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The epic conclusion of The Poetry of Ran, as Torue, a young bard, records the exploits of the untouchable monster hunter Ran – a man who absorbs the evil he destroys into himself to prevent it from leaking out into the world…
Anthology of poems by 20th century American poets.
Training under the legendary Renjirô Uzura, Mamoru is honing his skills as a monster hunter when a fearsome Tengu attacks the shrine! The master and pupil leap to the defence of Mamoru’s younger siblings, but the beast is vicious and begins to acquire power beyond imagining. Will Mamoru be able to defeat the beast to protect his siblings, or will they have to take up the sword and learn his skills?
Marie Blackwood and the newly trained Theo visit France and the young teenager is spellbound at the finery on display and a handsome young man named Charles… but all is not as it seems and Marie will have to come to the aid of her charge once more, all while another party makes Theo an intriguing offer…
The Poetry of Mr Minevar, Book 2 is a collection of easy reading poems that would appeal to anyone interested in History, Literature or Science. The poems aim to be both enjoyable and informative and to appeal to a wide range of age groups. Ideal as a great present for any occasion.
breathing room was a two year project embarked upon by buffalo essayist, columnist and radio host tom waters. he wanted to give the poems 'some room to breath on their own' to see if they'd flourish if given their own headspace. his resume isn't really important right now, but you can read more about his other 444 projects at: www.tomfoolery4.wordpress.com
The second volume of Matthew E. Pointon's short stories covering the years 2006 to 2010. This varied collection of tales, arranged in the order in which they were written, has something to capture the imagination of every reader.
Titled from lyrics of the song “Nobody Home” by Pink Floyd, this well-thought poetry collection touches on the subjects of loss, love, pain, happiness, depression, abandonment, war, good vs. evil, alcoholism, religion, and complicated family relationships. Written mostly in metered, rhyming stanzas, Black Book of Poems provides a non-threatening platform for reflection and meditation on life’s most difficult challenges. This collection offers a refreshingly honest approach to life and love that feels realistic and relatable to everyone.
This two-volume reset edition draws together a selection of Anglo-Indian poetry from the Romantic era and the nineteenth century.
It has been variously labelled ‘Language Poetry’, ‘Language Writing’, ‘L=A=N=G=U=A=G=E writing’ (after the magazine that ran from 1978 to 1981), and ‘language-centred writing’. It has been placed according to its geographical positions, on East or West coasts; its venues in small magazines, independent presses and performance spaces, and its descent from historical precursors, be they the Objectivists, the composers-by-field of the Black Mountain School, the Russian Constructivists or American modernism à la William Carlos Williams and Gertrude Stein. Indeed, one of the few statements that can be made about it with little qualification is that ‘it’ has both fostered and endured a crisis in representation more or less since it first became visible in the 1970s. In Poetry & Language Writing David Arnold grasps the nettle of Language poetry, reassessing its relationship with surrealism and providing a scholarly, intelligent way of understanding the movement. Poets discussed include Charles Bernstein, Susan Howe, Michael Palmer and Barrett Watten.