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Ann Radcliffe, nee Ward (1764-1823) was an English author and a pioneer of the gothic novel. She married William Radcliffe, an editor for the English Chronicle, at Bath in 1788. The couple were childless. To amuse herself, she began to write fiction, which her husband encouraged. Her works were extremely popular among the upper class and the growing middle class, especially among young women. Her works included The Sicilian Romance (1790), The Romance of the Forest (1791), The Mysteries of Udolpho (1794) and The Italian; or, The Confessional of the Black Penitents (1796). The success of The Romance of the Forest established Radcliffe as the leading exponent of the historical Gothic romance. Her later novels met with even greater attention, and produced many imitators, and famously, Jane Austen's burlesque of The Mysteries of Udolpho in Northanger Abbey, as well as influencing the works of Sir Walter Scott and Mary Wollstonecraft.
This is a collection of the most unique and expressive verses by the English authoress and poet Ann Radcliffe. Her aesthetic sense and brilliant observation is portrayed through these verses that present different stages of her novels. Gloom, mystery, grotesque and profound feelings are presented through these lines.
This book offers unique and fresh perspectives upon the literary productions of one of the most highly remunerated and widely admired authors of the Romantic period, Ann Radcliffe (1764–1823). While drawing upon, consolidating and enriching the critical impulses reflected in Radcliffe scholarship to date, this collection of essays, composed by a range of renowned scholars of the Romantic period, also foregrounds the hitherto neglected aspects of the author's work. Radcliffe's relations to Romantic-era travel writing; the complex political ideologies that lie behind her historiographic endeavours; her poetry and its relation to institutionalised forms of Romanticism; and her literary connections to eighteenth-century women's writing are all examined in this collection. Offering fresh considerations of the well-known Gothic fictions and extending the appreciation of Radcliffe in new critical directions, the collection reappraises Radcliffe's full oeuvre within the wider literary and political contexts of her time.
'The Romance of the Forest' evokes a world drenched in both horror and natural splendor, beset with abductions and imprisonments, and centered upon the frequently terrified but still resourceful and determined heroine Adeline.