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T. F. Powys is a forgotten genius like no other—and Unclay is his masterpiece New Directions is proud to present one of the most spellbinding novels you will read this year, and certainly the weirdest. First published in 1931, Unclay glows with an unworldly light—Death has come to the small village of Dodder to deliver a parchment with the names of two local mortals and the fatal word unclay upon it. When he loses the precious sheet, he is at a loss, and also free of his errand. Hungry to taste the sweet fruits of human life, Mr. John Death, as he is now known, takes a holiday in Dorsetshire and rests from his reaping. The village teems with the old virtues (love, kindness, patience) and the old sins (lust, avarice, greed). What unfolds is a witty, earthy, metaphysical, and delicious novel of enormous moral force and astonishing beauty.
From William Morris to Oscar Wilde to George Orwell, left-libertarian thought has long been an important but neglected part of British cultural and political history. In Anarchist Seeds beneath the Snow, David Goodway seeks to recover and revitalize that indigenous anarchist tradition. This book succeeds as simultaneously a cultural history of left-libertarian thought in Britain and a demonstration of the applicability of that history to current politics. Goodway argues that a recovered anarchist tradition could—and should—be a touchstone for contemporary political radicals. Moving seamlessly from Aldous Huxley and Colin Ward to the war in Iraq, this challenging volume will energize leftist movements throughout the world.
This international annotated guide includes publishing and bibliographical information on 1,129 titles. These are all publications interesting in collecting and distributing criticism, bibliographies, biographical information, textual studies, reviews, and related scholarship on the life and works of a single author. 435 authors from 28 different countries have inspired the creation of these 1,129 titles. These publications are serials--continuing projects published either regularly or irregularly, with no scheduled termination date, although many do cease publication. These may be monthlies, quarterlies, annuals, or may emerge only when enough material has accumulated to produce a respectable volume, but they are all serials, no matter how long they survive, or how frequently they appear.
The life of Theodore Francis Powys, the man and the writer (1875–1953), is a story of determined withdrawal from the contemporary world. While his two literary brothers John Cowper and Llewellyn travelled a great deal abroad, Theodore, after early unsuccessful attempts to join the active world, settled into a sedentary life in a remote rural part of Dorset. In his retreat, protected from the outside world by his omnipresent hills, Powys constructed a world, half-real and half-imaginary, in which the man and the writer, reality and fancy and past and present coexisted and sometimes merged. For Powys, fear in its various manifestations, as fear of God, of evil, of death and of self, was a powerful incentive to write and a source of inspiration for almost everything remarkable in his writings. It did not take Powys long to realize that allegory was a literary genre better suited to his literary leanings and peculiar turn of mind than the realism of his early novel-writing ventures. Under the combined influence of the Bible, Bunyan and Hawthorne, he adapted allegory to his specific literary purpose. In that regard, two distinctive aspects of his allegorical stories, namely supernatural visitors and animal symbolism, generally overlooked by his critics, deserve close attention, and are the special focus of this book. Few writers have been so strongly and avowedly marked by so many literary and philosophical influences as Powys. These range from the Bible, Bunyan and Hawthorne to Darwin, Hardy, Lawrence and Freud. However, Powys’s short stories, fables and novels also stand as a unique and original achievement. Indeed, the influence he himself exerted on some novelists of the younger generation, such as William Golding, testifies to the power and originality of his writings.
Mid-Century Romance chronicles a revival of the historical novel chronicles a revival of the historical novel in the middle decades of the twentieth century in the cultures of British modernism and international communism. Born of a national turn in world politics, these novels met the turbulence of mid-century history with narratives of national becoming, roadmaps to situate their readers in the pattern of social change. Their writers were often mindful of the genre's romantic-era heritage: they saw themselves as following in the footsteps of Sir Walter Scott and they drew on the same rescued remains of primitive poetry and popular antiquities that romanticism first used to construct its versions of national identity, culture, and tradition. This book shows how the impulse to salvage traces of ancestral culture and press them to new purpose links the mid-century national-historical novel to the rise of radical social history and magical realism. Post-war anticommunism shaped a tradition of the novel as a preserve of art and the individual. Mid-Century Romance counters with a different genealogy of the British and world novel, whose object is society and the future of community, the nation and its people. It situates its cast of British writers--including the modernists Hope Mirrlees and Virginia Woolf, the communists Jack Lindsay and Sylvia Townsend Warner, the eccentric modernist and sometime fellow traveller John Cowper Powys, and the New Left luminary Raymond Williams--in a transnational perspective that reaches from Bihar, India to Bahia, Brazil.