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It looked bleak and predictable for little Keelen Mailman: an alcoholic mother, absent father, the horrors of regular sexual and physical assault and the casual racism of a small outback town in the sixties. But somehow, despite the pain and deprivation, the lost education, she managed to absorb her mother's lessons: her Bidjara language and culture, her obligations to Country, and her loyalty to her family. So it was no surprise to some that a girl who could hide for a year in her own home to keep her family together, run as fast as Raylene Boyle and catch porcupine and goanna, would one day make history. At just 30, and a single mother, Keelen became the first Aboriginal woman to run a commercial cattle station when she took over Mt Tabor, two hours from Augathella on the black soil plains of western Queensland. This is the heartland of Bidjara country, after all, the place her mother and grandparents and great-grandparents had camped on and cared for, and where their ancestors left their marks on caves and rock walls more than 10,000 years ago. In this unflinching memoir, the warmth of Keelen's personality, her determination and her irresistible humour shine through as she recalls her extraordinary life.
Four young people have slipped from our world into the enchanted land of Tír in this 'epic adventure that just does not stop!' (Glenda A. Bixler on Authorsden), where they must face a malicious demigod and an evil witch. Alan, Kate, Mark and Mo could be an enormous force for good in this beautiful but war-torn, deeply oppressed world - but one of their number has been kidnapped and one lost, and one is changing almost beyond recognition. It's up to Alan to reunite them and restore their strength - but the Great Witch Olc, scheming in her Tower of Bones, has resurrected the malicious demigod Fangorath to use for her own evil ends, and she is planning to lure Alan into a trap. Millions are depending on them, but they're not just fighting for one world any more . . .
“Irresistible.” —Stephen King Private Investigator Charlie Parker returns in this heart-pounding thriller as he seeks revenge against the darkest forces in the world, from “one of the best thriller writers we have” (Harlan Coben, #1 New York Times bestselling author) and the internationally bestselling author of the acclaimed The Woman in the Woods. He is our best hope. He is our last hope. He is our only hope. On a lonely moor in northern England, the body of a young woman is discovered. In the south, a girl lies buried beneath a Saxon mound. To the southeast, the ruins of a priory hide a human skull. Each is a sacrifice, a summons. And something in the darkness has heard the call. Charlie Parker has also heard it and from the forests of Maine to the deserts of the Mexican border, from the canals of Amsterdam to the streets of London, he will track those who would cast the world into darkness. Parker fears no evil—but evil fears him. “A seamless, expansive, and chilling blend of police procedural and gothic horror tale” (Kirkus Reviews), A Book of Bones will keep you guessing until the very last page.
For more than thirty years Natalie Goldberg has been challenging and cheering on writers with her books and workshops. In her groundbreaking first book, she brings together Zen meditation and writing in a new way. Writing practice, as she calls it, is no different from other forms of Zen practice—"it is backed by two thousand years of studying the mind." This thirtieth-anniversary edition includes new forewords by Julia Cameron and Bill Addison. It also includes a new preface in which Goldberg reflects on the enduring quality of the teachings here. She writes, "What have I learned about writing over these thirty years? I’ve written fourteen books, and it’s the practice here in Bones that is the foundation, sustaining and building my writing voice, that keeps me honest, teaches me how to endure the hard times and how to drop below discursive thinking, to taste the real meat of our minds and the life around us."
From the acclaimed author of "Krik? Krak!". 1937: On the Dominican side of the Haiti border, Amabelle, a maid to the young wife of an army colonel falls in love with sugarcane cutter Sebastien. She longs to become his wife and walk into their future. Instead, terror unfolds them. But the story does not end here: it begins.
Dancing on Bones is the story of how the leaders of China, Russia, and North Korea manipulate the past to serve the present and secure the future of authoritarian rule.History didn't end. Democracy didn't triumph. America's leading role in the world is no longer assured. Instead, authoritarian rule is on the rise, and the global order established after 1945 is under attack. This is the phenomenon Katie Stallard tackles in Dancing on Bones, probing the version ofhistory that leaders in China, Russia, and North Korea teach their citizens.These three states consistently top the list of threats to the global order and US national security. All are governed by autocratic regimes. All have nuclear weapons and believe that the era of American hegemony is fading. All three share a sense of historical grievance, rooted in the wars of thelast century - specifically World War II and the Korean War - that their leaders exploit to shore up popular support at home and fuel increasingly aggressive foreign policy. Decades after the real guns fell silent, these wars rage on in China, Russia, and North Korea, reimagined in popular media,public memorials, and patriotic education campaigns. This is not history as it was, but as the current rulers need it to be. Since coming to power in China, Xi Jinping has almost doubled the length of the war with Japan, Vladimir Putin has brought back bombastic military parades through Red Square,and Kim Jong Un has invested vast sums in rebuilding war museums in his impoverished state, while historians who try to challenge the official line are silenced and jailed. But this didn't start with the current leaders and it won't end with them.Drawing on first-hand, on-the-ground reporting, Dancing on Bones is the story of how the leaders of China, Russia, and North Korea manipulate the past to serve the present and secure the future of authoritarian rule. If we want to understand where these three nuclear powers are heading, we mustunderstand the stories they are telling their citizens about the past.
Jane Yolen, the bestselling and award-winning author of The Devil's Arithmetic, returns to World War II and the Holocaust with this timely and necessary novel. It's 1942 in Poland, and the world is coming to pieces. At least that's how it seems to Chaim and Gittel, twins whose lives feel like a fairy tale torn apart, with evil witches, forbidden forests, and dangerous ovens looming on the horizon. But in all darkness there is light, and the twins find it through Chaim's poetry and the love they have for each other. Like the bright flame of a Yahrzeit candle, his words become a beacon of memory so that the children and grandchildren of survivors will never forget the atrocities that happened during the Holocaust. Filled with brutality and despair, this is also a story of poetry and strength, in which a brother and sister lose everything but each other. Nearly thirty years after the publication of her award-winning and bestselling The Devil's Arithmetic and Briar Rose, Yolen once again returns to World War II and captivates her readers with the authenticity and power of her words. Perfect for fans of Markus Zuzak's The Book Thief and Ruta Sepetys's Salt to the Sea.
Never trust a pirate. The Blood Bell tolls, marking the death of the pirate king and the start of the Trials—a heart-stopping competition where the reward is the Bone Crown. Only one contender can claim the coveted island throne; each will gamble life and limb to win. Captain. Sister. Maiden. Csilla Abado yearns to prove her strength to the seasoned pirates who balk at her youth and to her elder sister who has always craved Csilla’s captainship. She will risk everything to become the first pirate queen, no matter the cost. Dealer. Son. Legacy. Kane Blackwater wants to leave behind the dirty gold and shady trades he’s made to keep his father’s ship, the Iron Jewel, alive. The Trials represent a new beginning—yet rumors of a secret heir are swirling, threatening his hopes of becoming the pirate king. Stowaway. Daughter. Storm. Lorelei Penny longs for nothing more than to avenge her mother’s death. Stowing away on the Iron Jewel was supposed to get her closer to the killer, but instead she finds herself caught up in the deadly battle where loyalty and desire collide. Csilla. Kane. Lorelei. Each on a mission. The sea, however, has other plans. Dark tides are rising, and if they aren’t careful, they’ll surely drown.
The Dynamics of Intertextuality in Plutarch explores the numerous aspects and functions of intertextual links both within the Plutarchan corpus itself (intratextuality) and in relation with other authors, works, genres or discourses of Ancient Greek literature (interdiscursivity, intergenericity, intermateriality).