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How an early modern understanding of place and movement are embedded in a performative theory of literature How is a garden like a poem? Early modern writers frequently compared the two, and as Jim Ellis shows, the metaphor gained strength with the arrival of a spectacular new art form—the Renaissance pleasure garden—which immersed visitors in a political allegory to be read by their bodies’ movements. The Poem, the Garden, and the World traces the Renaissance-era relationship of place and movement from garden to poetry to a confluence of both. Starting with the Earl of Leicester’s pleasure garden for Queen Elizabeth’s 1575 progress visit, Ellis explores the political function of the entertainment landscape that plunged visitors into a fully realized golden world—a mythical new form to represent the nation. Next, he turns to one of that garden’s visitors: Philip Sidney, who would later contend that literature’s golden worlds work to move us as we move through them, reorienting readers toward a belief in English empire. This idea would later be illustrated by Edmund Spenser’s Faerie Queen; as with the pleasure garden, both characters and readers are refashioned as they traverse the poem’s dreamlike space. Exploring the artistic creations of three of the era’s major figures, Ellis argues for a performative understanding of literature, in which readers are transformed as they navigate poetic worlds.
* In size, price, and elegant packaging, these books will ideal gifts * Beautiful 3-colour jacket designed to give a uniform look * Unique and highly distinctive black and white pattern on each spine * Full cloth, flexible covers * Sewn Binders * Silk Ribbon Markers and Headbands * Gold Stamping on front and spine * Decorative patterned endpapers * Newly designed typographic settings in classic typefaces * Portable format-size 61/4 x 4 ins (15. 75 x 10. 25 cm) * Cream-wove acid-free paper * 256pp each volume
Late in life our most revered poet delivers a verdant collection that rivals the best from his storied career.
In 15 poems, Wong records some of the many dreams--from the familiar to the outlandish and everywhere in between--that she or her friends have had. With Paschkis's paintings, which reflect the glowing colors of dreams, these nighttime visions create a garden, tempting to explore and evocative of dreams of our very own. Full color.
Marta McDowell returns with a beautiful, gift-worthy account of how plants and gardening deepy inspired Frances Hodgson Burnett, author of the beloved children's classic The Secret Garden.
"The Poem, the Garden, and the World traces the Renaissance-era relationship of place and movement from garden to poetry to a confluence of the two"--
Original working manuscript of Swinburne's poem "The garden of Proserpine". Bound with the manuscript pages are a printed version of the poem from an unknown published edition (pages numbered 189-192). Formerly owned by the book collector and literary forger Harry Buxton Forman. A note from Forman is written on a blank leaf preceding the manuscript: The Garden of Proserpine, perhaps the loveliest lyric poem Swinburne ever wrote, was set up from this autograph manuscript when the poem took its place in the renowned volume known as Poems and Ballads, issued in the Autumn of 1866, immediately withdrawn under pressure by Mr. Moxon, and speedily re-issued by John Camden Hotten. The calligraphy is more characteristic than excellent. The cancellings and changes, however, are of considerable interest.