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A history of fable in written and illustrative media from classical times to 1800 and beyond.
Animals, Animality, and Literature offers readers a one-volume survey of the field of literary animal studies in both its theoretical and applied dimensions. Focusing on English literary history, with scrupulous attention to the interplay between English and foreign influences, this collection gathers together the work of nineteen internationally noted specialists in this growing discipline. Offering discussion of English literary works from Beowulf to Virginia Woolf and beyond, this book explores the ways human/animal difference has been historically activated within the literary context: in devotional works, in philosophical and zoological treatises, in plays and poems and novels, and more recently within emerging narrative genres such as cinema and animation. With an introductory overview of the historical development of animal studies and afterword looking to the field's future possibilities, Animals, Animality, and Literature provides a wide-ranging survey of where this discipline currently stands.
The Tudor era (1485-1603) was one of the most culturally significant periods in history. Under three generations of Tudor rulers, the era witnessed the advent of humanism, the birth of the Reformation, and the rise of the British Empire. The literature of the period is marked by complexity of thought and form and reflects the political, religious, and cultural changes of the era. This reference book surveys the literature of Tudor England. Included are alphabetically arranged entries for nearly 100 authors who wrote between 1485 and 1603. Some figures covered are widely taught, such as Shakespeare, Donne, and Spenser. Others are less well known, such as Edward Fairfax and Abraham Fraunce. The work includes entries for notable women writers of the period, many of whom have been neglected until recent years. Also included are entries for continental writers such as Ariosto, Tasso, Calvin, and Erasmus, whose writings were influential in England. Entries are written by expert contributors and contain valuable bibliographies of primary and secondary sources. Included are entries for nearly 100 people who wrote between 1485 and 1603. The entries are written by expert contributors and are arranged alphabetically to facilitate use. Some of the authors profiled are major canonical figures, such as Shakespeare, Spenser, and Donne. But the volume also includes a significant number of entries for women writers, whose work has been unjustly disregarded until recent years. While most of the authors were from England, the volume contains entries on figures such as Erasmus, who, though born in another country, wrote important works in England, and on writers such as Machiavelli, Calvin, Ariosto, and Tasso, whose works were almost immediately adopted, translated, or otherwise made part of Tudor culture. Each entry provides a brief biography, which is followed by a discussion of major works and themes, a review of the author's critical reception, and a bibliography of primary and secondary sources.
This book advances the argument that there exist in Middle English verse distinct narrative patterns that affected medieval contemporary audiences in symbolic ways. The author focuses upon one particular narrative pattern that occurs in a large number of poems, allowing us to discern, even if we do not share, unstated medieval assumptions about narrative structure.
This debate was of such intensity that James VI, the first king to rule over Scotland and England, wrote his own book on the subject: 'The True Lawe of Free Monarchies'.
Outlining the full range of practises that publishers performed, including the acquisition of copy and titles, compiling, alteration to texts, and reissuing, Elizabethan Publishing and the Makings of Literary Culture considers links between the book trade and the literary culture of Elizabethan England.
Severin), and the application to the Libro of modern critical approaches, drawing on Mikhail Bakhtin, folklore studies, chaos theory, and reader-reception theory (Elizabeth Drayson, Laurence de Looze, Louise O. Vasvari)."--BOOK JACKET.
The proceedings of the Seventh International Conference on Medieval and Renaissance Scottish Language and Literature. Topics covered in this volume include: the development of Protestant aesthetics; literary culture and the early Scottish court; and teaching Older Scots as a foreign language.