, covers every aspect of the programme, from its conception in 1965, through the personality clashes and technical difficulties that plagued its making, to it s army of devotees today.
From the alien worlds of Star Trek to the realistic operating room of ER, the design of sets and costumes contributes not only to the look and mood of television shows, but even more importantly to the creation of memorable characters. Yet, until now, this crucial aspect of television creativity has received little critical attention, despite the ongoing interest in production design within the closely allied discipline of film studies. In this book, Piers Britton and Simon Barker offer a first analytical study of scenic and costume design for television drama series. They focus on three enduringly popular series of the 1960s—The Avengers, The Prisoner, and Doctor Who—and discuss such topics as the sartorial image of Steed in The Avengers, the juxtaposition of picturesque and fascistic architecture in The Prisoner, and the evolution of the high-tech interior of Doctor Who's TARDIS. Interviews with the series' original designers and reproductions of their original drawings complement the authors' analysis, which sheds new light on a variety of issues, from the discourse of fashion to that of the heritage industry, notions of "Pop" and retro, and the cultural preoccupation with realism and virtual reality.
A collection of essays that examine landmark popular television drama from the last forty years, from 'Doctor Who' to 'The Office'. Contributors focus on programmes across the range of popular genres, from sitcoms to science fiction, gothic horror and children's drama
For half a century, television spies have been trained professionals, reluctant heroes, housewives, businessmen, criminals, and comedians. They have by turns been glamorous, campy, reflective, sexy, and aloof. This is the first book-length treatment of one of TV's oldest and most fascinating genres. Britton's comprehensive guide provides readers, from casual viewers to die-hard fans, with behind-the-scenes stories to this notable segment of television entertainment. From the early 1960s, in which television spies were used essentially as anti-Communist propaganda, through the subsequent years that both built upon and parodied this model, and finally to today's gadget-laden world of murky motives and complex global politics, spy television has served as much more than mere escapism. From the beginning, television spies opened doors for new kinds of heroes. Women quickly took center stage alongside men, and minority leads in spy programs paved the way for other kinds of roles on the small screen. For half a century, television spies have been trained professionals, reluctant heroes, housewives, businessmen, criminals, and comedians. They have by turns been glamorous, campy, reflective, sexy, and aloof. This is the first book-length treatment of one of TV's oldest and most fascinating genres.
“This exciting book goes to the heart of a creative commercialand public service culture - it shows why ITV matters and howit was made to work so well. A tremendous contribution.” Professor Jean Seaton, University of Westminster “This is a valuable addition to studies of ITV's history andprogramming...” Tom O'Malley, Professor of Media Studies, University of Wales, Aberyswyth, and Co-Editor of Media History. Since breaking the BBC’s monopoly in 1955, ITV has been at thecentre of the British television landscape. To coincide with thefiftieth anniversary of the first ITV broadcast, this accessible bookoffers a range of perspectives on the complex and multifaceted history ofBritain’s first commercial broadcaster. The book explores key tensions and conflicts which have influenced theITV service. Chapters focus on particular institutions, includingLondon Weekend Television and ITN, and programme forms, includingWho Wants to be a Millionaire?, Upstairs Downstairs and Trisha.The contributors show that ITV has had to tread an uneasy line betweenpublic service and commercial imperatives, between a pluralistic regionalstructure and a national network, and between popular appeal andquality programming. A timeline of key events in the history of ITV is alsoincluded. ITV Cultures provides a timely intervention in debates on broadcastingand cultural history for academics and researchers, and a livelyintroduction to the history of ITV for students and general readers. Contributors: Rod Allen, City University; Jonathan Bignell, University of Reading; John Ellis, Royal Holloway, University of London; Jackie Harrison, University of Sheffield; Jamie Medhurst, University of Wales, Aberystwyth; Matt Hills, Cardiff University; Steve Neale, University of Exeter; Helen Wheatley, University of Reading; Sherryl Wilson, Bournemouth University.
In the years since World War II, commercial television has become the most powerful force in American culture. It is also the quintessential example of postmodernist culture. This book studies how The Twilight Zone, The Prisoner, Twin Peaks, and The X-Files display many of the central characteristics that critics and theorists have associated with postmodernism, including fragmentation of narratives and characters, multiplicity in style and genre, and the collapse of traditional categorical boundaries of all kinds. The author labels these series strange TV since they challenge the conventions of television programming, thus producing a form of cognitive estrangement that potentially encourages audiences to question received ideas. Despite their challenges to the conventions of commercial television, however, these series pose no real threat to the capitalist order. In fact, the very characteristics that identify these series as postmodern are also central characteristics of capitalism itself, especially in its late consumerist phase. An examination of these series within the context of postmodernism thus confirms Fredric Jameson's thesis that postmodernism is a reflection of the cultural logic of late capitalism. At the same time, these series do point toward the potential of television as a genuinely innovative medium that promises to produce genuinely new forms of cultural expression in the future.
Television today is better than ever. From The Sopranos to Breaking Bad, Sex and the City to Girls, and Modern Family to Louie, never has so much quality programming dominated our screens. Exploring how we got here, acclaimed TV critic David Bianculli traces the evolution of the classic TV genres, among them the sitcom, the crime show, the miniseries, the soap opera, the Western, the animated series, the medical drama, and the variety show. In each genre he selects five key examples of the form to illustrate its continuities and its dramatic departures. Drawing on exclusive and in-depth interviews with many of the most famed auteurs in television history, Bianculli shows how the medium has evolved into the premier form of visual narrative art. Includes interviews with: MEL BROOKS, MATT GROENING, DAVID CHASE, KEVIN SPACEY, AMY SCHUMER, VINCE GILLIGAN, AARON SORKIN, MATTHEW WEINER, JUDD APATOW, LOUIS C.K., DAVID MILCH, DAVID E. KELLEY, JAMES L. BROOKS, LARRY DAVID, KEN BURNS, LARRY WILMORE, AND MANY, MANY MORE
This text explores the origins and implications of the powerful visual medium of video, crossing national, cultural and political boundaries to present provocative tales. Dennis Redmond's study is rooted in close readings of three video efforts: "The Prisoner" (1967), "The Decalogue" (1988) and "Neon Genesis: Evangelion" (1995).
It's 35 years since Patrick McGoohan's thriller series The Prisoner, a strange blend of espionage, psychodrama and fantasy, first entranced the British public. Tracing the program's evolution from sixties' curiosity to worldwide cult, the book examines the volatile social and political background which shaped its development. With an episode-by-episode analysis, a wealth of previously unpublished photographs, production designs, props and memorabilia, production details, cast biographies and interviews with the cast and crew, The Prisoner: The Official Companion to the Classic TV Series is the ultimate guide to what is now viewed as one of the seminal television series of its time. It will be promoted on the dozens of rabid Prisoner websites.