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Trygve Johnson invites us to consider a new metaphor of identity of The Preacher as Liturgical Artist. This identity draws on a theology of communion and the doctrine of the vicarious humanity of Christ to relocate the preacher's identity in the creative and ongoing ministry of Jesus Christ. Johnson argues the metaphorical association of the preacher and artist understood within the artistic ministry of Jesus Christ frees the full range of human capacities, including the imagination to bear upon the arts of Christian proclamation. The Preacher as Liturgical Artist connects preachers to the person and work of Jesus Christ, whose own double ministry took the raw materials of the human condition and offered them back to the Father in a redemptive and imaginative fashion through the Holy Spirit. It is in the large creative ministry of Jesus Christ that preachers find their creativity freed to proclaim the gospel bodily within the context of the liturgical work of God's people.
"The Art of Preaching: A Theological and Practical Primer explores the theological understanding of the homily, lessons from classical and contemporary rhetoric, the relevance of preaching for the life of the Church, highlighting recent teachings of the Magisterium, and it presents the incarnation as the foundation for preaching, understood as an essential aspect of the priestly life and mission. This primer offers a simple and effective method for the preparation and delivery of homilies. The book also provides a selection of homilies from the great preachers of the Church, organized chronologically, with brief introductions and commentaries that highlight what those homilies teach us for preaching today"--
Trygve Johnson invites us to consider a new metaphor of identity of The Preacher as Liturgical Artist. This identity draws on a theology of communion and the doctrine of the vicarious humanity of Christ to relocate the preacher's identity in the creative and ongoing ministry of Jesus Christ. Johnson argues the metaphorical association of the preacher and artist understood within the artistic ministry of Jesus Christ frees the full range of human capacities, including the imagination to bear upon the arts of Christian proclamation. The Preacher as Liturgical Artist connects preachers to the person and work of Jesus Christ, whose own double ministry took the raw materials of the human condition and offered them back to the Father in a redemptive and imaginative fashion through the Holy Spirit. It is in the large creative ministry of Jesus Christ that preachers find their creativity freed to proclaim the gospel bodily within the context of the liturgical work of God's people.
Practical advice for preachers everywhere, written out of long experience and deep learning. Homilists will welcome its advice about language, the role of the imagination, preaching and prophecy, the liturgical setting of the preached word, and social justice. +
For nearly two millennia, despite repeated prohibitions, Christian women have preached. Some have preached in official settings; others have found alternative routes for expression. Prophecy, teaching, writing, and song have all filled a broad definition of preaching. This anthology, with essays by an international group of scholars from several disciplines, investigates the diverse voices of Christian women who claimed the authority to preach and prophesy. The contributors examine the centuries of arguments, grounded in Pauline injunctions, against women's public speech and the different ways women from the early years of the church through the twentieth century have nonetheless exercised religious leadership in their communities. Some of them based their authority solely on divine inspiration; others were authorized by independent-minded communities; a few were even recognized by the church hierarchy. With its lively accounts of women preachers and prophets in the Christian tradition, this exceptionally well-documented collection will interest scholars and general readers alike.
Author Ed Foley―priest, preacher, and teacher―invites preachers to an awareness of the world and the people around them as a lens for preaching God's Incarnate Word and inviting people into the Paschal Mystery. He maintains that paying attention is a key to theological reflection. When pondering a work of art or a catastrophe, the preacher asks, “Where is God in all of this?” and “How does my preaching invite people to respond to that presence?” Fr. Foley presents excerpts of his own homilies and references to poets, scientists, and other resources―some a bit surprising―as models and suggestions that might draw a preacher’s attention as a sign of God present and active in our midst. In short, this book offers a mindset, not a method, for preachers.
How do we understand Jesus' present activity in a challenging, post-Christian context? Leading thinkers in pastoral theology, homiletics, liturgical theology, and missiology consider how to recognize the divine presence and join in what God is already doing in all areas of church ministry. With deep theological reflection, personal stories, and practical suggestions, this is a compelling interdisciplinary conversation.
Instead of being a dour task on the checklist, what if the process of homily prep renewed you? Instead of feeling insecure about your message, what if your skills made you confident to preach a consistently clear message of Good News, authentic to you, relevant to your listeners, holding their attention and inviting transformation? Backstory Preaching: Integrating Life, Spirituality, and Craft shows you how. By integrating your life and spirituality with the practical skills necessary for effective preaching, you can move beyond the boredom, stress, or insecurity of preaching so it is no longer you who preach but Christ who preaches in you. By connecting with God in the midst of your sermon prep, the Gospel will be spread deeper and further. God’s joy—and yours—will be made complete.
Kate Bruce argues that imagination can help to engage the hearer in a sermon which seeks to evoke rather than to inform. Imagination frames how we see the world and ourselves in it. As such it has a vital role in how preachers see the preaching task itself, which in turn affects how we go about the task.
Preaching and music are both regular elements of Christian worship, yet they often don't interact or inform each other in meaningful ways. Theologian, pastor, and musician Noel A. Snyder considers how preaching that seeks to engage hearts and minds might be helpfully informed by musical theory—so that preachers might craft sermons that sing.