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An eleventh-century classic, The Pillow Book of Sei Shōnagon is frequently paired with The Tale of Genji as one of the most important works in the Japanese canon. Yet it has also been marginalized within Japanese literature for reasons including the gender of its author, the work’s complex textual history, and its thematic and stylistic depth. In Unbinding The Pillow Book, Gergana Ivanova offers a reception history of The Pillow Book and its author from the seventeenth century to the present that shows how various ideologies have influenced the text and shaped interactions among its different versions. Ivanova examines how and why The Pillow Book has been read over the centuries, placing it in the multiple contexts in which it has been rewritten, including women’s education, literary scholarship, popular culture, “pleasure quarters,” and the formation of the modern nation-state. Drawing on scholarly commentaries, erotic parodies, instruction manuals for women, high school textbooks, and comic books, she considers its outsized role in ideas about Japanese women writers. Ultimately, Ivanova argues for engaging the work’s plurality in order to achieve a clearer understanding of The Pillow Book and the importance it has held for generations of readers, rather than limiting it to a definitive version or singular meaning. The first book-length study in English of the reception history of Sei Shōnagon, Unbinding The Pillow Book sheds new light on the construction of gender and sexuality, how women’s writing has been used to create readerships, and why ancient texts continue to play vibrant roles in contemporary cultural production.
Script of Greenaway's 1995 film, The pillow book, which was made as an homage to the 10th century story by Sei Shōnagon entitled Makura no sōshi, on which it is loosely based.
The Pillow Book of Sei Shonagon is a fascinating, detailed account of Japanese court life in the eleventh century. Written by a lady of the court at the height of Heian culture, this book enthralls with its lively gossip, witty observations, and subtle impressions. Lady Shonagon was an erstwhile rival of Lady Murasaki, whose novel, The Tale of Genji, fictionalized the elite world Lady Shonagon so eloquently relates. Featuring reflections on royal and religious ceremonies, nature, conversation, poetry, and many other subjects, The Pillow Book is an intimate look at the experiences and outlook of the Heian upper class, further enriched by Ivan Morris's extensive notes and critical contextualization.
"Sponsored by The Helen Zell Writers' Program at the University of Michigan."
Subtitled The Pillow Book of Cordelia Kenn this is the story of Cordelia from the time she is 15 until she is 20. She is pregnant and plans to give this account to her daughter on her 16th birthday so that they can share their youth together. She chooses the old and famous Japanese book, 'The Pillow Book' by Sei Shonagon, as a model in order to include all kinds of things she has already written as well as the episodes and thoughts she has now as she compiles her book. She tells of her mother (who died when Cordelia was 5) of her father and her aunt Doris (who marry when she is 16), of her love for William Blacklin, the boy with whom she chooses to have her first sex - and with whom she falls deeply in love. She writes about Julie Martin her teacher who helps her spiritually, describes her love affair with an older married man and her terrifying sexual experience with an unbalanced young man who is obsessed with her. The book includes thoughts on being a women, on poetry, music, reading and writing, on being pregnant and finally of her marriage to William. This Is All is an anthology, written in six 'books' of Cordelia's adolescent life, by turns funny, poignant, sad, exciting, fascinating ironic and truthful about topics that parents often do not tell their children. It is a richly entertaining and challenging read.
I am Kozaisho: Fifth daughter, Woman-For-Play, teller of stories, lover, wife and Flower Samurai. In the rich, dazzling, brutal world of twelfth century Japan, one young girl begins her epic journey, from the warmth of family to the Village of Outcasts. Marked out by an auspicious omen, she is trained in the ancient warrior arts of the samurai. But it is through the power of storytelling that she learns to fight her fate, twisting her life onto a path even she could not have imagined...
2023 Feathered Quill Book Awards Gold Medal Winner 2022 Independent Publisher Book Awards (IPPY) Gold Medal Winner 2022 Over the Rainbow Short List 2021 Goodreads Choice Awards - Best Poetry Book Finalist 2021 Bookshop's Indie Press Highlights You Better Be Lightning by Andrea Gibson is a queer, political, and feminist collection guided by self-reflection. The poems range from close examination of the deeply personal to the vastness of the world, exploring the expansiveness of the human experience from love to illness, from space to climate change, and so much more in between. One of the most celebrated poets and performers of the last two decades, Andrea Gibson's trademark honesty and vulnerability are on full display in You Better Be Lightning, welcoming and inviting readers to be just as they are.
The Makura no Sôshi, or The Pillow Book as it is generally known in English, is a collection of personal reflections and anecdotes about life in the Japanese royal court composed around the turn of the eleventh century by a woman known as Sei Shônagon. Its opening section, which begins haru wa akebono, or “spring, dawn,” is arguably the single most famous passage in Japanese literature. Throughout its long life, The Pillow Book has been translated countless times. It has captured the European imagination with its lyrical style, compelling images and the striking personal voice of its author. Worlding Sei Shônagon guides the reader through the remarkable translation history of The Pillow Book in the West, gathering almost fifty translations of the “spring, dawn” passage, which span one-hundred-and-thirty-five years and sixteen languages. Many of the translations are made readily available for the first time in this study. The versions collected in Worlding Sei Shônagon are an enlightening example of the many ways in which translations can differ from their source text, undermining the idea of translation as the straightforward transfer of meaning from one language to another, one culture to another. By tracing the often convoluted trajectory through which a once wholly foreign literary work becomes domesticated—or resists domestication—this compilation also exposes the various historical, ideological or other forces that inevitably shape our experience of literature, for better or for worse.
In The Pillow Book of Lady Wisteria, Laura Joh Rowland once again has written a book in which "an exotic setting, seventeenth-century Japan, and a splendid mystery...make for grand entertainment" (New York Daily News). In the carefully ordered world of seventeenth-century Japan, the Yoshiwara pleasure quarter is a place where men of all classes can drink, revel, and enjoy the favors of beautiful courtesans. But on a cold winter's dawn, Sano Ichiro--the shogun's Most Honorable Investigator of Events, Situations, and People--must visit Yoshiwara on a most unpleasant mission. Within a house of assignation reserved for the wealthiest, most prominent men, a terrible murder has occurred. In a room that reeks of liquor and sex, the shogun's cousin and heir, Lord Mitsuyoshi, lies dead, a flowered hairpin embedded in his eye, in the bed of the famous courtesan, Lady Wisteria. The shogun demands quick justice, but Sano's path is blocked by many obstacles, including the disappearance of Wisteria and her pillow book, a diary that may contain clues. The politics of court life, the whims of the shogun, and interference by his long time rival, Edo's Chief Police Commissioner Hoshina, also hinder Sano in his search for the killer. Sano's wife, Lady Reiko, is eager to help him, but he fears what she may uncover. When suspicion of murder falls upon Sano himself, he must find the real murderer to solve the case and clear his name.