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"This book takes you inside not only police investigations, but also the day-to-day world of police work. You'll learn how police officers work, when they work, what they wear, who they report to, and generally how they go about the business of controlling and investigating crime." "You'll find valuable information on how police officers are trained, and how they move through the ranks; the equipment they use, including firearms and investigative equipment; laws that govern and restrict police investigations, including "probable cause"; who has jurisdiction over what (state police? county sheriff? city police department?), and who does what - and when; developing suspect lists and descriptions; how evidence is handled, including the evidence room; how police officers prepare for court and the grand jury; investigative techniques for burglary and arson as well as homicide; how suspects are interrogated and handled; the police "mindset," and how police officers approach their jobs and the challenges they face; the specifics of internal investigations; records and reports, and how they are maintained." "Today's readers are more savvy than ever when it comes to crime and murder mysteries. With this comprehensive guide, your readers will be wondering "whodunit" - not questioning why your facts don't mesh."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
In the late 1940s and early 1950s a new kind of detective story appeared on the scene. This was a story in which the mystery is solved by regular police detectives, usually working in teams and using ordinary police routines. This kind of narrative is customarily called the "police procedural" story. And it is the subject of this book. Though there has been numberless writers of these stories, there has never been a book of criticism before.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. In the United States, the exercise of police authority—and the public’s trust that police authority is used properly—is a recurring concern. Contemporary prescriptions for police reform hold that the public would better trust the police and feel a greater obligation to comply and cooperate if police-citizen interactions were marked by higher levels of procedural justice by police. In this book, Robert E. Worden and Sarah J. McLean argue that the procedural justice model of reform is a mirage. From a distance, procedural justice seemingly offers a relief from strained police-community relations. But a closer look at police organizations and police-citizen interactions shows that the relief offered by such reform is, in fact, illusory.
No one saw her leave, and no one knows where she went... It's a perfectly typical day for Lowell Mitchell at her perfectly ordinary university in Massachusetts. She goes to class, chats with friends, and retires to her dorm room. Everything is normal until suddenly it's not—in the blink of an eye, Lowell is gone. Facts are everything for Police Chief Frank Ford. He's a small-town cop, and he knows only hard evidence and thorough procedure will lead him to the truth. Together with the wise-cracking officer Burt Cameron, the grizzled chief will deal with the distraught family, chase dead-end leads, interrogate shady witnesses, and spend late nights ruminating over black coffee and cigars. Everyone tells him what a good, responsible girl Lowell is. But Ford believes that Lowell had a secret and that if he can discover it, this case will crack wide open. Considered one of the first-ever police procedurals and hailed as an American mystery milestone, Last Seen Wearing—based on a true story—builds suspense through its accurate portrayal of an official police investigation. Hillary Waugh, who earned the title of Grand Master from the Mystery Writers of America, went on to create several memorable series, but this classic crime novel ranks among his finest work. This next installment in the Library of Congress Crime Classics series will keep readers in suspense until the final page.
Half of DC Police Detective Ezra Simeon’s face is immobilized from a persistent case of Bell’s Palsy—he must drink through a straw and eat carefully to avoid chewing through his own cheek. He has been detailed from robbery to the cold case squad while he heals. “How odd to dream with one eye open, like having one foot in reality,” Sim muses in the dark, bluesy vein that is typical of his Chandler-esque narration. “That’s what makes dreaming dangerous and why I moved my gun farther from the bed.” Detective Simeon’s half-frozen world begins to heat up when a friend from his Academy days drops dead of a heart attack, and Sim is tapped to replace him, detailed now to homicide, where he inherits the high-profile case of a murdered escort he alone thinks may be the victim of a serial killer. Praise for A DETAILED MAN: “A relentless tour of DCs most crime-ridden streets, with many beautifully written surprises, and darker than the deepest noir.” —Madison Smartt Bell
"The murder of three detectives in quick succession in the 87th Precinct leads Detective Steve Carella on a search through the city's underside and ultimately into the murderer's sights"--NoveList.
A New York Times Book Review Editors’ Choice • A page-turning mystery that brings to life a complex and strong-willed detective assigned to a high-risk missing persons case NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • NAMED ONE OF THE 10 BEST MYSTERIES OF THE YEAR BY THE WALL STREET JOURNAL “An extraordinarily assured police procedural in the tradition of Ruth Rendell and Elizabeth George.”—Joseph Finder, author of The Fixer “Surprise-filled . . . one of the most ambitious police procedurals of the year. Detective Bradshaw’s biting wit is a bonus.”—The Wall Street Journal “Missing, Presumed has future BBC miniseries written all over it.”—Redbook “A highly charismatic and engaging story.”—Kirkus Reviews (starred review) “This combination of police procedural and an unfolding family drama that continuously twists and turns will work well for fans of Kate Atkinson and Tana French.”—Booklist At thirty-nine, Manon Bradshaw is a devoted and respected member of the Cambridgeshire police force, and though she loves her job, what she longs for is a personal life. Single and distant from her family, she wants a husband and children of her own. One night, after yet another disastrous Internet date, she turns on her police radio to help herself fall asleep—and receives an alert that sends her to a puzzling crime scene. Edith Hind—a beautiful graduate student at Cambridge University and daughter of the surgeon to the Royal Family—has been missing for nearly twenty-four hours. Her home offers few clues: a smattering of blood in the kitchen, her keys and phone left behind, the front door ajar but showing no signs of forced entry. Manon instantly knows that this case will be big—and that every second is crucial to finding Edith alive. The investigation starts with Edith’s loved ones: her attentive boyfriend, her reserved best friend, her patrician parents. As the search widens and press coverage reaches a frenzied pitch, secrets begin to emerge about Edith’s tangled love life and her erratic behavior leading up to her disappearance. With no clear leads, Manon summons every last bit of her skill and intuition to close the case, and what she discovers will have shocking consequences not just for Edith’s family but for Manon herself. Suspenseful and keenly observed, Missing, Presumed is a brilliantly twisting novel of how we seek connection, grant forgiveness, and reveal the truth about who we are. Praise for Missing, Presumed “Smart, stylish . . . Manon is portrayed with an irresistible blend of sympathy and snark. By the time she hits bottom, professionally and privately, we’re entirely caught up in her story.”—The New York Times Book Review “Nuanced suspense that’s perfect for Kate Atkinson fans.”—People “Drenched in character and setting, with pinpoint detail that breathes life and color into every sentence.”—The News & Observer “You might come to Missing, Presumed for the police procedural; you’ll stay for the layered, authentic characters that Steiner brings to life.”—Bethanne Patrick, NPR “Where [Susie] Steiner excels is in the depth and clarity with which she depicts her characters. . . . It all adds up to a world that feels much bigger than the novel in which it is contained.”—The Guardian
Only Detective Michael Bennett stands in the way of two lethal cartels fighting for New York City's multi-million-dollar opioid trade. And they know where he and his family live. An anonymous tip about a crime in Upper Manhattan proves to be a setup. An officer is taken down -- and, despite the attackers' efforts, it's not Michael Bennett. New York's top cop is not the only one at risk. One of Bennett's children sustains a mysterious injury. And a series of murders follows, each with a distinct signature, alerting Bennett to the presence of a professional killer with a flair for disguise. Bennett taps his best investigators and sources, and they fan out across the five boroughs. But the leads they're chasing turn out to be phantoms. The assassin takes advantage of the chaos, enticing an officer into compromising Bennett, then luring another member of Bennett's family into even graver danger. Michael Bennett can't tell what's driving the assassin. But he can tell it's personal, and that it's part of something huge. Through twist after twist, he fights to understand exactly how he fits into the killer's plan, before he becomes the ultimate victim.
'Unmissable Rankin, as gripping and involving as any Rebus story' CHOICE; 'A brilliant book' GUARDIAN From the No.1 bestselling author of A SONG FOR THE DARK TIMES 'On the evidence of THE COMPLAINTS it looks as if Fox will be just as sure-footed a guide to the city as his grizzled predecessor' DAILY EXPRESS. Nobody likes The Complaints - they're the cops who investigate other cops. Complaints and Conduct Department, to give them their full title, but known colloquially as 'the Dark Side', or simply 'The Complaints'. Malcolm Fox works for The Complaints. He's just had a result, and should be feeling good about himself. But he's middle-aged, sour and unwell. He also has a father in a care home and a sister who persists in an abusive relationship. In the midst of an aggressive Edinburgh winter, the reluctant Fox is given a new task. There's a cop called Jamie Breck, and he's dirty. Problem is, no one can prove it. But as Fox takes on the job, he learns that there's more to Breck than anyone thinks. This knowledge will prove dangerous, especially when murder intervenes.
A confession fifty years in the making puts everyone’s favorite Paris détéctive très chic, Aimée Leduc, on a collision course with the “Hand,” a cabal of corrupt Parisian cops among who masterminded her father's murder—and among whose ranks he might have once found membership. When a friend’s child is kidnapped while wearing her daughter’s hoodie, Aimée realizes that the case has crossed into the realm of the personal in more ways than one. A dying man drags his oxygen machine into the office of Éric Besson, a lawyer in Paris’s 13th arrondissement. The old man, an accountant, is carrying a dilapidated notebook full of meticulous investment records. For decades, he has been helping a cadre of dirty cops launder stolen money. The notebook contains his full confession—he’s waited 50 years to make it, and now it can’t wait another day. He is adamant that Besson get the notebook into the hands of La Proc, Paris’s chief prosecuting attorney, so the corruption can finally be brought to light. But en route to La Proc, Besson’s courier—his assistant and nephew—is murdered, and the notebook disappears. Grief-stricken Éric Besson tries to hire private investigator Aimée Leduc to find the notebook, but she is reluctant to get involved. Her father was a cop and was murdered by the same dirty syndicate the notebook implicates. She’s not sure which she’s more afraid of, the dangerous men who would kill for the notebook or the idea that her father’s name might be among the dirty cops listed within it. Ultimately that’s the reason she must take the case, which leads her across the Left Bank, from the Cambodian enclave of Khmer Rouge refugees to the ancient royal tapestry factories to the modern art galleries.