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• Shares a detailed formulary, including rituals, magical correspondences, and recipes for working with the baneful herbs of occult herbalism • Looks at the plants of fate and the divination practices they support, love magic with poison plants, shadow work and spell work, the devil’s garden, and the use of nightshades as power plants for medicine and magic • Explores poison history, lore, occult toxicology, and the alchemical power of working with poison Examining the art and science of working with noxious and malefic plants and fungi, Coby Michael discusses the occult properties of poison and how poison plants can be used in spell work and other magical operations. He looks at the plants of Fate and the divination practices they support, love magic with poison plants, shadow work, the devil’s garden, and the use of nightshades as power plants for medicine and magic. Presenting a detailed formulary, he shares rituals, magical correspondences, and recipes for working with specific poison plant allies and other baneful herbs of occult herbalism. Exploring the path of dark herbalism, the author explains how it encompasses not only veneficium—poisonous plants and fungi—but all plants that humanity has tried to forget, from “invasive” plants and those we can’t domesticate to those that have been regulated arbitrarily or simply feared as “toxic” or “poison.” He shows how the dark herbalist seeks out plants that are adversarial or taboo because the qualities we consider “dark” are really the plant’s spiritual medicine and can offer powerful wisdom and healing. Examining poison history, lore, and occult toxicology, he explains how the aim of using these plants is not to cause physical death, but rather death of the ego. He shows how “poison” in this sense is an alchemical force that allows the practitioner to become a vessel for the forbidden fruit of knowledge and how the transmutation of our personal poisons can lead to powerful self-transformation.
• Explains how to work with baneful herbs through rituals and spells, as plant spirit familiars, as potent medicines, and as visionary substances • Details the spiritual, alchemical, astrological, and symbolic associations of each plant, its active alkaloids, how to safely cultivate and harvest it, and rituals and spells suited to its individual nature and powers • Shares plant alchemy methods, magical techniques, and recipes featuring the plants, including a modern witches’ flying ointment Part grimoire and part herbal formulary, this guide to the Poison Path of occult herbalism shares history, lore, and information regarding the use of poisonous, consciousness-altering, and magical plants. Author Coby Michael explains how, despite their poisonous nature, baneful herbs can become powerful plant allies, offering potent medicine, magical wisdom, and access to the spirit realm. Detailing the spiritual, alchemical, astrological, and symbolic associations of each plant, the author explores their magical uses in spells and rituals. He focuses primarily on the nightshade family, or Solanaceae, such as mandrake, henbane, and thorn apple, but also explores plants from other families such as wolfsbane, hemlock, and hellebore. He also examines plants in the witch’s pharmacopoeia that are safer to work with and just as chemically active, such as wormwood, mugwort, and yarrow. The author shares rituals suited to the individual nature and powers of each plant and explains how to attract and work with plant spirit familiars. He offers plant alchemy methods for crafting spagyric tinctures and magical techniques to facilitate working with these plants as allies and teachers. He shares magical recipes featuring the plants, including a modern witches’ flying ointment. He also explores safely cultivating baneful herbs in a poison garden.
In many esoteric traditions, there exists an iconic or linguistic corollary between the concepts of 'poisoner' and 'sorcerer', suggesting a sinistral magical kinship often interchangeable with witchcraft or maledictive magic. Indeed, the use of plant, animal and mineral toxins is a strand of magic originating in remotest antiquity and reaching the present day. Beyond its mundane function as an agent of corporeal harm, poison has also served as a gateway of religious ecstasy, occult knowledge, and sensorial aberration, as well as the basis of healing cures. Allied with Samael, the serpent of Eden whose Hebrew name in some translations is 'Venom of God', this facet of magic wends through the rites of ancient Sumer and Egypt, penetrating European Necromancy. Alchemy, the arcane the rites of the Witches' Sabbath, and modern-day folk magic survivals. This second edition of Veneficium, newly expanded, examines the intersection of magic and poison, collecting the authors early essays on this magical kinship, and exploring the toxicological dimensions of occult power
A triumphantly toxic tome. As a dedicated Macinnis fan, I relish this latest display of erudition, story-telling and fun. One of his very best.' Robyn Williams, Head, ABC Science Unit Was Abraham Lincoln really as mad as a hatter? Who poisoned Phar Lap? Can wallpaper really kill? Was Jack the Ripper an arsenic eater? Painting a broad canvas, from the early Egyptians to the arsenical tube wells in Bangladesh and the Sarin gas attacks in a Tokyo subway, The Killer Bean of Calabar explores the accidental and intentional tales of poisons and their use throughout history. Historically difficult substances to trace, poisons have been used by many for their own dastardly purposes, from the Great Poisoners such as Nero and Madame de Brinvilliers to the mass gassings of World War II. But the truly great poisoners are those who make selective use of poisons to save human life, not the few who use poison to take human life. Most of the medicines we take are themselves poisons - therapeutic only by virtue of being more deadly to our viruses than to us. Poisons are all around us - from the plants in our gardens and lead in our homes, to the bacteria and toxins in our bodies. With ripping yarns and unusual views of famous people, Macinnis explains the whys and wherefores of poisons and poisoning.
Contemporary alchemist Dale Pendell completes his poetic study of botany, chemistry, spirituality, psychology and history in a volume covering the composition and uses of visionary plants. Chapters including Phantastica, Hypnotica and Telephorica explore the hallucinogenic plants, the bringers of sleep and the bearers of distance.
An exploration of the historical origins of the “witches’ ointment” and medieval hallucinogenic drug practices based on the earliest sources • Details how early modern theologians demonized psychedelic folk magic into “witches’ ointments” • Shares dozens of psychoactive formulas and recipes gleaned from rare manuscripts from university collections all over the world as well as the practices and magical incantations necessary for their preparation • Examines the practices of medieval witches like Matteuccia di Francisco, who used hallucinogenic drugs in her love potions and herbal preparations In the medieval period preparations with hallucinogenic herbs were part of the practice of veneficium, or poison magic. This collection of magical arts used poisons, herbs, and rituals to bewitch, heal, prophesy, infect, and murder. In the form of psyche-magical ointments, poison magic could trigger powerful hallucinations and surrealistic dreams that enabled direct experience of the Divine. Smeared on the skin, these entheogenic ointments were said to enable witches to commune with various local goddesses, bastardized by the Church as trips to the Sabbat--clandestine meetings with Satan to learn magic and participate in demonic orgies. Examining trial records and the pharmacopoeia of witches, alchemists, folk healers, and heretics of the 15th century, Thomas Hatsis details how a range of ideas from folk drugs to ecclesiastical fears over medicine women merged to form the classical “witch” stereotype and what history has called the “witches’ ointment.” He shares dozens of psychoactive formulas and recipes gleaned from rare manuscripts from university collections from all over the world as well as the practices and magical incantations necessary for their preparation. He explores the connections between witches’ ointments and spells for shape shifting, spirit travel, and bewitching magic. He examines the practices of some Renaissance magicians, who inhaled powerful drugs to communicate with spirits, and of Italian folk-witches, such as Matteuccia di Francisco, who used hallucinogenic drugs in her love potions and herbal preparations, and Finicella, who used drug ointments to imagine herself transformed into a cat. Exploring the untold history of the witches’ ointment and medieval hallucinogen use, Hatsis reveals how the Church transformed folk drug practices, specifically entheogenic ones, into satanic experiences.
"As every amateur toxicologist knows, the difference between a poison and medicine is often simply the dose." There is no weapon as insidious, as seductive or as mysterious as poison. In this terrifying account of history's silent assassin, discover the gripping tales of users, abusers and victims of these mysterious substances, from Cleopatra and Catherine de' Medici to contemporary secret service agents and terrorists. Documenting royal scandal, political upheaval and personal tragedies, Poison details a gruesome thread that runs often undetected through human history.
Plants of the Devil examines the history and magic of herbs associated with Satan and his minions, delving into the folklore of ancient Europe and the British Isles. Examined in the book are the diabolical concept of the Wild Adversary and the Devil's Garden, Temptation, plants that harm and curse such as Blackberry, Stinging Nettle, Briar Rose, and Thistle, Poisonous Plants, herbs of evil omen, and herbs for protection, or 'Plants to keep the Dark Prince at bay.' The book will be of great interest to students of the occult, witchcraft, and plant folklore.