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Love, death, religion, relationships-these subjects typically inspire collections of poetry. But business? Most people think of business and poetry as two separate and incompatible areas of life. In February 1991, Alan Farnham expressed this common belief when he wrote in Fortune Magazine, "Not many people in business feel an urge to write verse about their work." Challenged by this statement, Ralph Windle began a three-year search for the poetry of business life-and found a profusion of verse exploring all aspects of business. The author's research revealed that not only is there a large body of business poetry in existence today, but business has been the subject of poems since the invention of the written word. The poems in this collection range from early "agribusiness" to the ever-present entrepreneur, merchant, banker, and-with the coming of the industrial age-the worker and manager; right up to twentieth-century concerns with global travel, technology, and the complexities of office life. Included are the works of more than seventy poets, and twice that many pieces. Young, unpublished "business poets" rub elbows with widely published contemporary writers such as James Autry, Harry Newman, and Dana Gioia, as well as some of the most distinguished names in poetic literature-including Shakespeare, Chaucer, Tennyson, and Kipling. With poems that cover a wide variety of topics and professions-from David Alpaugh's "A California Adman Celebrates His Art" to Richard Ellis Roberts' "Overheard at the Literary Party"; from Constance Alexander's "Outplacement Blues" to Bertie Ramsbottom's "Death By Merger"-this anthology offers something for every reader. In an age when most people spend the majority of their waking lives involved in some kind of business, it seems natural that poetry, which is the essence of human emotional records, would be affected by business concerns. Business, writes the author, "now touches all our lives and consumes, for ever growing numbers of us, our work, time, energies and passions. Yet few, it is supposed, could find inspiration in its banalities." The size and scope of The Poetry of Business Life easily prove this supposition wrong. Many contemporary business people write verse about their experiences-serious and humorous-as they seek an outlet for their creativity. Business people and their organizations mutually gain from this expression by sending signals to the world that human sensitivities are highly compatible with effective business performance. Humor, insight, sadness, wisdom, and anger are all represented in this unique collection and offer a dynamic, living picture to all people in organizations, their families, and the wider professions as well. Business speech-writers, too, will find in it a rich treasure-trove of choice quotations.
What does poetry bring to business? According to Clare Morgan and her coauthors, it brings a complexity and flexibility of thinking, along with the ability to empathize and better understand the thoughts and feelings of others. Through her own experiences and many examples, Morgan demonstrates that the skills necessary to talk and think about poetry can be of significant benefit to leaders and strategists, to executives who are facing infinite complexity and who are armed with finite resources in a changing world. What Poetry Brings to Business presents ways in which reading and thinking about poetry offer businesspeople new strategies for reflection on their companies, their daily tasks, and their work environments. The goal is both to increase readers' knowledge of poems and how they convey meaning, and also to teach analytical and cognitive skills that will be beneficial in a business context. The unique combinations and connections made in this book will open new avenues of thinking about poetry and business alike
From a critically acclaimed New York Times bestselling author and poet comes “a delightfully hybrid book: part anthology, part critical study, part autobiography” (Chicago Tribune) that is organized around fifty-one remarkable poems by poets such as Robert Frost, Emily Dickinson, Wallace Stevens, and Sylvia Plath. For Jill Bialosky, certain poems stand out like signposts at pivotal moments in a life: the death of a father, adolescence, first love, leaving home, the suicide of a sister, marriage, the birth of a child, the day in New York City the Twin Towers fell. As Bialosky narrates these moments, she illuminates the ways in which particular poems offered insight, compassion, and connection, and shows how poetry can be a blueprint for living. In Poetry Will Save Your Life, Bialosky recalls when she encountered each formative poem, and how its importance and meaning evolved over time, allowing new insights and perceptions to emerge. While Bialosky’s personal stories animate each poem, they touch on many universal experiences, from the awkwardness of girlhood, to crises of faith and identity, from braving a new life in a foreign city to enduring the loss of a loved one, from becoming a parent to growing creatively as a poet and artist. Each moment and poem illustrate “not only how to read poetry, but also how to love poetry” (Christian Science Monitor). “An emotional, sometimes-wrenching account of how lines of poetry can be lifelines” (Kirkus Reviews), Poetry Will Save Your Life is an engaging and entirely original examination of a life while celebrating the enduring value of poetry, not as a purely cerebral activity, but as a means of conveying personal experience and as a source of comfort and intimacy. In doing so the book brilliantly illustrates the ways in which poetry can be an integral part of life itself and can, in fact, save your life.
There is value in taking poetry to work, and finding the poetry that's already there. Publications like "Harvard Business Review" and "FastCompany" are starting to write about the power of poetry-noting poetry's effectiveness in building creative thinkers and problem solvers. Yet there is no single source to guide those who are *at work* every day, with little direction for how to explore the power of poetry in the workplace. Glynn Young's "Poetry at Work" is that guide. From discussions about how poetry is built into the very fabric of work, to practical suggestions on how to be a poet at work, this is a book that meets a very real need. Altogether-a landmark book that moves beyond David Whyte's seminal book on poetry and the corporate world. More than just philosophy, this book brings the hope of practice and surprising discovery, the benefits of stress relief and increased accomplishment. *** The Masters in Fine Living Series is designed to help people live a whole life through the power of reading, writing, and just plain living. Look for titles with the tabs "read, write, live, play, learn, " or "grow"-and join a culture of individuals interested in living deeply, richly.
Contemplating universal issues of love, loss, forgiveness, transformation, and belief, Inquire Within shines a light on our lives and provides a wholly unique and dynamic lens through which to think about ourselves and our world. Rhythmic. Original. Authentic. Inspiring. A journey to the center of the soul, Inquire Within is a provocative and entertaining debut from an award-winning poet. You’ll never look at poetry the same way again.
Part memoir, part essay, and partly a guide to maximizing your capacity for fulfillment and expression, The Poetry of Everyday Life taps into the artistic side of what we often take for granted.
A contrast comparison, from everyday activities that reflect characteristics of challenge when not processed as intended... there is connection to all that you do...in every relationship
This book is a residence for thoughts that cannot live inside a head. The majority of the poems in this collection endeavor to articulate the often-overwhelming elusiveness of the world around us. Each piece intends to invoke an image that relates to moments in our life that we relive every now and then – flavoring our conscious with either hints of nostalgia or the essence of apprehension. Those moments that have been hidden away in our deepest memories, displaced by the bustling substance of “things that matter.” Throughout the text, there is an obvious evolution of emotional depth and complexity in my perception of the adequate words to say. Yet, the entire collection represents my current state as a new author, aspiring to emulate the effortless yet profound simplicity of words as art. As an extension of my own reality, the world inside these pages explores the extremes of emotion that are sometimes better read than felt.
“This is a book for anyone,” Glyn Maxwell declares of On Poetry. A guide to the writing of poetry and a defense of the art, it will be especially prized by writers and readers who wish to understand why and how poetic technique matters. When Maxwell states, “With rhyme what matters is the distance between rhymes” or “the line-break is punctuation,” he compresses into simple, memorable phrases a great deal of practical wisdom. In seven chapters whose weird, gnomic titles announce the singularity of the book—“White,” “Black,” “Form,” “Pulse,” “Chime,” “Space,” and “Time”—the poet explores his belief that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities: breath, heartbeat, footstep, posture. “The sound of form in poetry descended from song, molded by breath, is the sound of that creature yearning to leave a mark. The meter says tick-tock. The rhyme says remember. The whiteness says alone,” Maxwell writes. To illustrate his argument, he draws upon personal touchstones such as Emily Dickinson and Robert Frost. An experienced teacher, Maxwell also takes us inside the world of the creative writing class, where we learn from the experiences of four aspiring poets. “You master form you master time,” Maxwell says. In this guide to the most ancient and sublime of the realms of literature, Maxwell shares his mastery with us.
Winner of the 2012 Pulitzer Prize * Poet Laureate of the United States * * A New York Times Notable Book of 2011 and New York Times Book Review Editors' Choice * * A New Yorker, Library Journal and Publishers Weekly Best Book of the Year * New poetry by the award-winning poet Tracy K. Smith, whose "lyric brilliance and political impulses never falter" (Publishers Weekly, starred review) You lie there kicking like a baby, waiting for God himself To lift you past the rungs of your crib. What Would your life say if it could talk? —from "No Fly Zone" With allusions to David Bowie and interplanetary travel, Life on Mars imagines a soundtrack for the universe to accompany the discoveries, failures, and oddities of human existence. In these brilliant new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant, and revisits the kitschy concepts like "love" and "illness" now relegated to the Museum of Obsolescence. These poems reveal the realities of life lived here, on the ground, where a daughter is imprisoned in the basement by her own father, where celebrities and pop stars walk among us, and where the poet herself loses her father, one of the engineers who worked on the Hubble Space Telescope. With this remarkable third collection, Smith establishes herself among the best poets of her generation.