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Forty memorable Playboy interviews collected over the past eighteen years reveal the ideas and personalities of such public figures as Jimmy Carter, Malcolm X, Timothy Leary, Albert Schweitzer, and Mae West
As Calvin Coolidge once said, the business of America is business. Yet no matter what that business is, only a handful of individuals control it. With vision, determination, and passion, these men and women have bent the world to their wills. Some were millionaires from birth; others have pulled themselves up by their bootstraps. From computers to shoes to cars, their hands have shaped the fabric of everyday life. Here, 15 of the most important men and women of the last 45 years of American business -- including Bill Gates, Steve Jobs, Donald Trump, Ted Turner, Hugh Hefner, Leona Helmsley, Barry Diller, and Calvin Klein -- speak candidly about their rises to power. First published in the no-holds-barred pages of "Playboy," the interviews are in many cases the most thoughtful and direct these men and women ever gave. All represent an intimate visit with the entrepreneurs who have moved America forward and have shaken the foundations of who Americans believe themselves to be.
A second collection of interviews from Playboy magazine includes conversations with Edward Koch, Lech Walesa, Johnny Carson, Jean-Paul Sartre, and other celebrities, scholars, authors, political leaders, artists, and philosophers
Francis Ford Coppola's The Godfather, Part II (1974) is a magisterial cinematic work, a gorgeous, stylized, auteur epic, and one of the few sequels judged by many to be greater than its predecessor. This despite the fact that it consists largely of meetings between aspiring 'Godfather' Michael Corleone and fellow gangsters, politicians and family members. The meetings remind us that the modern gangster's success is built upon inside information and on strategic planning. Michael and his father Vito's days resemble those of the legitimate businessmen they aspire or pretend to be. Jon Lewis's study of Coppola's masterpiece provides a close analysis of the film and a discussion of its cinematic and political contexts. It is structured in three sections: “The Sequel,” “The Dissolve,” and “The Sicilian Thing” – accommodating three avenues of inquiry, respectively: the film's importance in and to Hollywood history, its unique, auteur style and form; and its cultural significance. Of interest, then, is New Hollywood history, mise-en-scene, and a view of the Corleone saga as a cautionary capitalist parable, as a metaphor of the corruption of American power, post-Vietnam, post-Watergate.
Presents fourteen interviews of celebrities that appeared in Playboy magazine between February 1963 and July 1982, including those of the Beatles, Bob Dylan, Walter Cronkite, and John Wayne.
In this lively and fully-illustrated work, two music historians break down every album and every song ever released by the Beatles, from "Please Please Me" (U.S. 1963) to "The Long and Winding Road" (U.S. 1970). All the Songs delves deep into the history and origins of the Beatles and their music. This first-of-its-kind book draws upon decades of research, as music historians Margotin and Guesdon recount the circumstances that led to the composition of every song, the recording process, and the instruments used. Here, we learn that one of John Lennon's favorite guitars was a 1958 Rickenbacker 325 Capri, which he bought for £100 in 1960 in Hamburg, Germany. We also learn that "Love Me Do," recorded in Abbey Road Studios in September 1962, took 18 takes to get right, even though it was one of the first songs John and Paul ever wrote together. And the authors reveal that when the Beatles performed "I Want to Hold Your Hand" on The Ed Sullivan Show in 1964, John's microphone wasn't turned on, so viewers heard only Paul singing. The hundreds of photographs throughout the book include rare black-and-white publicity stills, images of Beatles instruments, and engaging shots of the musicians in-studio. All the Songs is the must-have book for the any true Beatles fan.
As one of the preeminent interviewers of our time, Claudia Dreifus crisscrosses the globe to interview an eclectic selection of the world's most powerful and interesting women and men, the people whose opinions will shape our future. Dreifus's interviews, by the subjects she chooses and the questions she asks, depict her own forceful vision of our times, as well as that of those she interviews. Interview is a cornucopia of interviews with leading writers, generals and politicians, television newscasters and actors, spiritual leaders and famous spouses. The book is divided into six sections. Saints: The Dalai Lama (2 interviews), Aung San Suu Kyi, Andrew Young; Visionaries: Esther Dyson, The Tofflers, Art Caplan; Media Freaks: Cokie Roberts/Nina Totenberg/Linda Wertheimer, Dan Rather, Richard Dreyfuss, Samuel Jackson; Warriors: Colin Powell, Gen. John Shalikashvili, Benazir Bhutto, Joycelyn Elders, Serge and Beate Klarsfeld; Poets: Isaac Bashevis Singer, Toni Morrison, Arthur Miller; Citizens: Nadine Strassen, Barney Frank, Myrlie Evers.
The debut of Saturday Night Live and the 1976 presidential election between Gerald Ford and Jimmy Carter had enduring effects on American culture. With its mix of sketch comedy and music, SNL grabbed huge ratings and several Emmys in its first season. President Ford's press secretary, Ron Nessen, was the first politician to host SNL. Ford also appeared on the show, via video tape, to offer a comic counterpunch to Chevy Chase's signature line, "I'm Chevy Chase and you're not." Since then, it has become a rite of passage for national politicians to appear on SNL, and the show's treatment of them and their platforms has a continuing impact on political discourse.
Paul Newman, who died in 2008, achieved superstar status by playing charismatic renegades, broken heroes, and winsome anti-heroes in such classic films as The Hustler, Cool Hand Luke, Butch Cassidy and the Sundance Kid, The Verdict and The Color of Money. And for all the diverse parts he played on the silver screen, Newman occupied nearly as many roles off it. He was a loving husband and family man, a fund raiser, sold his own brand of pasta sauce to make millions for charity, drove racing cars, and much more. Shawn Levy reveals the many sides of this legendary actor in the most comprehensive biography of the star yet published. We see Newman the consummate professional, a stickler for details and a driven worker. In his private life he played the roles of loyal son and brother, supportive husband – married to Joanne Woodward for 50 years – and responsible provider for six children. But Levy shows that Newman and his life were by no means perfect: there was a dalliance with another woman and failings as a father. The death of his only son Scott from a drug overdose in 1978 would haunt Newman for the rest of his life. Ultimately, the author reveals how Newman was able to blend his many roles and become a man of great integrity who was successful at almost everything he tried. It is a fascinating portrait of an extraordinarily gifted man and will leave readers feeling that they have slipped through the security gate and got to know a movie star who was famously guarded about his private life.