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This thorough guide to digital photography provides instructions for every step of making photographs with a digital camera, from capturing an image to producing beautiful prints. Hints for choosing a camera, tips for evaluating images, and advanced techniques for manipulating pictures are discussed, as is the importance of selecting the correct software. Using digital images online is reviewed, with suggestions for minimizing file size to reduce upload time, ideas for using images to create graphics for a web page, and guidelines for creating a safe digital work flow.
Why does Digital Imaging start with a glossary? So that right from the beginning readers learn to "speak digital." Koelling demystifies the process of planning and managing a digitizing project, including important issues of copyright and ethics, choosing equipment, weighing technical alternatives, and creating databases. These are not the trendy details that will be out of date next month but the core issues everyone needs to understand so they can make good decisions and plan projects with long-term benefits. Koelling reminds us, too, that these projects can be both fun and satisfying to work on. Don't miss the last chapter on image enhancement—history detectives have a great new technique at their fingertips.
It’s a whole new world for cinematographers, camera assistants, and postproduction artists. New equipment, new methods, and new technologies have to be learned and mastered. New roles such as that of the DIT (Digital Imaging Technician), Digital Loader, and Data Manager are integral to today’s motion picture production process. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from esteemed author and filmmaker Blain Brown. The Filmmaker’s Guide to Digital Imaging covers both the theory and the practice, featuring full-color, in-depth coverage of essential terminology, technology, and industry-standard best-practices. Brown covers new industry-wide production standards such as ASC-CDL and the ACES workflow. Interviews with professional cinematographers and DITs working on Hollywood productions equip you with knowledge that is essential if you want to work in today’s motion picture industry, whether as a cinematographer, DIT, Digital Loader, Data Manager, camera assistant, editor, or VFX artist. Topics include: Digital sensors and cameras The structure of digital images Waveform monitors, vectorscopes, and test charts Using linear, gamma, and log encoded video files Exposure techniques for HD and UltraHD Understanding digital color Codecs and file formats The DIT cart Downloading, ingesting, and managing video files Workflow from camera to DIT cart to post Using metadata and timecode The companion website (www.focalpress.com/cw/brown) features additional material, including demonstrations and interviews with experienced DITs and cinematographers.
This thorough guide to digital photography provides instructions for every step of making photographs with a digital camera, from capturing an image to producing beautiful prints. Hints for choosing a camera, tips for evaluating images, and advanced techniques for manipulating pictures are discussed, as is the importance of selecting the correct software. Using digital images online is reviewed, with suggestions for minimizing file size to reduce upload time, ideas for using images to create graphics for a web page, and guidelines for creating a safe digital work flow.
It’s a whole new world for cinematographers, camera assistants, and postproduction artists. New equipment, new methods, and new technologies have to be learned and mastered. New roles such as that of the DIT (Digital Imaging Technician), Digital Loader, and Data Manager are integral to today’s motion picture production process. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from esteemed author and filmmaker Blain Brown. The Filmmaker’s Guide to Digital Imaging covers both the theory and the practice, featuring full-color, in-depth coverage of essential terminology, technology, and industry-standard best-practices. Brown covers new industry-wide production standards such as ASC-CDL and the ACES workflow. Interviews with professional cinematographers and DITs working on Hollywood productions equip you with knowledge that is essential if you want to work in today’s motion picture industry, whether as a cinematographer, DIT, Digital Loader, Data Manager, camera assistant, editor, or VFX artist. Topics include: Digital sensors and cameras The structure of digital images Waveform monitors, vectorscopes, and test charts Using linear, gamma, and log encoded video files Exposure techniques for HD and UltraHD Understanding digital color Codecs and file formats The DIT cart Downloading, ingesting, and managing video files Workflow from camera to DIT cart to post Using metadata and timecode The companion website (www.focalpress.com/cw/brown) features additional material, including demonstrations and interviews with experienced DITs and cinematographers.
This is the second edition of a very popular book on DICOM that introduces this complex standard from a very practical point of view. It is aimed at a broad audience of radiologists, clinical administrators, information technologists, medical students, and lecturers. The book provides a gradual, down to earth introduction to DICOM, accompanied by an analysis of the most common problems associated with its implementation. Compared with the first edition, many improvements and additions have been made, based on feedback from readers. Whether you are running a teleradiology project or writing DICOM software, this book will provide you with clear and helpful guidance. It will prepare you for any DICOM projects or problem solving, and assist you in taking full advantage of multifaceted DICOM functionality.
Covering the technical and practical aspects of production on the set, data management at the DIT cart and post-production, including the new Academy of Motion Picture Arts and Sciences ACES Workflow. Technical issues are presented in a readable but thorough manner with many diagrams and illustrations to explain the concepts. Dozens of color diagrams and illustrations make the concepts easily understandable. Also included is a website/DVD with video footage of the author in discussion with professional DITs, cinematographers and editors, and video presentation of other concepts outlined in the book. In addition to the technical aspects of sensors, exposure, digital color, codecs, color grading and data management, this book also deals with the more practical side of working as a digital cinematographer, DIT, DMT or camera assistant, including a chapter on how to put together your own DIT cart. Colorists and editors will also find the chapters on image control, workflow, scene-linear and the ACES workflow essential to their work and advancement in the industry.
Whether the reader is looking to improve their lighting skills, or they're working with ambient light in a studio, this book offers practical guidance, advice on equipment and theoretical background, and covers a wide range of techniques -- from basic principles and what equipment to use to advanced lighting setups. Illustrated with examples, diagrams, and before and after comparisons.
This is an introductory to intermediate level text on the science of image processing, which employs the Matlab programming language to illustrate some of the elementary, key concepts in modern image processing and pattern recognition. The approach taken is essentially practical and the book offers a framework within which the concepts can be understood by a series of well chosen examples, exercises and computer experiments, drawing on specific examples from within science, medicine and engineering. Clearly divided into eleven distinct chapters, the book begins with a fast-start introduction to image processing to enhance the accessibility of later topics. Subsequent chapters offer increasingly advanced discussion of topics involving more challenging concepts, with the final chapter looking at the application of automated image classification (with Matlab examples) . Matlab is frequently used in the book as a tool for demonstrations, conducting experiments and for solving problems, as it is both ideally suited to this role and is widely available. Prior experience of Matlab is not required and those without access to Matlab can still benefit from the independent presentation of topics and numerous examples. Features a companion website www.wiley.com/go/solomon/fundamentals containing a Matlab fast-start primer, further exercises, examples, instructor resources and accessibility to all files corresponding to the examples and exercises within the book itself. Includes numerous examples, graded exercises and computer experiments to support both students and instructors alike.
This book explores both digital and film photography, providing the enthusiast with information on everything from understanding aperture and focus to manipulating images for maximum effect using computer software. All the basics are covered, from holding a camera to using a tripod and knowing which films and lenses to buy. Creative advice on framing and setting up shots, choosing the most effective point of view and looking for texture, shape and composition opportunities will help amateurs to advance their photography to a new level. With over 1700 photographs and diagrams, this manual is essential for anyone with an interest in photography.