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This book focuses on the football stadium as a political space and examines how stadiums can be viewed as the objects and catalysts of political change. Rather than acting as functional constructions designed merely to host football games, stadiums stand out in the urban landscape as landmarks that serve as gathering points for large communities. The manifestation of the political in football stadiums can be heard in the discontent voiced by supporter activism; in the use of stadiums for national and local identity politics; in attempts to instrumentalize emotions by both totalitarian and democratic regimes; among fan groups in political uprisings, and in the surveillance of fans through e-tickets and seat allocation. This edited collection brings together a variety of case studies from a wide range of different contexts. Contributors stem from political science, sociology, history, anthropology, human geography and urbanism. As such, the book redefines and broadens what we understand as the political dimension of the football stadium.
From German unification to the birth of the Bundesliga and beyond, this book tells the history of Germany's cult football club and its famously left wing fan base.
The "deep and impactful" story of the American stadium (Howard Bryant, author of Full Dissidence)—from the first wooden ballparks to today’s glass and steel mega-arenas—revealing how it has made, and remade, American life. Stadiums are monuments to recreation, sports, and pleasure. Yet from the earliest ballparks to the present, stadiums have also functioned as public squares. Politicians have used them to cultivate loyalty to the status quo, while activists and athletes have used them for anti-fascist rallies, Black Power demonstrations, feminist protests, and much more. In this book, historian Frank Guridy recounts the contested history of play, protest, and politics in American stadiums. From the beginning, stadiums were political, as elites turned games into celebrations of war, banned women from the press box, and enforced racial segregation. By the 1920s, they also became important sites of protest as activists increasingly occupied the stadium floor to challenge racism, sexism, homophobia, fascism, and more. Following the rise of the corporatized stadium in the 1990s, this complex history was largely forgotten. But today’s athlete-activists, like Colin Kaepernick and Megan Rapinoe, belong to a powerful tradition in which the stadium is as much an arena of protest as a palace of pleasure. Moving between the field, the press box, and the locker room, this book recovers the hidden history of the stadium and its important role in the struggle for justice in America.
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Becoming Big League is the story of Seattle's relationship with major league baseball from the 1962 World's Fair to the completion of the Kingdome in 1976 and beyond. Bill Mullins focuses on the acquisition and loss, after only one year, of the Seattle Pilots and documents their on-the-field exploits in lively play-by-play sections. The Pilots' underfunded ownership, led by Seattle's Dewey and Max Soriano and William Daley of Cleveland, struggled to make the team a success. They were savvy baseball men, but they made mistakes and wrangled with the city. By the end of the first season, the team was in bankruptcy. The Pilots were sold to a contingent from Milwaukee led by Bud Selig, who moved the franchise to Wisconsin and rechristened the team the Brewers. Becoming Big League describes the character of Seattle in the 1960s and 1970s, explains how the operation of a major league baseball franchise fits into the life of a city, charts Seattle's long history of fraught stadium politics, and examines the business of baseball. Watch the trailer: http://www.youtube.com/watch?v=7hwhl5sLoQs&list=UUge4MONgLFncQ1w1C_BnHcw&index=1&feature=plcp
Stadium construction has altered the physical landscape of many major metropolitan areas throughout North America and has had a profound psychological and economic impact on these urban centers. The ways athletic facilities have been constructed, from the ritual-centered beginnings of stadium construction in ancient Greece to the large-scale construction of professional sports facilities in present day global centers, reveal a culture’s values and priorities and how it defines its recreational needs. Drawing on thorough and wide-ranging research, Robert C. Trumpbour examines the political institutions, commercial entities, civic leadership, and media organizations that influenced stadium construction. The author analyzes three significant recent historical periods: the Progressive Era, when modern fireproof stadiums were first built; the late 1960s and early 1970s, when multipurpose stadiums were built in downtown areas to promote urban redevelopment; and the late 1990s, when retro ballparks were designed to accommodate commercial and entertainment space. Charting this evolution, Trumpbour convincingly argues that there has been a dramatic shift in the role of the media, with media access emerging as a vital element in setting the ground rules for the debate on stadium construction. Written in lucid, jargon-free prose, this book combines a detailed history of stadium construction with an analysis of current stadium issues.
This well-illustrated book is the first to explore the stadium as the principal container of the modern urban crowd and a place where thousands of people gather to take part in what often appears to be modern 'religious' rituals. Is the stadium a prison, a garden or a theatre? Do new stadiums contribute economically to the places in which they are built? Drawing on examples from Europe, North America and China, this book ranges from historical studies of stadium growth to current reviews of stadium development, exposing the stadium as a major element of the modern urban scene.
The desperate greed of two billionaires fighting to own a National Football League franchise propels this fast-paced fictional account of a stadium financing battle in Los Angles- one of several cities struggling with the high economic, political, and social costs of attracting professional sports teams. The controversy begins when Garrison Hancock witnesses the attempted assassination of his boss, California Congressman Trevor Baldridge. As the legislative director for Congressman Baldridge, Garrison is soon drawn in to a vicious battle between two of the most powerful men in Los Angeles. With the help of a beautiful reporter and a menacing private investigator, Garrison attempts to unravel the crisis, unwittingly catapulting himself into an explosive collision of sports, money, sex, murder, and politics-a high-stakes game of Political Football.
Anyone who has ever experienced a sporting event in a large stadium knows the energy that emanates from stands full of fans cheering on their teams. Although "the masses" have long held a thoroughly bad reputation in politics and culture, literary critic and avid sports fan Hans Ulrich Gumbrecht finds powerful, as yet unexplored reasons to sing the praises of crowds. Drawing on his experiences as a spectator in the stadiums of South America, Germany, and the US, Gumbrecht presents the stadium as "a ritual of intensity," thereby offering a different lens through which we might capture and even appreciate the dynamic of the masses. In presenting this alternate view, Gumbrecht enters into conversation with thinkers who were more critical of the potential of the masses, such as Gustave Le Bon, Friedrich Nietzsche, Sigmund Freud, José Ortega y Gasset, Elias Canetti, Siegfried Kracauer, T. W. Adorno, or Max Horkheimer. A preface explores college crowds as a uniquely specific phenomenon of American culture. Pairing philosophical rigor with the enthusiasm of a true fan, Gumbrecht writes from the inside and suggests that being part of a crowd opens us up to an experience beyond ourselves.