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In the first-ever Seven Seas history of the world's female buccaneers, Pirate Women: The Princesses, Prostitutes, and Privateers Who Ruled the Seven Seas tells the story of women, both real and legendary, who through the ages sailed alongside—and sometimes in command of—their male counterparts. These women came from all walks of life but had one thing in common: a desire for freedom. History has largely ignored these female swashbucklers, until now. Here are their stories, from ancient Norse princess Alfhild and warrior Rusla to Sayyida al-Hurra of the Barbary corsairs; from Grace O'Malley, who terrorized shipping operations around the British Isles during the reign of Queen Elizabeth I; to Cheng I Sao, who commanded a fleet of four hundred ships off China in the early nineteenth century. Author Laura Sook Duncombe also looks beyond the stories to the storytellers and mythmakers. What biases and agendas motivated them? What did they leave out? Pirate Women explores why and how these stories are told and passed down, and how history changes depending on who is recording it. It's the most comprehensive overview of women pirates in one volume and chock-full of swashbuckling adventures that pull these unique women from the shadows into the spotlight that they deserve.
An inspiring story of Zheng Yi Sao, the real-life pirate queen who took control of her life — and the South China seas — in the early 19th century. The most powerful pirate in history was a woman who was born into poverty in Guangzhou, China, in the late 1700s. When pirates attacked her town and the captain took a liking to her, she saw a way out. Zheng Yi Sao agreed to marry him only if she got an equal share of his business. When her husband died six years later, she took command of the fleet. Over the next decade, the pirate queen built a fleet of over 1,800 ships and 70,000 men. On land and sea, Zheng Yi Sao’s power rivaled the emperor himself. Time and again, her ships triumphed over the emperor’s ships. When she was ready to retire, Zheng Yi Sao surrendered — on her own terms, of course. Even though there was a price on her head, she was able to negotiate her freedom, living in peace and prosperity for the rest of her days. Zheng Yi Sao’s powerful story is told in lyrical prose by award-winning author Helaine Becker. Liz Wong’s colorful, engaging illustrations illuminate this inspiring woman in history. An author’s note provides historical context and outlines the challenges of researching a figure about whom little is known. Key Text Features author’s note historical context sources Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.2.3 Describe how characters in a story respond to major events and challenges. CCSS.ELA-LITERACY.RL.4.3 Describe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions).
Ferocious Captain Firebeard may think that he and the cruel crew of the Horrible Haddock rule the high seas - but he hasn't reckoned on a small, daring girl called Molly. And he certainly should never have kidnapped her! Molly soon proves to be sharper and quicker than any of the pirate gang's cutlasses. And before long, Firebeard must face his comeuppance - the fury of her fearsome mum!
Two women who sailed with Calico Jack Rackham and his pirates in the early 1700's do their best to defend their ship while the men on board are busy drinking.
"A collection of fact-filled profiles, poetry, and illustrations of women pirates who made their mark on the high seas. Each profile includes an original poem presented against a backdrop of full-color art by illustrator Sara Woolley Gomez. The profile is followed by information about the real life and times of these daring women"--
Drawing on a wide body of evidence, the book argues that the support of women was vital to the persistence of piracy around the British Isles at least until the early seventeenth century. The emergence of long-distance and globalized predation had far reaching consequences for female agency. Piracy was one of the most gendered criminal activities during the early modern period. As a form of maritime enterprise and organized criminality, it attracted thousands of male recruits whose venturing acquired a global dimension as piratical activity spread across the oceans and seas of the world. At the same time, piracy affected the lives of women in varied ways. Adopting a fresh approach to the subject, this study explores the relationships and contacts between women and pirates during a prolonged period of intense and shifting enterprise. Drawing on a wide body of evidence and based on English and Anglo-American patterns of activity, it argues that the support of female receivers and maintainers was vital to the persistence of piracy around the British Isles at least until the early seventeenth century. The emergence of long-distance and globalized predation had far reaching consequences for female agency. Within colonial America, women continued to play a role in networks of support for mixed groups of pirates and sea rovers; at the same time, such groups of predators established contacts with women of varied backgrounds in the Caribbean and the Indian Ocean. As such, female agency formed part of the economic and social infrastructure which supported maritime enterprise of contested legality. But it co-existed with the victimisation of women bypirates, including the Barbary corsairs. As this study demonstrates, the interplay between agency and victimhood was manifest in a campaign of petitioning which challenged male perceptions of women's status as victims. Against this background, the book also examines the role of a small number of women pirates, including the lives of Mary Read and Ann Bonny, while addressing the broader issue of limited female recruitment into piracy. JOHN C. APPLEBY is Senior Lecturer in History at Liverpool Hope University.
In 1963 Jane Yolen released a book called PIRATES IN PETTICOATS, because the idea of women as pirates fascinated her--but there wasn't much information about these women who made their livelihoods plundering on the high seas. Scholars have dug up a bounty of new information since then, and Jane, still fascinated, revisits the ladies who loot. Discover such great pirates as Artemisia, the Admiral Queen of Persia who sailed the seas from 500 to 480 BC. At one point there was a 10,000 drachma prize for anyone who could capture her. There was Rachel Wall, who ran away from her strict upbringing and became a murderous pirate terrorizing the waters of the Atlantic coastline of America. She was hanged for her deeds. Possibly the most famous woman pirate of all was Grania O'Malley, daughter of an Irish chieftain. She plagued the English and was arrested several times, always gaining her freedom to pirate some more. Meet ten other female pirates on their ships, in battle, and in disguise in this intriguing look at the wayward women of the waves. Christine Joy Pratt's pen-and-ink illustrations are alive with action and excitement. Here be a true and accurate account of the most low-down, scurviest--but the prettiest--black-hearted pirates you'll ever love to read about.
Collects the first three issues with an all-new epilogue.
A 17-year-old pirate captain INTENTIONALLY allows herself to get captured by enemy pirates in this thrilling YA adventure from debut author Tricia Levenseller.
"An account of piracy through three millenia, in histories of women and men sailing on four seas. Writing with passion and humour, but without romanticizing or ignoring the unsavory side of some of their heroines, the authors turn history on its head."--BOOK JACKET.