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From the Nobel Prize-winning author of My Name Is Red and Snow, a large-format, deluxe, collectible edition of his beloved memoir about life in Istanbul, with more than 200 added illustrations and a new introduction. Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy--or hüzün--that all Istanbullus share: the sadness that comes of living amid the ruins of a lost empire. With cinematic fluidity, Pamuk moves from the lives of his glamorous, unhappy parents to the gorgeous, decrepit mansions overlooking the Bosphorus; from the dawning of his self-consciousness to the writers and painters--both Turkish and foreign--who would shape his consciousness of his city. Like Joyce's Dublin and Borges' Buenos Aires, Pamuk's Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.
A Vintage Shorts Travel Selection The Nobel Prize–winning novelist Orhan Pamuk reminisces on growing up on the banks of the mysterious Bosphorus in Istanbul. From the ghostly yalis, splendid waterside mansions built by the great Ottoman families during the eighteenth and nineteenth centuries, to the crowds of vessels—Russian frigates, rickety fishing boats, and ferries—that plied its waters, Pamuk takes readers on a tour of the great river. A selection from the shimmering and evocative Istanbul: Memories and the City, “Along the Bosphorus” is the essential guide to the city’s watery way. An eBook short.
Postcards and medals; pictorial works; Turkey; history; 1878-1909.
Contributions originally presented at a conference held in Munich in 2007.
Masculinities in nineteenth-century art through the lens of gender and queer history Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men’s lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the contributing authors present case studies of men’s relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siècle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications.
The Young Turk Revolution of 1908 reverberated across the Middle East and Europe and ushered in a new era for the Ottoman Empire. The initial military uprising in the Balkans triggered a constitutional revolution, in which social mobilization and the political aspirations of the Young Turks played a crucial role. The Young Turk Revolution and the Ottoman Empire provides a newanalysis of this process in the Balkans and the Anatolian provinces, outlining the transition from revolutionary euphoria to increasing tensions at local and central levels. Focusing on the compromises, successes and failures in the immediate aftermath of 1908, and based on new primary material and Ottoman-Turkish sources, this book represents an essential contribution to our understanding of late Ottoman and modern Turkey.
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.