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The Left in America did not disappear with the fall of the Berlin Wall, nor have those who supported the Soviet future learned the lessons of this tragic past. Behind the facade of liberalism, David Horowitz shows, the Left has continued to advance its schemes: to redistribute resources according to race, sex, and class; to make Americans wards of the state; and to turn Big Government into Big Brother. Defying laws of nature and morality in the name of revolutionary principle, the Left has even subverted the public health system, allowing AIDS to flourish and to kill hundreds of thousands of young men and women.
The election of President Donald Trump, through his campaign of race-baiting, sexual harassment, and blatant disregard for human decency, lowered the moral bar of American public discourse. Julius Bailey’s latest book discusses the current state of hypocrisy and mistrust in the American political system, especially as these affect ethnic minorities and low-income groups. In powerful and inspiring prose, Bailey writes with a voice well informed by current events, empirical data, and philosophical observation. Bailey looks at the causes and consequences of this new era and applies his passionate yet astute analysis to issues such as hate speech, gerrymandering, the use of the Confederate flag, and America’s relationship with the gun.
Something is not right in the world of Tom Sawyer and Huckleberry Finn. The unease is less evident to Tom, the manipulator, than to the socially marginal Huck. The trouble is most dramatically revealed when Huck, whose "sivilized" Christian conscience is developing, faces the choice between betraying his black friend Jim--which he believes is his moral duty--and letting him escape, as his heart tells him to do. "Bad faith" is Forrest Robinson's name for the dissonance between what we profess to believe, how we act, and how we interpret our own behavior. There is bad faith in the small hypocrisies of daily living, but Robinson has a much graver issue in mind--namely slavery, which persisted for nearly a century in a Christian republic founded on ideals of freedom, equality, and justice. Huck, living on the fringes of small-town society, recognizes Jim's humanity and understands the desperateness of his plight. Yet Huck is white, a member of the dominant class; he is at once influenced and bewildered by the contradictions of bad faith in the minds of his fully acculturated contemporaries. Robinson stresses that "bad faith" is more than a theme with Mark Twain; his bleak view of man's social nature (however humorously expressed), his nostalgia, his ambivalence about the South, his complex relationship to his audience, can all be traced back to an awareness of the deceits at the core of his culture--and he is not himself immune. This deeply perceptive book will be of interest to students of American literature and history and to anyone concerned with moral issues.
The bestselling author of "Radical Son" offers a searing critique of cultural trends--including multiculturalism, radical feminism, and economic socialism--and calls for the restoration of American ideals.
When Jesus said, “Suffer the children,” faith healing is not what he had in mind
This book journeys to the heart of religious extremism and analyzes the nature of religious militancy. Kressel, who has spent decades researching genocide, terrorism, and anti-Semitism, brings to bear the insights of psychology and social science on this significant and critical problem.
David Horowitz spent the first part of his life in the world of the Communist-progressive left, a politics he inherited from his mother and father, and later in the New Left as one of its founders. When the wreckage he and his comrades had created became clear to him in the mid-1970s, he left. Three decades of second thoughts then made him this movement’s principal intellectual antagonist. “For better or worse,” as Horowitz writes in the preface, “I have been condemned to spend the rest of my days attempting to understand how the left pursues the agendas from which I have separated myself, and why.” When Horowitz began his odyssey, the left had already escaped the political ghetto to which his parents’ generation and his own had been confined. Today, it has become the dominant force in America’s academic and media cultures, electing a president and achieving a position from which it can shape America’s future. How it achieved its present success and what that success portends are the overarching subjects of Horowitz’s conservative writings. Through the unflinching focus of one singularly engaged witness, the identity of a destructive movement that constantly morphs itself in order to conceal its identity and mission becomes disturbingly clear. Horowitz reflects on the years he spent at war with his own country, collaborating with and confronting radical figures like Huey Newton, Tom Hayden and Billy Ayers, as he made his transition from what the writer Paul Berman described as the American left’s “most important theorist” to its most determined enemy.
New York Times–bestselling author John Danforth, an ordained Episcopal priest and former US senator, is uniquely qualified to write about one of the most contentious issues in America: the intersection of government and religion. In Faith and Politics, he explores the widening rift between left and right, conservative and liberal, believer and nonbeliever. Danforth takes on many of the polarizing hot-button issues, including stem-cell research, abortion, school prayer, and gay marriage, and addresses how we can approach them with less rancor. Arguing that voters must call for our leaders to turn away from wedge-issue politics and work on our country’s pressing problems, Danforth’s book is a much-needed clarion call to all Americans. “A lucid, powerful book that is at once reflective and instructive.”—Jon Meacham, former editor of Newsweek “[A] meditation about the contested terrain where politics and religion intersect.”—George F. Will “Danforth calls for a radical change in how his party operates.”—The Christian Science Monitor “This book and its author are a modern-day profile in courage.”—David Gergen “Danforth’s thoughtfulness, deep wisdom, and simple decency radiate from every page, and leave one at the end with rare hope that through commitment, faith and politics can ultimately enrich, not corrupt, one another.”—Harold Hongju Koh, dean of Yale Law School
Bad Faith tells the story of one of history's most despicable villains and conmen - Louis Darquier, Nazi collaborator and 'Commissioner for Jewish Affairs', who dissembled his way to power in the Vichy government and was responsible for sending thousands of children to the gas chambers. After the war he left France, never to be brought to justice. Early on in his career Louis married the alcoholic Myrtle Jones from Tasmania, equally practised in the arts of fantasy and deception, and together they had a child, Anne whom they abandoned in England. Her tragic story is woven through the narrative. In Carmen Callil's masterful, elegiac and sometimes darkly comic account, Darquier's rise during the years leading up to the Second World War mirrors the rise of French anti-Semitism. Epic, haunting, the product of extraordinary research, this is a study in powerlessness, hatred and the role of remembrance. Shortlisted for the Samuel Johnson Prize.
This is a study of Baudelaire's canonization in the critical debates of the twentieth century, focusing particularly on his role in the development of a modernist consciousness. Much recent work on Baudelaire assumes his modernism by emphasizing his relationship to current critical preoccupations—by sounding him out on issues of race and gender, for example, or by "correcting" his politics. The author begins from the premise that this updating of Baudelaire mistakenly takes him for our contemporary. Instead, she attempts to treat modernism as a historical problem by seeing Baudelaire as engaged in a more difficult dialogue with twentieth-century critics. The book concentrates on two key moments in the literary history of the twentieth century, the periods following each world war. At these junctures French intellectuals intensely reconsidered their cultural patrimony and articulated something like a modernist consciousness. Baudelaire stood at the center of this process, becoming a sacred figure of modernism, and his poetry contributed to a radical reorienting of aesthetic sensibilities. For the post-World War I period, the author focuses on Paul Valéry's essay "Baudelaire's Situation"; for post-World War II, on the virulent debate between Jean-Paul Sartre and Georges Bataille over the question of Baudelaire's "bad faith." She argues that Sartre's resistance to the sacralization of Baudelaire and to the continuing formulation of a modernist ideology actually suggests a valuable way of rethinking Baudelaire's poetry and critiquing the modern consciousness. She attempts to show that something like an "aesthetics of bad faith" exists, and that it is a useful concept for understanding modernism in relationship to its own history. Throughout, Baudelaire's poetry is examined in detail, with a focus on its relationship to his writings on caricature, on the problem of the "secret architecture," and on the place of allegory in a symbolist poetics. In the closing chapter, the author analyzes Baudelaire's denunciation of photography, which reveals the various tensions (or "bad faith") implicit in the modernist consciousness.