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'Secrecy is a slow-acting poison; it catches up with us all, eventually...'The evidence pointed to an overdose, but criminal psychologist, Shaun Young, refused to accept that his colleague DI Angela McDowd had committed suicide. A respected and well-liked detective with Norfolk CID, news of her death shocked everyone. Assisted by an enquiry team of DS Helena Crowthorne and DC Tony Mullins, Young gradually uncovers aspects of Angie's world that few could have expected.The lack of a suicide note was counter-balanced by the discovery of a highly personal journal and some tantalising case notes. Seizing on these, Young digs up old relationships and closed cases, which blur the lines between Angie's personal and professional life.In the space of just four weeks, Young exposes lie after lie, revealing corruption with far reaching consequences. When the pillars of power, money and reputation are at stake, history has proven that some will take enormous risks to attain or retain them. As the net tightens on the truth, casualties start to rack up on all sides.The question is, can Young get to the truth before the truth gets to him?
Trade can dramatically improve women’s lives, creating new jobs, enhancing consumer choices, and increasing women’s bargaining power in society. It can also lead to job losses and a concentration of work in low-skilled employment. Given the complexity and specificity of the relationship between trade and gender, it is essential to assess the potential impact of trade policy on both women and men and to develop appropriate, evidence-based policies to ensure that trade helps to enhance opportunities for all. Research on gender equality and trade has been constrained by limited data and a lack of understanding of the connections among the economic roles that women play as workers, consumers, and decision makers. Building on new analyses and new sex-disaggregated data, Women and Trade: The Role of Trade in Promoting Gender Equality aims to advance the understanding of the relationship between trade and gender equality and to identify a series of opportunities through which trade can improve the lives of women.
Twelve-year-old Sunny St. James navigates heart surgery, reconnecting with her lost mother, first kisses, and emerging feelings for another girl in this stunning, heartfelt novel--perfect for fans of Ali Benjamin and Erin Entrada Kelly. When Sunny St. James receives a new heart, she decides to set off on a "New Life Plan": 1) do awesome amazing things she could never do before; 2) find a new best friend; and 3) kiss a boy for the first time. Her "New Life Plan" seems to be racing forward, but when she meets her new best friend Quinn, Sunny questions whether she really wants to kiss a boy at all. With the reemergence of her mother, Sunny begins a journey to becoming the new Sunny St. James. This sweet, tender novel dares readers to find the might in their own hearts.
SALMON: A RED HERRING traces the construction of salmon: the colour of a wild fish, which is neither wild, nor fish (nor even salmon). In this highly original work, Cooking Sections show that disregarding colour as a mere feature of matter risks taking life on Earth for granted. Colour is a vector that composes forms, entwines species, and signals environmental changes. This book accounts for how we ended up in a deceptive world where sparrows moult pink, dogs turn blue, and honey glows maraschino red; where pharaohs tint paint, laptops flavour fog, and farms feed colour.
Set in a Tyneside fishing village, Herring Girl moves effortlessly between 1898 and 2007 as twelve-year-old Ben finds himself the unlikely conduit for Annie, a herring girl who lived – and died – a century earlier. As Ben tries to unravel the puzzle of Annie’s death, he is drawn irresistibly into her long-vanished world. Bringing the startling story of Annie’s life and curious death vividly to life, this brilliantly realised historical mystery introduces a cast of unforgettable characters, and reveals how the secrets of our past are never too far away.
Fiction. The Crying of Lot 49, but funny. A Confederacy of Dunces, but sharp. The Big Sleep, but on acid. In this latest work by Andrew Farkas, the United States and the Soviet Union were allies, not enemies. The moon landing was a hoax filmed by Stanley Kubrick. The Space Race and the Cold War were diversions enacted to cover up the biggest secret ever kept. But Wallace Heath Orcuson (Wall to his friends) has more immediate problems to deal with. He's just woken up in an apartment he's never seen before. There's a dead body under his couch. It's his girlfriend's husband, a man named "Senator" Kipper Maris. Meanwhile, at a donut shop, a radio narrator, who's been forced to adopt the name Edward R. Murrow, reads Wall's story. He hates it. He wants to change it. The problem: Murrow is a narrator, not a writer, and the penalty for altering a manuscript is death. Luckily for Murrow, his boss, "Senator" Kipper Maris, was recently murdered. So maybe no one will notice. Or maybe there's a reason for the rule. But you can't find out what's in Pandora's box until it's opened, right? Who wants to see what's inside?
THE STORY: Three love stories, a murder mystery, and a nuclear espionage plot converge in this noir comedy about marriage and other explosive devices. It's 1952: America's on the verge of the H-bomb, Dwight Eisenhower's on the campaign trail
A clever and steamy queer romantic comedy about taking chances and accepting love—with all its complications—from the author of Astrid Parker Doesn't Fail. Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her. When Delilah’s estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid’s stuck-up besties, and decides that maybe there’s some fun (and a little retribution) to be had in Bright Falls, after all. Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they’ve known each other for years, they don’t really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they’re forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn’t sure she has the strength to resist Delilah’s charms. Even worse, she’s starting to think she doesn’t want to...
The second Red Scare was a charade orchestrated by a tyrant with the express goal of undermining the New Deal—so argues Stephen M. Underhill in this hard-hitting analysis of J. Edgar Hoover’s rhetorical agency. Drawing on Classification 94, a vast trove of recently declassified records that documents the longtime FBI director’s domestic propaganda campaigns in the mid-twentieth century, Underhill shows that Hoover used the growing power of his office to subvert the presidencies of Franklin D. Roosevelt and Harry S. Truman and redirect the trajectory of U.S. culture away from social democracy toward a toxic brand of neoliberalism. He did so with help from Republicans who opposed organized labor and Southern Democrats who supported Jim Crow in what is arguably the most culturally significant documented political conspiracy in U.S. history, a wholesale domestic propaganda program that brainwashed Americans and remade their politics. Hoover also forged ties with the powerful fascist leaders of the period to promote his own political ambitions. All the while, as a love letter to Clyde Tolson still preserved in Hoover’s papers attests, he strove to pass for straight while promoting a culture that demonized same-sex love. The erosion of democratic traditions Hoover fostered continues to haunt Americans today.