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Anthropologist, archaeologists, and art historians detail their approaches to studying gender in burial practices and in other mortuary contexts. They compare European and American traditions in this field, outline methods for analyzing gender in cultures of varying complexity and with different levels of documentation, and describe some of the successes of such efforts. Consideration is given to the relationships between gender, ideology, power, signification, and the interpretation of evidence. c. Book News Inc.
This interdisciplinary dissertation explores the archetype of the "ape-man" from a phenomenological perspective, with its genesis and present continuation dependent on extant and accreted human behavior and morphology. In order to ascertain the embedded components of the ape-man archetype, an identikit ape-man as a discrete phenomenon is derived after the examination of cross-cultural examples world-wide. Next, this discrete phenomenon and its constituent parts are compared both to extant ape species' behavior and morphology and the paleoanthropological evidence to determine in what ways -- if any -- components of each are reflected accurately in the phenomenon. Utilizing concepts in the fields of cultural and physical anthropology, ethology, psychology, and philosophy, this dissertation asserts as its conclusion that the archetype of the ape-man is a result of accreted and enacted collective memories, and reflects an important phenomenon integral to human thought and form.
This richly illustrated volume discusses the histories of the port city of Butrint, and its intimate connection to the wider conditions of the Adriatic. In so doing it is a reading, and re-reading, of the site that adds significantly to the study of Mediterranean urban history over the longue durée . Firstly, the book proposes a new paradigm for the development-history of Butrint - based on discussions of the latest archaeological, historical and landscape studies from approximately 20 new excavations and surveys, together covering a temporal arch from prehistory to the early modern period. Secondly, it examines how the perception of the city influenced the archaeological methodology of 20th-century studies of the site, where iteration and reversal were often being applied in equal measure. In this it asks important questions on the management of heritage sites and the contemporary role of archaeological practise. Inge Lyse Hansen is Adjunct Professor of Art History at John Cabot University and specialises in the visual and material culture of the Roman world. She has published on portraiture, funerary art and the use of role models and patronage and has edited several archaeological volumes. Richard Hodges is Scientific Director of the Butrint Foundation, a leading medieval archaeologist and the author of more than 20 books. Sarah Leppard has led or participated in more than 15 excavations in eight countries and has managed major excavations at Butrint.
The Rat Prince by Bridget Hodder is a funny and magical retelling of the Cinderella story from the point of view of one of her footmen, a rat! Before Cinderella's stepmother and stepsisters moved into Lancastyr Manor she was known as the beautiful Lady Rose de Lancaster. Then her stepmother forced her to become a kitchen maid and renamed her. At first the rats of the manor figure her for a lack-wit and take pity on her by bringing her food and a special family heirloom. But when Cinderella's stepmother finds a way to prevent her from attending the ball, the rats join forces to help her. The night of the ball is filled with magic and secrets-not least of all who Lady Rose will choose as her Prince Charming. A Margaret Ferguson Book
Starting in the year 1828, Lucien Bonaparte, Prince of Canino, unearthed more than 2000 Greek vases on his estate near the ancient Etruscan town of Vulci. The vases were restored and found their way to archaeological collections all around the world. This volume publishes 10 papers by scholars of international repute dealing with these ceramics. The papers were presented in 2015 at a colloquium in the National Museum of Antiquities in Leiden, which acquired 96 vases from the Bonaparte collection in 1839. Specialists in the fields of museum history, Greek vase-painting, restoration and 19th century collecting practices from the Netherlands, France, Germany, Denmark, Austria, Italy and Russia have contributed to this volume, which offers the newest insights into the person of Lucien Bonaparte, his excavation practices, the history of restorations and the selling and buying of Greek ceramics in the 19th century. The results have helped to extend our knowledge of the collectors, traders and scholars, who were concerned with Greek vases during the 19th century. Their activities took place in a pivotal period, in which the black- and red figure ceramics, which had come to light in Italy during the previous centuries, were finally assigned to Greek craftsmanship instead of to Etruscan manufacture. The book also contains a concise photographic catalogue illustrating the highlights of the Leiden Canino collection.