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You are at a nightclub talking to a girl with a shaved head. The club is either Heartbreak or the Lizard Lounge. All might become clear if you could just slip into the bathroom and do a little more Bolivian Marching Powder. Then again, it might not... So begins our nameless hero's trawl through the brightly lit streets of Manhattan, sampling all this wonderland has to offer yet suspecting that tomorrow's hangover may be caused by more than simple excess. Bright Lights, Big City is an acclaimed classic which marked Jay McInerney as one of the major writers of our time.
Recognized from her roles on Survivor, The View, and Fox & Friends, best-selling author Elisabeth Hasselbeck presents a deeply intimate journey of faith, told through the important moments in her life. From designing shoes to surviving Survivor to not surviving The View, Elisabeth Hasselbeck has learned more about standing up for her convictions in the public eye than she ever though she would when she applied for a reality TV show on a whim almost two decades ago. Through most of those years, Elisabeth strived as if she had to earn the approval of others and of God. But God was gently at work in her to show His point of view--His invitation for her to rest in the calling, rest in His Word, and rest fully in the truth of the gospel. Point of View is an intimate walk of faith, as she writes mom to mom, friend to friend, mother to daughter. From the divisive table at The View to national political platforms to the breakfast table, Elisabeth bares her heart about her failures, her triumphs, and her path of learning lessons the hard way.
"Marion is hiding a secret from her past and Kurt is trying to figure out how to recover from his mother's death as they both find solace in each other."--
An interactive, multimedia text that introduces students to reading and writing at the college level.
"This is the first book to tell the history of the Madonna family and the unique and unusual Madonna Inn."--Jacket.
A new collection of unseen photographs of New York City's 1970s punk heyday, by one of the icons of the city's golden age of new wave, Blondie's Chris Stein. A new collection of unseen photographs of New York City's 1970s punk heyday, by one of the icons of the city's golden age of music, Blondie's Chris Stein. For the duration of the 1970s - from his days as a student at the School of Visual Arts through the foundation of the era-defining band Blondie and his subsequent reign as epicenter of punk's golden age - Chris Stein kept an unrivaled photographic record of the downtown New York City scene. Following in the footsteps of the successful book Negative, this spectacular new book presents a more personal and more visceral collection of Stein's photographs of the era. The images presented here take readers from self-portraits in his run-down East-Village apartment to candid photographs of pop-cultural icons of the time and evocative shots of New York City streetscapes in all their most longed-for romance and dereliction. An eclectic cast of cultural characters - from William Burroughs to Debbie Harry, Andy Warhol to Iggy Pop - appear here exactly as they were in the day, juxtaposed with children playing hopscotch on torn-down blocks, riding the graffiti-ridden subway, or cruising the burgeoning clubs of the Bowery. At once a chronicle of one music icon's life among his punk and New-Wave heroes and peers, and a love letter to the city that was the backdrop and inspiration for those scenes, Point of View transports us to another place and time.
Tests the views and metaphor of 19th-century utilitarian philosopher Henry Sidgwick against a variety of contemporary views on ethics, determining that they are defensible and thus providing a defense of objectivism in ethics and of hedonistic utilitarianism.
The spectacular bestseller from the author of VALLEY OF THE DOLLS. In a time when steak, vodka, and Benzedrine were the three main staples of a healthy diet, when high-powered executives called each other “baby” and movie stars wore wigs to bed, network tycoons had a name for the TV set: they called it “the love machine.” But to supermodel Amanda, socialite Judith and journalist Maggie, “the love machine” meant something else: Robin Stone, “a TV-network titan around whom women flutter like so many moths…The novel deals with his rise and fall as he makes the international sex scene (orgying in London, transvestiting in Hamburg), drinks unlimited quantities and checks out the latest Nielsens.”—Newsweek “I READ IT IN ONE GREEDY GULP, ENJOYING EVERY MINUTE.”—Liz Smith “[Susann’s] pulp poetry resonates to this day. WITH HER FORMULA OF SEX, DRUGS, AND SHOW BUSINESS, Susann didn’t so much capture the tenor of her times as she did predict the Zeitgeist of ours.”—Detour
From the winner of the PEN/Malamud Award for Excellence and “one of our most gifted writers” (Chicago Tribune), Saul and Patsy is "stunning, never predictable, glimmering fiction, full of mischief and insight" (The Los Angeles Times). Five Oaks, Michigan is not exactly where Saul and Patsy meant to end up. Both from the East Coast, they met in college, fell in love, and settled down to married life in the Midwest. Saul is Jewish and a compulsively inventive worrier; Patsy is gentile and cheerfully pragmatic. On Saul’s initiative (and to his continual dismay) they have moved to this small town–a place so devoid of irony as to be virtually “a museum of earlier American feelings”–where he has taken a job teaching high school. Soon this brainy and guiltily happy couple will find children have become a part of their lives, first their own baby daughter and then an unloved, unlovable boy named Gordy Himmelman. It is Gordy who will throw Saul and Patsy’s lives into disarray with an inscrutable act of violence. As timely as a news flash yet informed by an immemorial understanding of human character, Saul and Patsy is a genuine miracle.
Part memoir and part how-to manual, this book showcases many of the chic but always cozily comfortable residences Williams has designed.