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An award-winning retelling of the Biblical creation story from a star of the Harlem Renaissance and an acclaimed illustrator James Weldon Johnson, author of the civil rights anthem "Lift Ev'ry Voice and Sing," wrote this beautiful Bible-learning story in 1922, at the height of the Harlem Renaissance. Set in the Deep South, The Creation alternates breathtaking scenes from Genesis with images of a country preacher under a tree retelling the story for children. The exquisite detail of James E. Ransome's sun-dappled paintings and the sophisticated rhythm of the free verse pay tribute to Black American oral traditions of country sermonizing and storytelling: As far as the eye of God could see/ Darkness covered everything/ Blacker than a hundred midnights/ Down in a cypress swamp. . . . This beautiful new edition of the classic Coretta Scott King Award winner features a fresh, modern design, a reimagined cover, and an introduction of the remarkable life of James Weldon Johnson. Beneath the dust jacket, the case features a detail of Ransome's beautiful night sky, spangled with stars. A Junior Library Guild selection!
A poem based on the story of creation from the first book of the Bible.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1979.
Fans of the medieval Rabbinic sages Rashi and Ramban will enjoy how the author has used poetry to update and embody some of their brilliant Torah insights. One example is the poem "Raven's Song" which explores Rashi's explanation as to the real reason why the raven was set loose from Noah's ark and never returned. For parents looking for a closing to their perfect Bar or Bat Mitzvah speech, the poem "Blessing" expands on the traditional Shabbat blessing to enumerate the gifts of all of the tribes of Israel and wish them upon the child. For Rabbis and serious scholars of the Tanakh, "Brother Sun and Sister Moon" incorporates a wealth of Talmudic references in the course of a heated religious debate as to whether men or women are more blessed in God's eyes. All scriptural references in the poetry are annotated and explained in the second half of the book for those readers who are inspired by the poetry and related artwork to pursue deeper Torah study. As is evident from the above, the poetry and art in this book is inspired by the Torah and other Jewish Holy Scriptures and is intended for a Jewish audience. However, non-Jewish readers can enjoy the poetry and artwork, although they may not understand some of the Talmudic references. The initial inspiration for this book was Psalm 104, which recounts the entire creation, where God's glory is seen as a garment of light as He begins his creation, the Moon is appointed for the seasons, the young lions retreat to their dens with the rising of the sun, the high hills are a refuge for the goats, Leviathan is seen playing among the ships in the sea and God's spirit goes forth across the earth to renew it. Edward Burne-Jones' "Days of Creation" painting is the visual illustration of Psalm 104, with the seventh angel playing a harp at the bottom of panel 6 representing the seventh day of creation. Some of the poems in this book are didactic poems intended to explain cryptic scriptural passages or reveal the deeper meaning behind a Jewish prayer. For example, the poem "It is Enough" examines Proverbs 30:15-16, which speaks of four things that are never satisfied: the grave, the barren womb, the earth that is not filled with water and the fire. Drawing on Talmudic sources, the poem explores the underlying meaning of this cryptic passage. Also, the poem "And to the Stranger" was inspired by a passage from the Kol Nidre prayer, which asks that atonement be granted even to the "stranger who lives among them, for all have transgressed unwittingly". The poem uses imagery and art to illuminate the hidden significance of the rituals of Yom Kippur. Although didactic poetry today is a forgotten art, the author believes that it still can serve an invaluable purpose when used to reveal the Tanakh as a true "Tree of Life" for those who hold on to it. Other poems are simply inspired by Jewish Holy Scriptures and are not intended to serve any higher didactic purpose. For example, "A Higher Song" describes the passage of the seasons and was inspired by a passage from 1 Chronicles 16 describing the trees of the wood singing out at the presence of the Lord. The second section of this book annotates each poem to show the scriptural underpinnings and allusions in each poem. Sandra Bowden's artwork and illuminated Hebrew text which accompanies the annotated poetry are intended to provide visual counterparts to the poetry, as well as an independent artistic exploration of the themes contained in this book.
Language and World Creation in Poems and Other Texts introduces an interdisciplinary and practical approach to the analysis of poetry which focuses on text worlds, namely the contexts, scenarios or types of reality that readers construct in their interaction with the language of texts. The book demonstrates in detail three ways of approaching poetic text worlds, namely as discourse situations, possible worlds, and mental constructs. Clear and detailed introductions to linguistic theories of definiteness and deixis, possible world theory and schema theory are included, making the book accessible to readers who are unfamiliar with these frameworks.
A poem based on the story of creation in the Bible. An ALA Notable Book. Winner Coretta Scott King Illustrator Award.
A picture-book biography of celebrated poet Gwendolyn Brooks, the first Black person to win the Pulitzer Prize A 2021 Coretta Scott King Book Award Illustrator Honor Book A 2021 Robert F. Sibert Informational Honor Book A 2021 Association of Library Service to Children Notable Children's Book Gwendolyn Brooks (1917–2000) is known for her poems about “real life.” She wrote about love, loneliness, family, and poverty—showing readers how just about anything could become a beautiful poem. Exquisite follows Gwendolyn from early girlhood into her adult life, showcasing her desire to write poetry from a very young age. This picture-book biography explores the intersections of race, gender, and the ubiquitous poverty of the Great Depression—all with a lyrical touch worthy of the subject. Gwendolyn Brooks was the first Black person to win the Pulitzer Prize, receiving the award for poetry in 1950. And in 1958, she was named the poet laureate of Illinois. A bold artist who from a very young age dared to dream, Brooks will inspire young readers to create poetry from their own lives.
For millennia, shamans and philosophers, believers and nonbelievers, artists and scientists have tried to make sense of our existence by suggesting that everything is connected, that a mysterious Oneness binds us to everything else. People go to temples, churches, mosques, and synagogues to pray to their divine incarnation of Oneness. Following a surprisingly similar notion, scientists have long asserted that under Nature’s apparent complexity there is a simpler underlying reality. In its modern incarnation, this Theory of Everything would unite the physical laws governing very large bodies (Einstein’s theory of relativity) and those governing tiny ones (quantum mechanics) into a single framework. But despite the brave efforts of many powerful minds, the Theory of Everything remains elusive. It turns out that the universe is not elegant. It is gloriously messy. Overturning more than twenty-five centuries of scientific thought, award-winning physicist Marcelo Gleiser argues that this quest for a Theory of Everything is fundamentally misguided, and he explains the volcanic implications this ideological shift has for humankind. All the evidence points to a scenario in which everything emerges from fundamental imperfections, primordial asymmetries in matter and time, cataclysmic accidents in Earth’s early life, and duplication errors in the genetic code. Imbalance spurs creation. Without asymmetries and imperfections, the universe would be filled with nothing but smooth radiation. A Tear at the Edge of Creation calls for nothing less than a new "humancentrism" to reflect our position in the universal order. All life, but intelligent life in particular, is a rare and precious accident. Our presence here has no meaning outside of itself, but it does have meaning. The unplanned complexity of humankind is all the more beautiful for its improbability. It’s time for science to let go of the old aesthetic that labels perfection beautiful and holds that "beauty is truth." It’s time to look at the evidence without centuries of monotheistic baggage. In this lucid, down-to-earth narrative, Gleiser walks us through the basic and cutting-edge science that fueled his own transformation from unifier to doubter—a fascinating scientific quest that led him to a new understanding of what it is to be human.