Download Free The Poetry Of Pope Book in PDF and EPUB Free Download. You can read online The Poetry Of Pope and write the review.

"Publication No. 5-556"--Page facing title page Contents: The stream -- Meditations on the book of Genesis at the threshold of the Sistine Chapel -- A hill in the land of Moriah.
The Poems of Alexander Pope is a multi-volume edition of the poetry of Alexander Pope resulting from a thorough reappraisal of his work. Volume One contains the poetry that appeared between 1709 and 1714.
Written in 1727, The Art of Sinking in Poetry was one of Alexander Pope's contributions to the literary output of the legendary Scriblerus club - a circle of writers dedicated to mocking what they perceived as a culture of mediocrity and false learning prevalent in the arts and sciences of their day. Taking the form of an ironic guide to writing bad verse, Pope's tongue-in-cheek essay is wickedly funny in its lampooning of various pompous poetasters, as well as being essential reading for any budding writer wishing to avoid sinking to the unintentionally ridiculous, and instead reach for the sublime.
A study of eighteenth- and early nineteeenth-century poetry in English, French and German, focusing on the mock epic (from Pope's Dunciad to Byron's Don Juan) as a critique of serious epic poetry and also as a literary means of exploring a wide range of sexual and religious issues in a humorous style.
Poetry.
Poetry has often been considered an irrational genre, more expressive than logical, more meditative than given to coherent argument. And yet, in each of the four very different poets she considers here, Helen Vendler reveals a style of thinking in operation; although they may prefer different means, she argues, all poets of any value are thinkers. The four poets taken up in this volume--Alexander Pope, Walt Whitman, Emily Dickinson, and William Butler Yeats--come from three centuries and three nations, and their styles of thinking are characteristically idiosyncratic. Vendler shows us Pope performing as a satiric miniaturizer, remaking in verse the form of the essay, Whitman writing as a poet of repetitive insistence for whom thinking must be followed by rethinking, Dickinson experimenting with plot to characterize life's unfolding, and Yeats thinking in images, using montage in lieu of argument. With customary lucidity and spirit, Vendler traces through these poets' lines to find evidence of thought in lyric, the silent stylistic measures representing changes of mind, the condensed power of poetic thinking. Her work argues against the reduction of poetry to its (frequently well-worn) themes and demonstrates, instead, that there is always in admirable poetry a strenuous process of thinking, evident in an evolving style--however ancient the theme--that is powerful and original.