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Welcome to the captivating world of Henry James's The Portrait of a Lady — Volume 1, where intricate character studies and profound psychological insights intertwine to create a masterful exploration of love, freedom, and the complexities of identity. As you embark on this literary journey, prepare to be enchanted by the depth and nuance of James’s storytelling. Follow the spirited and independent Isabel Archer, a young American woman, as she navigates the intricate social landscape of Europe after inheriting a fortune. Isabel's journey is one of self-discovery, as she grapples with the expectations of society and the desires of her heart. Her encounters with a cast of compelling characters—each representing different facets of ambition, love, and betrayal—serve to illuminate her struggle between independence and societal obligation. At the heart of The Portrait of a Lady lies the theme of personal freedom versus societal constraints. Isabel’s quest for autonomy is both inspiring and tragic, reflecting the tensions between the desire for self-fulfillment and the pressures imposed by family and society. James masterfully weaves these themes throughout the narrative, inviting readers to reflect on their own lives and the choices that define them. The tone of this volume is richly descriptive and introspective, capturing the essence of the late 19th-century social milieu. James's exquisite prose draws readers into the emotional landscapes of his characters, making their triumphs and tribulations profoundly resonant. Since its publication, The Portrait of a Lady has been hailed as a cornerstone of literary fiction, praised for its nuanced character development and exploration of complex themes. Critics have lauded James’s ability to delve into the psychological depths of his characters, creating a rich tapestry of human experience. This volume appeals to a diverse audience, from literary scholars to casual readers seeking a thought-provoking narrative. James’s exploration of identity, agency, and the human condition makes this work an essential read for those interested in the intricacies of life and relationships. As you delve into The Portrait of a Lady — Volume 1, you will find yourself captivated by Isabel Archer's journey and the profound questions it raises about autonomy and fulfillment. James’s insightful observations and masterful storytelling invite you to engage with the text on multiple levels. In conclusion, The Portrait of a Lady — Volume 1 is not just a novel; it is a rich exploration of the human spirit and the societal forces that shape our lives. Whether you are revisiting this classic or discovering it for the first time, prepare to be moved by Henry James’s extraordinary literary achievement. Don’t miss your chance to experience the brilliance of Henry James. Discover the profound insights and compelling themes that make The Portrait of a Lady — Volume 1 an essential addition to your literary collection—grab your copy now and join the journey of self-discovery and exploration!
Isabel Archer rejects one man after another. With the inheritance from a wealthy relative, she can fulfill her dream of an independent life. She travels to Italy. In Florence, she meets the American expatriate and art collector Gilbert Osmond. He has charm and taste, but that's pretty much all she knows about him. Despite her friends' warnings, she says yes when he proposes. Unlike others, bound by conventions, Osmond gives the impression of being free. But what does Isabel really need his freedom for when she has her own? Isabel Archer is one of literature's most talked-about female characters. The way Henry James portrays her, without analysis; solely through her expressions and experiences, makes The Portrait of a Lady [1881] one of the most innovative novels in literary history. HENRY JAMES [1843 -1916] was born in New York but emigrated to Europe early in life. He is one of the most important figures in Anglo-Saxon turn-of-the-century literature, with novels such as The American [1877] and the horror novel The Turn of the Screw [1898].
In preparing a book of etiquette for ladies, I would lay down as the first rule, "Do unto others as you would others should do to you." You can never be rude if you bear the rule always in mind, for what lady likes to be treated rudely? True Christian politeness will always be the result of an unselfish regard for the feelings of others, and though you may err in the ceremonious points of etiquette, you will never be impolite. Politeness, founded upon such a rule, becomes the expression, in graceful manner, of social virtues. The spirit of politeness consists in a certain attention to forms and ceremonies, which are meant both to please others and ourselves, and to make others pleased with us; a still clearer definition may be given by saying that politeness is goodness of heart put into daily practice; there can be no _true_ politeness without kindness, purity, singleness of heart, and sensibility.
'Get away from here before you're completely bewitched and enslaved...' Dorothy Carrington was told, while sitting in a fisherman's cafe at the magically quiet midday hour. But enslaved she was. GRANITE ISLAND, much more than a travel book, grew out of years spent in Corsica and is an incomparably vivid and delightful portrait. For the first time Corsica is brought to light as a vital element in Europe: a highly individualistic island culture whose people have nurtured their love of freedom and political justice, as well as their pride, hospitality and poetry.
Written by Europe’s first professional woman writer, The Treasure of the City of Ladies offers advice and guidance to women of all ages and from all levels of medieval society, from royal courtiers to prostitutes. It paints an intricate picture of daily life in the courts and streets of fifteenth-century France and gives a fascinating glimpse into the practical considerations of running a household, dressing appropriately and maintaining a reputation in all circumstances. Christine de Pizan’s book provides a valuable counterbalance to male accounts of life in the middle ages and demonstrates, often with dry humour, how a woman’s position in society could be made less precarious by following the correct etiquette.
‘A Khushwant Singh short story is not flamboyant but modest, restrained, well-crafted...Perhaps his greatest gift as a writer is a wonderful particularity of description’—London Magazine Khushwant Singh first established his reputation as a writer through the short story. His stories—wry, poignant, erotic and, above all, human—bear testimony to Khushwant Singh’s remarkable range and his ability to create an unforgettable PBI - World. Spanning over half a century, this volume contains all the short stories Khushwant Singh has ever written, including the delightfully tongue-in-cheek ‘The Maharani of Chootiapuram’, written in 2008. ‘Khushwant’s stories enthrall...[He has]an ability akin to that of Somerset Maugham...the ability to entertain intelligently’—PBI - India Today ‘His stories are better than [those of] any PBI - Indian writing in English—Times of PBI - India ‘The Collected Short Stories leaves the reader in a delightful, inebriated trance’—Sunday Chronicle ‘He is not an ordinary short story writer...[Collected Stories] is delightful reading’—Hindustan Times
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Tells the stories of a fortune hunter, an American heiress living in Europe, and a naive young woman torn between love and idealism.