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Serialised in 1909–10, The Poison of Polygamy is a rare gem of Australian literature. The first novel of the Chinese Australian experience, it is a roller-coaster tale of blackmail, murder, betrayal and even thylacine attack, partly based on real people, places and events. Revealing the human face of migration between imperial China and colonial Australia, it recounts the story of a man from southern China who tries his luck on the Victorian goldfields, the wife he leaves behind, and their eventual fraught reunion. In this bilingual parallel edition, Australia’s and possibly the West’s earliest Chinese-language novel is presented in English translation for the first time. Illuminating introductions explore the work’s historical, cultural and linguistic context, and establish its unique significance in Australia’s literary and social history. “A shiny little nugget has been disinterred from the tailings of our literary past … The Poison of Polygamy is an exciting addition to our literary history that deserves to be widely discussed and analysed in both China and Australia.” David Walker, Emeritus Professor, Deakin University and author of Anxious Nation “The discovery of The Poison of Polygamy and its publication in this highly informative bilingual edition is a double happiness. It gives readers a highly entertaining new novel, replete with drama, emotion and intrigue. At the same time it documents Chinese Australian life in a key period of history.” Nicholas Jose, author of Avenue of Eternal Peace
Serialised in 1909-1910, The Poison of Polygamy is a rare gem of Australian literature. The first novel of the Chinese-Australian experience, it follows the fortunes of a young man who leaves his wife behind in southern China to seek his fortunes in the Victorian goldfields. In a rollercoaster tale of blackmail, murder and betrayal, he encounters all manner of perils, from storms at sea to collapsing gold mines and even a thylacine attack in the Victorian bush. As Australia's and possibly the West's earliest Chinese-language novel, The Poison of Polygamy reveals the human face of migration between Qing China and colonial Australia, and reflects important Chinese social and political developments of the time. Historical investigation has revealed that many characters and incidents in the story were based on real people and events. In this bilingual edition, the original Chinese text is presented alongside a sensitive and transparent translation into English, complete with illuminating footnotes. Translator's and historians' introductions discuss the linguistic, cultural and historical context of the novel, and establish its unique significance in Australia's literary and social history. 'The discovery of The Poison of Polygamy and itspublication in this highly informative bilingual edition is a doublehappiness. It gives readers of literature a highly entertaining newnovel, replete with drama, emotion and intrigue. At the same time it documentsChinese Australian life in a key period of history, through a story told withpassion and insight by a Chinese writer for Chinese readers. The eloquenttranslation by Ely Finch and the generous commentary by the translator and hiscolleagues now make this rich material available in English. The Poison ofPolygamy is a valuable addition to Australian literature and to a moreappreciative understanding of the Chinese contribution to Australian societyover many years.' -- Nicholas Jose
South Flows the Pearl is a fascinating journey through the history of Chinese Australia. Taking the reader from Shanghai and the Pearl River Delta to Sydney, Perth, Cairns, Darwin, Bendigo and beyond, it explores the struggles and successes of Chinese people in Australia since the 1850s, as told in their own words. This unique book was written by an insider. Mavis Yen was born in Perth in 1916, the daughter of a Chinese father and an Australian mother. She lived in both countries and understood what it meant to navigate two worlds, to live through war and revolution, and to experience racial discrimination. In the 1980s she began interviewing elderly Chinese Australians, recording hours of conversations. Her intimate understanding of their languages and life experiences encouraged them to share their stories. Published here for the first time, they will change how you think about Australian history. “This is a book that offers a new way to be Australian in this country, and casts Chinese Australians as the protagonists in their own stories... When people agree to tell their stories, they speak to the future. Whether or not we listen is up to us.” — Dr Sophie Loy-Wilson, University of Sydney
Animal death is a complex, uncomfortable, depressing, motivating and sensitive topic.
The Cambridge History of the Australian Novel is an authoritative volume on the Australian novel by more than forty experts in the field of Australian literary studies, drawn from within Australia and abroad. Essays cover a wide range of types of novel writing and publishing from the earliest colonial period through to the present day. The international dimensions of publishing Australian fiction are also considered as are the changing contours of criticism of the novel in Australia. Chapters examine colonial fiction, women's writing, Indigenous novels, popular genre fiction, historical fiction, political novels, and challenging novels on identity and belonging from recent decades, not least the major rise of Indigenous novel writing. Essays focus on specific periods of major change in Australian history or range broadly across themes and issues that have influenced fiction across many years and in many parts of the country.
Shortlisted for the Readings Prize for New Australian Fiction in 2019! The Flight of Birds is a novel in twelve stories, each of them compelled by an encounter between the human and animal worlds. The birds in these stories inhabit the same space as humans, but they are also apart, gliding above us. The Flight of Birds: A Novel in Twelve Stories explores what happens when the two worlds meet. Joshua Lobb’s stories are at once intimate and expansive, grounded in an exquisite sense of place. The birds in these stories are variously free and wild, native and exotic, friendly and hostile. Humans see some of them as pets, some of them as pests, and some of them as food. Through a series of encounters between birds and humans, the book unfolds as a meditation on grief and loss, isolation and depression, and the momentary connections that sustain us through them. Underpinning these interactions is an awareness of climate change, of the violence we do to the living beings around us, and of the possibility of transformation. The Flight of Birds will change how you think about the planet and humanity’s place in it.
Manikay are the ancestral songs of Arnhem Land, passed down over generations and containing vital cultural knowledge. Singing Bones foregrounds the voices of manikay singers from Ngukurr in southeastern Arnhem Land, and charts their critically acclaimed collaboration with jazz musicians from the Australian Art Orchestra, Crossing Roper Bar. It offers an overview of Wägilak manikay narratives and style, including their social, ceremonial and linguistic aspects, and explores the Crossing Roper Bar project as an example of creative intercultural collaboration and a continuation of the manikay tradition.
Djalkiri are footprints, ancestral imprints on the landscape that provide the Yolŋu people of eastern Arnhem Land with their spiritual foundations. This book explores Yolŋu art and material culture through the voices of those who have been involved with Yolŋu collections over time. With contributions from Yolŋu elders and artists, art historian and museum curators, it describes how communities and museums have worked together in the past, how the relationship has changed, and how Yolŋu philosophies can guide how we engage with Yolŋu art. Some of the collections featured here were created almost 100 years ago and have rarely been on public display. In Djalkiri, members of the Milingimbi/Yurrwi Island, Ramingining and Yirrkala communities offer insight into their historical, contemporary, and deeper time meanings. Djalkiri is being published in conjunction with a landmark exhibition of Yolŋu art and culture at the new Chau Chak Wing Museum at the University of Sydney, which will open in November 2020.
Dingo Bold is a thought-provoking exploration of the relationship between people and dingoes. At its heart is Rowena Lennox's encounter with a dingo on the beach on K’gari (Fraser Island), a young male she nicknames Bold. Struck by this experience, and by the intense, often polarised opinions expressed in public conversations about dingo conservation and control, she sets out to understand the complex relationship between humans and dingoes. Weaving together ecological data, interviews with people connected personally and professionally with K’gari’s dingoes, and Lennox's expansive reading of literary, historical and scientific accounts, Dingo Bold considers what we know about the history of relations between dingoes and humans, and what preconceptions shape our attitudes today. Do we see dingoes as native wildlife or feral dogs? Wild or domesticated animals? A tourist attraction or a threat? And how do our answers to these questions shape our interactions with them? Dingo Bold is both a moving memoir of love and loss through Lennox's observations of the natural world and an important contribution to wider conversations about conservation and animal welfare. "Combining natural history, Indigenous culture, folklore, memoir, and environmental politics, this is an elegantly written and affectionate tribute to Australia's most maligned and least understood native animal." Jacqueline Kent "Fuelled by empathy, curiosity and passion, and informed by research, data and observation, this moving and compelling book speaks to the heart and to the head. Rowena Lennox poses questions about our relationship with dingoes — and our role in the natural world — that are as bold and lively as her subject." Debra Adelaide
Once the world’s prairies, grasslands, steppes and tundra teemed with massive herds of game: gazelle, wild ass, bison, caribou and antelope. Humans seeking to hunt these large fast-moving herds devised a range of specialised traps that share many characteristics across all continents. Typically consisting of guiding walls or lines of stones leading to an enclosure or trap, game drives were designed for a mass killing. Construction of the game drive, organisation of the hunt and processing of the carcass often required group co-operation and in many cases game drives have been linked to seasonal gatherings of otherwise scattered groups, who may have used these occasions not only to hunt, but also for social, ritual and economic activities. The Gazelle’s Dream: Game Drives of the Old and New Worlds is the first comparative study of game drives, examining this mode of hunting across three continents and a broad range of periods. The book describes the hunting of bison in North America, reindeer in Scandinavia, antelope in Tibet and an extensive array of examples from the greater Middle East, from Egypt to Armenia. The Gazelle’s Dream will be of value to anyone with an interest in the history of hunting and wildlife management.