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From the Shakers to the Branch Davidians, America's communal utopians have captured the popular imagination. Seventeen original essays here demonstrate the relevance of such groups to the mainstream of American social, religious, and economic life. The contributors examine the beliefs and practices of the most prominent utopian communities founded before 1965, including the long-overlooked Catholic monastic communities and Jewish agricultural colonies. Also featured are the Ephrata Baptists, Moravians, Shakers, Harmonists, Hutterites, Inspirationists of Amana, Mormons, Owenites, Fourierists, Icarians, Janssonists, Theosophists, Cyrus Teed's Koreshans, and Father Divine's Peace Mission. Based on a new conceptual framework known as developmental communalism, the book examines these utopian movements throughout the course of their development--before, during, and after their communal period. Each chapter includes a brief chronology, giving basic information about the group discussed. An appendix presents the most complete list of American utopian communities ever published. The contributors are Jonathan G. Andelson, Karl J. R. Arndt, Pearl W. Bartelt, Priscilla J. Brewer, Donald F. Durnbaugh, Lawrence Foster, Carl J. Guarneri, Robert V. Hine, Gertrude E. Huntington, James E. Landing, Dean L. May, Lawrence J. McCrank, J. Gordon Melton, Donald E. Pitzer, Robert P. Sutton, Jon Wagner, and Robert S. Weisbrot.
This book is the long-anticipated first volume of a two-volume work that will chronicle intentional communities in the twentieth century. Timothy Miller's chronological account is likely to be the standard work on the subject. Communities of the early twentieth century were often obscure and short-lived enterprises that left little trace of themselves. Historical accounts of them are few, and the ephemera such ventures produced have rarely been collected. Miller first looks at the older groups that were operating until I 900. He explores their impact of the early twentieth-century art colonies, and then turns to a decade-by-decade discussion of many dozens of new groups formed up to 1960. His comprehensive perspective—a synopsis of the first sixty years of this century—has never before been undertaken in the study of communal groups.
William Dudley Pelley was one of the most important figures of the anti-Semitic radical right in the twentieth century. Best remembered as the leader of the paramilitary "Silver Shirts," Pelley was also an award-winning short story writer, Hollywood screenwriter, and religious leader. During the Depression Pelley was a notorious presence in American politics; he ran for president on a platform calling for the ghettoization of American Jews and was a defendant in a headlinegrabbing sedition trial thanks to his unwavering support for Nazi Germany. Scott Beekman offers not only a political but also an intellectual and literary biography of Pelley, greatly advancing our understanding of a figure often dismissed as a madman or charlatan. His belief system, composed of anti-Semitism, economic nostrums, racialism, neo-Theosophical channeling, and millenarian Christianity, anticipates the eclecticism of later cult personalities such as Shoko Asahara, leader of Aum Shinrikyo, and the British conspiracy theorist David Icke. By charting the course of Pelley's career, Beekman does an admirable job of placing Pelley within the history of both the anti-Semitic right and American occult movements. This exhaustively researched book is a welcome addition to the growing body of scholarship on American extremism and esoteric religions.
Christian-Muslim Relations. A Bibliographical History 16 is about relations between the two faiths in North America, South-East Asia, China, Japan and Australasia from 1800 to 1914. It gives descriptions, assessments and bibliographical details of all known works from this period.
This book explores the religious foundations, political and social significance, and aesthetic aspects of the theatre created by the leaders of the Occult Revival. Lingan shows how theatre contributed to the fragmentation of Western religious culture and how contemporary theatre plays a part in the development of alternative, occult religions.
This book explores the emergence of Greek tragedy on the American stage from the nineteenth century to the present. Despite the gap separating the world of classical Greece from our own, Greek tragedy has provided a fertile source for some of the most innovative American theater. Helene P. Foley shows how plays like Oedipus Rex and Medea have resonated deeply with contemporary concerns and controversies—over war, slavery, race, the status of women, religion, identity, and immigration. Although Greek tragedy was often initially embraced for its melodramatic possibilities, by the twentieth century it became a vehicle not only for major developments in the history of American theater and dance but also for exploring critical tensions in American cultural and political life. Drawing on a wide range of sources—archival, video, interviews, and reviews—Reimagining Greek Tragedy on the American Stage provides the most comprehensive treatment of the subject available.